7D Mark II on Cameraegg

mkabi said:
jrista said:
Don Haines said:
mkabi said:
Single Digic 5+?
Single Digic 6?
Dual Digic 5+?
or
Dual Digic 6?

According to Wikipedia, the 1DX uses Dual Digic 5+ and a Separate Digic 4 for Intelligent Subject Analysis System. I don't own a 1DX so someone else can confirm.

Source: http://en.wikipedia.org/wiki/DIGIC

I want Dual Digic 6, but it hasn't been put in DSLRs yet - may be its specific for P&S?
I strongly doubt it will be a single Digic 5+ but then again...
I seem to remember that previous rumours that talked about specs were saying dual digic5+, but I would not be surprised if it were dual Digic6.... each iteration of the processor seems to be a good jump in speed.. Digic6 probably beats dual Digic5+ so I kind of hope for dual Digic5+...

And to those who say that it cant be Dual Digic6 because that's better than the 1DX has, how come a powershot has Digic6 and the 5D3 does not :)

I don't think that DIGIC 6 is what people think it is. DIGIC 6 is used in PowerShot because its new features were designed for the kind of consumer-grade features PowerShot offers. It supports 9.3fps average frame rate (12.2fps continuous up to 5 frames, after which the rate slows), but that is its minor feature. The big features are the way it handles highlight preservation, noise reduction at high ISO, etc. DIGIC 6 is about DSP image processing features, I don't think Canon has ever intended it to be the real replacement for DIGIC 5/5+.

I suspect the 7D II will use dual DIGIC 5+. It doesn't seem all that logical for Canon to create a new DIGIC 7 for the 7D II yet, as the DIGIC 5+ still offers plenty of data processing throughput. Given the derivation of the throughput for a pair of DIGIC 5+ like so:

Code:
dataRate = (14fps * 19,100,000pixels * 14bit) / 8bit/byte + overhead
dataRate = 467,950,000bps + overhead
dataRate = 468mbps + overhead

Assuming Canon didn't create DIGIC 5+ with 234mb/s, it seems logical that each one is capable of 250mb/s (~32mbps overhead per second). At 24mp, we can derive the frame rate of the 7D II if we assume a 500mb/s data rate (Dual DIGIC 5+):

Code:
500,000,000bps = (fps * 25,200,000px * 14bit) / 8bit/byte + 32,050,000bps overhead
467,950,000bps = (fps * 25,200,000px * 14bit) / 8bit/byte
467,950,000bps * 8bit/byte = fps * 25,200,000px * 14bit
3,743,600,000bps / (25,200,000px * 14bit) = fps
fps = 3,743,600,000bps / 352,800,000px/bit
fps = 10.611fps

So, with a pair of DIGIC 5+, the 7D II with a 24mp APS-C sensor could easily reach 10fps, and have even more room left over for overhead than the 1D X. Unless Canon is intending to give the 7D II a 12fps frame rate, I don't see the need for a new DIGIC 6+ or DIGIC 7. Maybe some of the image processing features in the DIGIC 6 could be useful, however I am not exactly sure what it's data throughput rate is...however I am pretty sure it isn't actually quite as good as a single DIGIC 5+ (based on what I've been able to derive from a couple PowerShot megapixel counts and the frame rate for the first five frames, it seems like the DIGIC 6 is capable of 225mb/s, it it falls short of DIGIC 5+ by about 25mb/s.)

It is possible that Canon might create a DIGIC 6+. If they did, assuming they scale DIGIC 6+ the same way they scaled DIGIC 5+ over DIGIC 5, then a single DIGIC 6+ should be about 3x as powerful as a DIGIC 6. That would put it's data throughput rate somewhere around 640mb/s to 675mb/s. That would mean that a single DIGIC 6+ would be enough to give the 7D II a 14fps frame rate.

For some reason, I don't really see that happening...not sure why, just doesn't feel like Canon is ready to drop that particular improvement on us yet. I suspect such a new DIGIC 6+ chip (or maybe they call it DIGIC 7) will arrive with the big megapixel camera. A data throughput rate of 700mb/s would be enough to support 8fps for a 46.7mp FF sensor at 14bit, and even enough to support 7fps at full 16bit!

I'm confused, why call it a DIGIC 6 if its not an improvement on the DIGIC 5+?
Isn't a dual-DIGIC 6 better than a single DIGIC 5+?

They used a DIGIC 5 in a t4i/650D...

At this point, anything that improves on a dual DIGIC 4 is better than no change...
Plus, even if it is a dual DIGIC 6 and it is less powerful than a dual DIGIC 5+ then won't it keep the 1DX supreme. It wont' hurt its sales in terms of specs.

Better doesn't necessarily mean faster. DIGIC 6 offers much improved image processing (which is more useful for sensors with smaller pixels), but it isn't faster. It is technically still better, but not in the way a 7D II would necessarily need.
 
Upvote 0
I wonder how much computing power is required for AF?

To my mind, one of the advantages of mirrorless designs is AF tracking.... you can lock on a face and have the focus point follow that object around the screen... I wonder how that would work on tracking small birds or an athlete's head? It's got to be a good load on the processor....

I wonder how this ties in with hybrid viewfinders?

The closer we get to a rumoured 7D2 the more uncertainty we have. One would expect that as time passes the specs would get more and more defined, but in this case the opposite is happening... this could be something really big, or it could be a warmed over 70D... only time will tell, but it's fun to speculate
 
Upvote 0
Typically, the next generation single Digic processor has a simular processing throughput as the previous dual Digic processor. The pattern to that is roughly a 1.5x gain in throughput. Canon usually throttle a little back the processor's capacity in every camera too, so no camera maxes out the procesor, not even a 1Dx.
But the ration's still carry, so expect a Dual Digic 6 (1D series) to be roughly 1.5 times that of the Dual Digic 5 (1DX spec) and expect a single Digic 6 to be roughly equal to the throughput of the Dual Digic 5. ie, expect the 7II/5D4 to have the same thoughput capability as the 1Dx.
 
Upvote 0
I'd be very surprised if the DIGIC processors are equivalent throughout the PowerShot and EOS lineups. Canon may have a different iteration of the DIGICs for DSLRs than for PowerShots, since it seems outrageous that the same processor would be in the ELPH-type cameras as in the 5D3. On that note, it would be worth considering whether the DIGIC 6 processor for the EOS lineup is taking longer to develop than the PowerShot variant, and perhaps has different features designed for the extra processing of video or high-FPS 7D-type cameras. If I recall correctly, DIGIC 5 appeared in PowerShots before EOS cameras as well. However, the DIGIC 4 series appeared in the 50D and 5D2 and the ELPH/IXUS series around the same time, so maybe Canon is changing their R&D timelines.
 
Upvote 0
There have been several mentions of " new and innovative video features" on the 7d II. I would like to see a better in camera mic, focus peaking, bigger LCD screen, and possibly an improved upon variation of the dual pixel af found in the 70d.

Other than that I would like the 7d II to have a 24MP sensor , dual digic 5+ processors, and 10 fps burst rate.
Hope they announce it soon! :)
 
Upvote 0
Thecrispyone said:
There have been several mentions of " new and innovative video features" on the 7d II. I would like to see a better in camera mic, focus peaking, bigger LCD screen, and possibly an improved upon variation of the dual pixel af found in the 70d.

Other than that I would like the 7d II to have a 24MP sensor , dual digic 5+ processors, and 10 fps burst rate.
Hope they announce it soon! :)

There's never going to be a better in-camera mic.
External mic is your best option (Check out a Rhode Mic on Amazon). If we're lucky they may add 3.5" LCD screen, but I think a 3.2" is the best we may see in the next iteration, you should also check out camera rigs and adding on 7" screens to a current model that you're interested in. Focus peaking is already possible using Magic Lantern.

My only problem with the dual digic 5+ is that we have seen what its already capable of doing in the 1D-C in terms of video capabilities.

4K/24p is cool.
1080/60p is also cool but 120p is much cooler. So if they are boasting about video capabilities, I would really expect something as good or even better than the 1D-C but not so much that its out-shinning it.
 
Upvote 0
Thecrispyone said:
There have been several mentions of " new and innovative video features" on the 7d II. I would like to see a better in camera mic, focus peaking, bigger LCD screen, and possibly an improved upon variation of the dual pixel af found in the 70d.

Other than that I would like the 7d II to have a 24MP sensor , dual digic 5+ processors, and 10 fps burst rate.
Hope they announce it soon! :)
+1
Although I also hope for a better in-camera mic, you will always be better off with an external mic. An external mic is sort of like changing lenses.... you can go for directional mics, omni mics, and remote mics... far more versatile than a built-in mic, but not nearly as convenient.
 
Upvote 0
Don Haines said:
Thecrispyone said:
There have been several mentions of " new and innovative video features" on the 7d II. I would like to see a better in camera mic, focus peaking, bigger LCD screen, and possibly an improved upon variation of the dual pixel af found in the 70d.

Other than that I would like the 7d II to have a 24MP sensor , dual digic 5+ processors, and 10 fps burst rate.
Hope they announce it soon! :)
+1
Although I also hope for a better in-camera mic, you will always be better off with an external mic. An external mic is sort of like changing lenses.... you can go for directional mics, omni mics, and remote mics... far more versatile than a built-in mic, but not nearly as convenient.

You can also spend money, and I mean SPEND MONEY, on external mics like you can on lenses. There is a whole range of quality, some are ok, some are good, some are absolutely phenomenal. You get what you pay for there, but pretty much any external mic is better than the built-in one. Kind of like replacing that 18-55mm toy with a "real lens" first thing after you buy your camera. ;)
 
Upvote 0
jrista said:
Don Haines said:
Thecrispyone said:
There have been several mentions of " new and innovative video features" on the 7d II. I would like to see a better in camera mic, focus peaking, bigger LCD screen, and possibly an improved upon variation of the dual pixel af found in the 70d.

Other than that I would like the 7d II to have a 24MP sensor , dual digic 5+ processors, and 10 fps burst rate.
Hope they announce it soon! :)
+1
Although I also hope for a better in-camera mic, you will always be better off with an external mic. An external mic is sort of like changing lenses.... you can go for directional mics, omni mics, and remote mics... far more versatile than a built-in mic, but not nearly as convenient.

You can also spend money, and I mean SPEND MONEY, on external mics like you can on lenses. There is a whole range of quality, some are ok, some are good, some are absolutely phenomenal. You get what you pay for there, but pretty much any external mic is better than the built-in one. Kind of like replacing that 18-55mm toy with a "real lens" first thing after you buy your camera. ;)

+1
 
Upvote 0
How hard is it to achieve 4k video? I was watching a digrev tv episode where a guy had to shoot a film using a Barbie camera... and gee said that his galaxy note could do 4k... it might not have been a note, but something similar. Certainly we have the pixels for it and then some... so what is the bottle neck in the slr world... oh... and I absolutely would not about at 4k for home videos. I feel I am assuming previous hard drive space just using 30 fps 1080p footage of my daughter sucking at basketball.
 
Upvote 0
1080/60p is also cool but 120p is much cooler. So if they are boasting about video capabilities, I would really expect something as good or even better than the 1D-C but not so much that its out-shinning it.
+1
As for the microphone, right now an external mic isn't really an option for me because I need to shoot with a extremely light and compact setup. Plus it wouldn't even fit in my current camera backpack. But I would like to upgrade to one in the future when that option becomes more viable. Thanks for your input! :)
 
Upvote 0
Thecrispyone said:
1080/60p is also cool but 120p is much cooler. So if they are boasting about video capabilities, I would really expect something as good or even better than the 1D-C but not so much that its out-shinning it.
+1
As for the microphone, right now an external mic isn't really an option for me because I need to shoot with a extremely light and compact setup. Plus it wouldn't even fit in my current camera backpack. But I would like to upgrade to one in the future when that option becomes more viable. Thanks for your input! :)
Maybe they are just using marketing hype to get free advertising. Maybe what they are saying is,

UNLIKE ANYTHING EVER BEFORE, within the market category...
 
Upvote 0
jdramirez said:
UNLIKE ANYTHING EVER BEFORE, within the market category...

lol...

jdramirez said:
How hard is it to achieve 4k video? I was watching a digrev tv episode where a guy had to shoot a film using a Barbie camera... and gee said that his galaxy note could do 4k... it might not have been a note, but something similar. Certainly we have the pixels for it and then some... so what is the bottle neck in the slr world... oh... and I absolutely would not about at 4k for home videos. I feel I am assuming previous hard drive space just using 30 fps 1080p footage of my daughter sucking at basketball.

I don't think its much, I mean look at the Go Pro Hero 3/3+ Black edition...
http://gopro.com/cameras/hd-hero3-black-edition#technical-specs

It supports 4K, 2.7K, 1440p 1080/60p...

Only problem is its tiny and no interchageable lenses.... oh wait... no... this guy made it possible to change lenses: http://www.back-bone.ca/

Its still tiny though! Annoyingly tiny.
 
Upvote 0
mkabi said:
jdramirez said:
How hard is it to achieve 4k video? I was watching a digrev tv episode where a guy had to shoot a film using a Barbie camera... and gee said that his galaxy note could do 4k... it might not have been a note, but something similar. Certainly we have the pixels for it and then some... so what is the bottle neck in the slr world... oh... and I absolutely would not about at 4k for home videos. I feel I am assuming previous hard drive space just using 30 fps 1080p footage of my daughter sucking at basketball.

I don't think its much, I mean look at the Go Pro Hero 3/3+ Black edition...
http://gopro.com/cameras/hd-hero3-black-edition#technical-specs

It supports 4K, 2.7K, 1440p 1080/60p...

Only problem is its tiny and no interchageable lenses.... oh wait... no... this guy made it possible to change lenses: http://www.back-bone.ca/

Its still tiny though! Annoyingly tiny.
The GoPro 3+ isn't a fair comparison, since it only offers usable (30p or higher) video at 2.7K and lower resolutions. It's also worth noting that the 1DX can do 18MP stills at 14fps, comparable to the GoPro's true 4K setting. The GoPro is impressive because of its 1080/60p and 720/120p modes - that's more reasonable to compare. Canon will probably reserve 4K for its significantly more expensive models, meaning the C series, and instead work on more marketable modes like 1080/60 or 720/120, since most consumers don't have a 4K display anyway, but would like more slow-motion capabilities. The 7D replacement would be a good place to add those capabilities, since we're expecting dual processors and hence significantly more computing power than the 70D.
 
Upvote 0
jiphoto said:
mkabi said:
jdramirez said:
How hard is it to achieve 4k video? I was watching a digrev tv episode where a guy had to shoot a film using a Barbie camera... and gee said that his galaxy note could do 4k... it might not have been a note, but something similar. Certainly we have the pixels for it and then some... so what is the bottle neck in the slr world... oh... and I absolutely would not about at 4k for home videos. I feel I am assuming previous hard drive space just using 30 fps 1080p footage of my daughter sucking at basketball.

I don't think its much, I mean look at the Go Pro Hero 3/3+ Black edition...
http://gopro.com/cameras/hd-hero3-black-edition#technical-specs

It supports 4K, 2.7K, 1440p 1080/60p...

Only problem is its tiny and no interchageable lenses.... oh wait... no... this guy made it possible to change lenses: http://www.back-bone.ca/

Its still tiny though! Annoyingly tiny.
The GoPro 3+ isn't a fair comparison, since it only offers usable (30p or higher) video at 2.7K and lower resolutions. It's also worth noting that the 1DX can do 18MP stills at 14fps, comparable to the GoPro's true 4K setting. The GoPro is impressive because of its 1080/60p and 720/120p modes - that's more reasonable to compare. Canon will probably reserve 4K for its significantly more expensive models, meaning the C series, and instead work on more marketable modes like 1080/60 or 720/120, since most consumers don't have a 4K display anyway, but would like more slow-motion capabilities. The 7D replacement would be a good place to add those capabilities, since we're expecting dual processors and hence significantly more computing power than the 70D.

Here is the question, can Canon afford to keep 4K off their future models?
I mean, ok... lets ask another question... is 4K a fad or something that is sustainable until at least 8K comes along?

If 4K is a fad... then no problem... lets move on.
If 4K is not a fad and every consumer will embrace it, can something like the 7DII afford to not have that feature? Given that 4K was introduced recently (within the last year or two), and supposing everyone will go out and buy a 4K TV, Canon will have to wait 4-5 years before they introduce it in a 7DIII (or whatever other name - Mark II).
 
Upvote 0
mkabi said:
jiphoto said:
mkabi said:
jdramirez said:
How hard is it to achieve 4k video? I was watching a digrev tv episode where a guy had to shoot a film using a Barbie camera... and gee said that his galaxy note could do 4k... it might not have been a note, but something similar. Certainly we have the pixels for it and then some... so what is the bottle neck in the slr world... oh... and I absolutely would not about at 4k for home videos. I feel I am assuming previous hard drive space just using 30 fps 1080p footage of my daughter sucking at basketball.

I don't think its much, I mean look at the Go Pro Hero 3/3+ Black edition...
http://gopro.com/cameras/hd-hero3-black-edition#technical-specs

It supports 4K, 2.7K, 1440p 1080/60p...

Only problem is its tiny and no interchageable lenses.... oh wait... no... this guy made it possible to change lenses: http://www.back-bone.ca/

Its still tiny though! Annoyingly tiny.
The GoPro 3+ isn't a fair comparison, since it only offers usable (30p or higher) video at 2.7K and lower resolutions. It's also worth noting that the 1DX can do 18MP stills at 14fps, comparable to the GoPro's true 4K setting. The GoPro is impressive because of its 1080/60p and 720/120p modes - that's more reasonable to compare. Canon will probably reserve 4K for its significantly more expensive models, meaning the C series, and instead work on more marketable modes like 1080/60 or 720/120, since most consumers don't have a 4K display anyway, but would like more slow-motion capabilities. The 7D replacement would be a good place to add those capabilities, since we're expecting dual processors and hence significantly more computing power than the 70D.

Here is the question, can Canon afford to keep 4K off their future models?
I mean, ok... lets ask another question... is 4K a fad or something that is sustainable until at least 8K comes along?

If 4K is a fad... then no problem... lets move on.
If 4K is not a fad and every consumer will embrace it, can something like the 7DII afford to not have that feature? Given that 4K was introduced recently (within the last year or two), and supposing everyone will go out and buy a 4K TV, Canon will have to wait 4-5 years before they introduce it in a 7DIII (or whatever other name - Mark II).
Look at a 60D...it can handle 1920x1080 no problems.... it can read the sensor 60 times per second no problems...

To go to 2K video at 60 frames per second you will need twice the computing power (easy) and probably 1.8X the storage speed (easy with a good card)

To go to 4K video at 30 frames per second you need 4X the computing power (easy) and probably 3.5X the storage speed (could be done with a fast compact flash card, SD is out)

To go to 4K video at 60 frames per second you need 8X the computing power (easy with dual Digic5+ or dual Digic6) and around 7X the storage speed. SD and compact flash are both out.... it will have to be cFast or something else...

You could reduce storage requirements by compressing it more heavily, but if you do, there goes quality.... and if you do not have quality, why bother with 4K video in the first place?

If the 7D2 supports 4K video, odds are very high that it will take a cFast and an SD card for storage...
 
Upvote 0
I could tell the difference between up converted 480p and 1080I...I could definitely tell the difference between 480I and any high Def feed.

I don't think 4k is that noticeable v 1080p... I wouldn't call it a fad, but it won't take hold the way hdtv did.

mkabi said:
jiphoto said:
mkabi said:
jdramirez said:
How hard is it to achieve 4k video? I was watching a digrev tv episode where a guy had to shoot a film using a Barbie camera... and gee said that his galaxy note could do 4k... it might not have been a note, but something similar. Certainly we have the pixels for it and then some... so what is the bottle neck in the slr world... oh... and I absolutely would not about at 4k for home videos. I feel I am assuming previous hard drive space just using 30 fps 1080p footage of my daughter sucking at basketball.

I don't think its much, I mean look at the Go Pro Hero 3/3+ Black edition...
http://gopro.com/cameras/hd-hero3-black-edition#technical-specs

It supports 4K, 2.7K, 1440p 1080/60p...

Only problem is its tiny and no interchageable lenses.... oh wait... no... this guy made it possible to change lenses: http://www.back-bone.ca/

Its still tiny though! Annoyingly tiny.
The GoPro 3+ isn't a fair comparison, since it only offers usable (30p or higher) video at 2.7K and lower resolutions. It's also worth noting that the 1DX can do 18MP stills at 14fps, comparable to the GoPro's true 4K setting. The GoPro is impressive because of its 1080/60p and 720/120p modes - that's more reasonable to compare. Canon will probably reserve 4K for its significantly more expensive models, meaning the C series, and instead work on more marketable modes like 1080/60 or 720/120, since most consumers don't have a 4K display anyway, but would like more slow-motion capabilities. The 7D replacement would be a good place to add those capabilities, since we're expecting dual processors and hence significantly more computing power than the 70D.

Here is the question, can Canon afford to keep 4K off their future models?
I mean, ok... lets ask another question... is 4K a fad or something that is sustainable until at least 8K comes along?

If 4K is a fad... then no problem... lets move on.
If 4K is not a fad and every consumer will embrace it, can something like the 7DII afford to not have that feature? Given that 4K was introduced recently (within the last year or two), and supposing everyone will go out and buy a 4K TV, Canon will have to wait 4-5 years before they introduce it in a 7DIII (or whatever other name - Mark II).
 
Upvote 0
I'd like to say for the record that if the c series is actually holding us back and bottle necking the technology... I'm a bit ticked.

That would be like Ford limiting the horsepower in the truck line because it would equal the girl efficiency of their dump trucks.

Yes they are similar.. yes one costs a ton more, yes they do different jobs,

I'm sure there are better analogies... and I don't even like video...but I don't want to stills side to suffer.
 
Upvote 0