Neuro, You are abolutely right. My typo. What I really mean is the Cheap and Very Light 18-55,f 3.5 t0 5.6 kit lens. Since my 17-40 does not have IS so the kit lens become very useful inside the museum. I did not buy the 17-40 for weather proof. I bought it for the focal length that I would use the most. It was bought with the 20D before the 17-55mm f 2.8 exists. Thanks for pointing out my mistake. For someone starting out fresh. definitely the 17-55mm f 2.8 is a better choice than the 17-40 f4.neuroanatomist said:Rocky said:40D (20D replacement), 17-40mm, 17-55 IS kit lens... 17-40 is my main lens. 17-55 is for low light in museum.
I would not recommend carrying both the 17-55mm f/2.8 IS and the 17-40mm f/4L. I don't even understand why? On a crop body, the 17-55mm is better in every way - sharper, faster, longer tele end, has IS. The sole advantage of the 17-40mm is weather sealing, but that only matters with a sealed body, which the 40D isn't.
But...maybe you meant the 18-55mm f/3.5-5.6 IS kit lens?
handsomerob said:If I were to travel the world for 6 months, I think I would sell everything and buy a 5DII + 24-105L kit and add a 50mm f/1.4 for low light work. Paired with decent glass, FF is the way to go if you want the best possible IQ to capture those priceless moments.
One important thing you should consider is the storage of your photos, especially if you are shooting RAW. You should see that your laptop has a big enough hard drive with enough empty space to hold all those photos you will take for 6 months. You can also store them in an external drive of course.![]()
I would take ONE MORE external drive as backup, which is probably more important than having an extra lens. You could eventually also store them with online services or on your website but whatever you do, you have to have a backup!!!!
Last but not least, I would replace the tripod with a carbon version which would be much lighter for travel.
Don't forget to enjoy your time and try to also watch the world only with your eyes, not always through the viewfinder![]()
Have fun!
Cosk said:Hillsilly reminded me of a few key accessories you'll want to take for travel:
A cable lock (the type they use to lock skis). It's cheap, small, and light - and you can creatively wrap the cable to lock spare gear in Armoires, drawers, etc (this will become your white-lens lock - because after awhile that's what will be left back at the hotel/hostel/etc). If someone really wants your stuff, they can cut the cable... but people won't know what's in there - any you'll immediately know if someone broke in. It gave me piece of mind. And never store your spare lenses in a convenient bag with a handle... that's too easy for a thief to grab the entire kit. Store stuff in big piles so a thief grabs one or two things and runs.
Gaffers Tape. You want to disguise your external hard drives - make them ugly; the last thing anyone would ever want to steal. That's the problem with digital... in the old days, at least no one would steal your film... but now, hard drives and CF cards have value. I considered spraying my hard drives with the same stuff they spray under cars to prevent corrosion... but it's sticky. Gaffers tape and primer spray paint was my solution. Also, get an online backup service... I uploaded my treasured jpgs there... at least, if everything was stolen, I'd have the jpgs. Internet cafes also typically have a DVD burning service and you can periodically mail discs home to yourself. And always have two hard drives... a backup, and a backup of your backup. One of my drives went 'click' one day, near the end of a 4 month trip, with 10,000 images on it. And that was that. (Luckily I had a duplicate drive and lots of backups).
I also put black gaffers tape over the logos and the red rings on my camera when I'm in high theft areas (Gaffers tape is expensive, but it is designed for film gear and doesn't leave a sticky residue). Honestly, I'm not sure it really helps - a thief will steal a camera regardless of value... but it makes me feel a little better.
Sensor blower (e.g. Rocket). Either bring one, or you'll end up buying one on your trip.
A discrete bag. I used a Domke 803, and it holds a body with a 70-200 f/4 and a spare lens... and looks like a little messenger bag. I just switched to an 831, which is a little bigger... but haven't put it to the test yet.
I assume you'll have a compact camera as well... you better. Many of my BEST shots came from my little compact... because it was always in my pocket. But... I dropped into the Antarctic ocean while trying to climb an iceberg to get a shot of a penguin... which taught me to not use my cards to store images... get them off as soon as possible.
A Wolverine drive works well for that... and if you are on an expedition where someone got a great shot of you, you can always ask 'can I borrow your SD card for 5 minutes? You can slip their card in your wolverine and grab all their shots... and it counts as one of your extra hard drives... and doubles as card reader.
Bring SD/CF recovery software. I didn't... and I met way too many people who lost everything on their cards and were staying up all night trying to figure out how to recover their images. Some of the memory cards include recovery software for free... bring it and save it on every device you have.
anyway... hard won lessons from the field.