yepp, anyway. time will tell and, there is joy in saving up. As it was on the route to 5D3... 8)tron said:You will and you know it! :pedro said:Hope I'm not upset about the price tag!!! :-[![]()
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yepp, anyway. time will tell and, there is joy in saving up. As it was on the route to 5D3... 8)tron said:You will and you know it! :pedro said:Hope I'm not upset about the price tag!!! :-[![]()
M.ST said:Some photographers get the EF 14-24 f/2.8 for testing a few weeks ago.
Dylan777 said:Should I sell my 16-35 II NOW?
neuroanatomist said:Dylan777 said:Should I sell my 16-35 II NOW?
I've been thinking about that...the front filter capability is what's stopping me. Oh...that, and the fact that no 14-24/2.8 has actually been announced, and even if one is, it might be many months before it's actually available.![]()
Dylan777 said:As a prev. owner of 28mm f1.8 and 50 f1.4, I know both of these lenses well. None of these lenses can be shot at wide open, especially the 28mm. Both lenses need to stop down at least 1stop before you can see the sharpness.
What is the point of buying a prime with f1.ish and shoot at f2ish. Just FYI...both 35L and 50L are sharp at wide open... and yes, I have real life pictures if you want to see.
Viggo said:Compare a 1,4 to a f2? Well, the 1,4 let's in twice the light, do you want that and shallow dof as a result? The answer to that question gives the lens you want... add weatherseal too..
neuroanatomist said:Dylan777 said:Should I sell my 16-35 II NOW?
I've been thinking about that...the front filter capability is what's stopping me. Oh...that, and the fact that no 14-24/2.8 has actually been announced, and even if one is, it might be many months before it's actually available.![]()
Cory said:Do you think the 12-24 might be a good bet for crop sensors? My "normal" lens is a Sigma 30 1.4 and I'm considering the new Tokina 11-16, but would gladly wait to see what the 12-24 is all about.
:-*
Bosman said:Canon is doing the classic, omg they have a great lens, before they snatch our potential 35 up-graders we better release ours. AKA Sigma.
Or... years!pedro said:As many the months maybe...
jondave said:Zlatko said:The 50/1.2L stands out in the EF lens line, not for its sharpness, but for the beautiful way in which it draws, especially in the f/1.2 to f/2.8 range. Canon obviously designed it with a certain look in mind.
Are you saying Canon designed the 50L not to be sharp but instead to get a 'certain look'? I really doubt Canon would design an L prime with sharpness NOT their top priority...
Daniel Flather said:Neuro, you have so many lenses I think 50L ownership is just a matter of time for you. You want it —you're looking for validation.![]()
Well, YES and NO. You must not shift a lot since it will cause vignetting in one side and it will impact the quality.privatebydesign said:tron said:Or... years!pedro said:As many the months maybe...This is a rumors site and everyone can write his or her BS! We simply do not know. For now I prefer to enjoy my TS-E 17mm. Less wide but still wide enough, plus having Tilt and Shift capability
(and anyway the 14-24 is likely to have an equally high price).
A shifted stitch gives you an effective 11mm fov with a 40+mp sensor, medium format quality for comparative peanuts. A shift stitched 24mm TS-E image is even higher quality and more "normal" fov, and you can use filters on it.
neuroanatomist said:LOL.I've considered buying it, but I'll likely get the 24-70 II first.
privatebydesign said:Maybe I should write an article for the site on TS-E use as few people seem to know how to get the best out of these extraordinary lenses.
danski0224 said:privatebydesign said:Maybe I should write an article for the site on TS-E use as few people seem to know how to get the best out of these extraordinary lenses.
Please do.