3kramd5 said:emko said:3kramd5 said:I doubt they would enter into an agreement like that. Rather I assume they have determined it doesn't matter (and in the preponderance of shooting conditions, it doesn't). Shrug.
Still may be an upcoming firmware change to enable lossless raw
It does matter ...
Yes, but not in the preponderance of shooting conditions. I would like the option and I'd probably use it because space isn't in issue.
emko said:and how exactly can they call something RAW when its lossy compressed it would be like calling JPEG raw when its clearly not
Not quite; JPEG is debayered. Is there an industry standard definition of how much processing "unraws" something? A better question is: how can they claim 14-bit output?
emko said:yes i do take photos of stars and also i would not want to worry about any artifacts when i don't have to with other camera
I've seen plenty of pictures of stars produced with Sony's 11+7 compression and tone curve. I have seen the example by the RAWDIGGER guy of trails with artifacts that he accentuated, but I haven't seen much evidence that it's a pervasive problem, such as "if you shoot stars you're going to get halos." It's an edge case.
emko said:Then you have 12bit BECAUSE you choose to use BULB? really? or any of the other modes other then single shot.
I don't claim to understand it. Bulb is annoying, as is silent shutter. I wonder if it's a hardware limitation or a software thing.
to be honest i probably would be fine with the lossy but i am paying $3,999.99 for something that should have option for RAW 14bit and then having to always think about if there is going to be artifacts in my photos.
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