I bought a Digital Rebel with the 18-55 kit lens in September 2003 and upgraded regularly through the T6s. Eventually I also got three 5D series bodies. I had been using the EOS system since 1993, so I was well equipped with EF lenses and Speedlites.
My main problem was the lack of wide primes and fast zooms. The EF-S 17-55/2,8 was great, but it had L size and price. Eventually two Tokina f/2.8 zooms made up a variant of the Holy Trinity.
But for primes I only found three, the 24/2.8 pancake, the 60 macro and one more. For a while I used the EF 28/1.8 as a normal lens, but the results were suboptimal. Eventually a Sigma 30/1.4 (pre Art) came to the rescue. I could use my 50/1.4 and 85/1.8 as portrait lenses, but at the wide end, nada!
With great fanfare Canon introduced the R system in 2018. What they left unsaid, though, was that they had started the M series in 2012 and developed it significantly. With the M5 in 2015 I started using it professionally. In 2018 appeared the M6 II which to some extent is still my favorite camera. Early on they had introduced the EF-M 22/2 which was a nice little lens. Late in the game Canon introduced what I think was their most ambitious normal lens to date, the 32/1.4. That puppy had 14 elements, at a time when the Zeiss Otis 55/1.4 had 12 elements. Anyway, in 2022 they pulled the plug on the M system. Long live the R!
The R7 and R10 have now been available for a while and variable aperture zooms abound. There should have been adequate time to remount the two EF-M primes as RF-S lenses. Definitely hasn’t happened yet, maybe it never will. “Wasn’t invented here!”.
Sony is successfully running a two format system, with lenses for both, primes and zooms. I still have most of my EF system and still use it for some jobs. But for travel the M system is still my preference. I have, however, built up my R7 system. I like primes and I have bought a batch of Sigma Contemporary f/1.4 primes and two f/2.8 zooms, as well as an f/1.8 Art zoom. Canon has NOTHING like it!!!
We don’t all need/want Full Frame, or even if we have it, we may still want an APS-C outfit. I like my R7, I like the stabilizer and the full sviwel screen. Personally I don’t need two cards and I would prefer an LP-E17 battery, it’s easy to carry extras in return for a smaller body.
By its policy Canon lost out on about $ 4-5 K in lens purchases. Good job, guys!
And that concludes my rant!
My main problem was the lack of wide primes and fast zooms. The EF-S 17-55/2,8 was great, but it had L size and price. Eventually two Tokina f/2.8 zooms made up a variant of the Holy Trinity.
But for primes I only found three, the 24/2.8 pancake, the 60 macro and one more. For a while I used the EF 28/1.8 as a normal lens, but the results were suboptimal. Eventually a Sigma 30/1.4 (pre Art) came to the rescue. I could use my 50/1.4 and 85/1.8 as portrait lenses, but at the wide end, nada!
With great fanfare Canon introduced the R system in 2018. What they left unsaid, though, was that they had started the M series in 2012 and developed it significantly. With the M5 in 2015 I started using it professionally. In 2018 appeared the M6 II which to some extent is still my favorite camera. Early on they had introduced the EF-M 22/2 which was a nice little lens. Late in the game Canon introduced what I think was their most ambitious normal lens to date, the 32/1.4. That puppy had 14 elements, at a time when the Zeiss Otis 55/1.4 had 12 elements. Anyway, in 2022 they pulled the plug on the M system. Long live the R!
The R7 and R10 have now been available for a while and variable aperture zooms abound. There should have been adequate time to remount the two EF-M primes as RF-S lenses. Definitely hasn’t happened yet, maybe it never will. “Wasn’t invented here!”.
Sony is successfully running a two format system, with lenses for both, primes and zooms. I still have most of my EF system and still use it for some jobs. But for travel the M system is still my preference. I have, however, built up my R7 system. I like primes and I have bought a batch of Sigma Contemporary f/1.4 primes and two f/2.8 zooms, as well as an f/1.8 Art zoom. Canon has NOTHING like it!!!
We don’t all need/want Full Frame, or even if we have it, we may still want an APS-C outfit. I like my R7, I like the stabilizer and the full sviwel screen. Personally I don’t need two cards and I would prefer an LP-E17 battery, it’s easy to carry extras in return for a smaller body.
By its policy Canon lost out on about $ 4-5 K in lens purchases. Good job, guys!
And that concludes my rant!