Canon EF 70-300 f/4-5.6L IS USM
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This gallery hasn't been posted to in a while, but I just recently got a copy of this lens and will be sharing some of my recent images with it in a series this week. Here's one:
Winter's Splendor #1 - The Road by Thousand Word Images by Dustin Abbott, on Flickr
Winter's Splendor #1 - The Road by Thousand Word Images by Dustin Abbott, on Flickr
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Here's a second taken with the lens - excellent color rendition and resistance to flare. Color is out of camera, although I combined two exposures to allow proper exposure on both the tree and the sunrise behind it.
Winter's Splendor #2 - The Tree by Thousand Word Images by Dustin Abbott, on Flickr
Winter's Splendor #2 - The Tree by Thousand Word Images by Dustin Abbott, on Flickr
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All of those pictures looks nice, but this lens (from 200mm till 300) produces not very sharp images and the contrast is very low. No concerns from 70 to 200mm.
I have the 70-200L II, but sometimes I use the 70-300 when I do not want to carry a heavy equipment with me or when I am traveling to an insecure country.
I have the 70-200L II, but sometimes I use the 70-300 when I do not want to carry a heavy equipment with me or when I am traveling to an insecure country.
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AlbertPorres said:
Hardly true I suppose but the way you say it makes it sound quite bad. This lens is actually just as good as the EF 300mm f4 IS at f5.6. To go better than this you need an EF 300mm f2.8 ( and about £5,200
)
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Here's another from the series:
Winter's Splendor #3 - Pastels by Thousand Word Images by Dustin Abbott, on Flickr
Winter's Splendor #3 - Pastels by Thousand Word Images by Dustin Abbott, on Flickr
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TWI by Dustin Abbott said:Here's another from the series:
Winter's Splendor #3 - Pastels by Thousand Word Images by Dustin Abbott, on Flickr
Lovely subtle image, reminds me of the fantasy "Narnia"
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Had an interesting experience out in the woods with the 70-300L today and a large grey owl. Here's a link to an article with photos if you're interested.
http://www.dustinabbott.net/2013/02/my-grey-owl-experience/
http://www.dustinabbott.net/2013/02/my-grey-owl-experience/
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Sporgon said:TWI by Dustin Abbott said:Here's another from the series:
Winter's Splendor #3 - Pastels by Thousand Word Images by Dustin Abbott, on Flickr
Thank you, and a good call. That morning was very much like the fantasy version of winter.
Lovely subtle image, reminds me of the fantasy "Narnia"
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ahab1372 said:
That's what I was thinking. He must have them mixed up. The non-L is very soft from 200-300mm.
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TWI by Dustin Abbott said:Here's another from the series:
Winter's Splendor #3 - Pastels by Thousand Word Images by Dustin Abbott, on Flickr
verynice
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Thanks to everyone on the nice comments of the image above. Here's another that I took with the 70-300L this week. I hadn't yet done the AFMA on the lens, which I did the latter part of this week. I've had a bit of an issue dialing in the long end - it is great at/up to AFMA distance (roughly 25 feet), but out closer to infinity (75 feet +) I find it is a little out as compared to the Live View focus. I tried AFMA from a little further away, but it does get a little harder to be precise (longer distance + f/5.6 is not a great combination). I ended up with only one point further (-3), so I'll have to see how it goes.
The Grey Owl by Thousand Word Images by Dustin Abbott, on Flickr
The Grey Owl by Thousand Word Images by Dustin Abbott, on Flickr
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Here's another horse shot. I am really pleasantly surprised at how good the bokeh (very smooth) is on this lens for a variable aperture telephoto zoom.
Delicate by Thousand Word Images by Dustin Abbott, on Flickr
Delicate by Thousand Word Images by Dustin Abbott, on Flickr
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TWI by Dustin Abbott said:
Dustin, have to ask you...how do you get such nice/soft tones? Love how you process your images!
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killswitch said:TWI by Dustin Abbott said:
Dustin, have to ask you...how do you get such nice/soft tones? Love how you process your images!
That whole workflow was all within Lightroom (4), so no Photoshop there. I have invested in some presets for LR that I further customize. The basic look is from a preset collection (http://www.adobelightroompresets.net/lightroom-presets/ultrafaded-presets/) Preset 9. By the way, these preset collections often go on sale for 50% off. I then further tweaked the tone curve to bring a little of the low end back, used a preset brush to paint in a little sharpness and contrast to the forelock. I probably tweaked the sliders a hair, but I doubt that I have any more than about 4 minutes in processing this particular image. Another collection I use a lot in my workflow is the "Instagram style" presets. I usually customize the sliders somewhat after processing, as I am pretty familiar with the way that LR works at this point. I typically spend as much or more time in adding metadata, descriptions, and keywords as I do processing. I am careful about all of those things because a fair bit of my work moves commercially in one way or another.
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TWI by Dustin Abbott said:killswitch said:TWI by Dustin Abbott said:
Dustin, have to ask you...how do you get such nice/soft tones? Love how you process your images!
That whole workflow was all within Lightroom (4), so no Photoshop there. I have invested in some presets for LR that I further customize. The basic look is from a preset collection (http://www.adobelightroompresets.net/lightroom-presets/ultrafaded-presets/) Preset 9. By the way, these preset collections often go on sale for 50% off. I then further tweaked the tone curve to bring a little of the low end back, used a preset brush to paint in a little sharpness and contrast to the forelock. I probably tweaked the sliders a hair, but I doubt that I have any more than about 4 minutes in processing this particular image. Another collection I use a lot in my workflow is the "Instagram style" presets. I usually customize the sliders somewhat after processing, as I am pretty familiar with the way that LR works at this point. I typically spend as much or more time in adding metadata, descriptions, and keywords as I do processing. I am careful about all of those things because a fair bit of my work moves commercially in one way or another.
Whoa, thanks for sharing your workflow Dustin. Appreciate it. Will go through the link you posted.
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