Good news, it already came out in Sept 2014.7D Mark II in May/June this year?![]()
Upvote
0
Good news, it already came out in Sept 2014.7D Mark II in May/June this year?![]()
70-135 f/1.4... stop trying to seduce me.70-135 f/1,4 would be very nice and useful for many.
I do not expect this zoom to cover an extreme range, f/1,4 will be already difficult to design.
But Canon have already used us to spectacular lens developments in the past, so, who knows?
Looking at Richards table with all the different zoom ranges from the patent, I´d personally say 28-55mm F1.4 sounds the most intriguing. I´d also love 35-70mm and I´d consider buying one of these lenses if the prices allows it. An UWA f1.4 zoom such as 16-24mm F1.4 wouldn't interest me at all. But that's just me![]()
Give it another 20-30 years. We are heading in that direction.I can't wait for RF 10-1200mm f0.95L IS VCM Macro x1.4 Extender.....
That wouldn’t stop many buyers. The 28-70mm f/2 cost about 3600 to 3900€ at launchAn RF 24-50/1.8L may easily cost 4000€. Who will spend so much money?
Surprisingly yes.Is IS necessary when IBIS works so well with it?
I'm OK with 50-85/1.8I hope they really release something like this.
For my use ... something in the area of 35-85mm f1.4 would be a dream lens. Even if it is a 50-85mm f1.4 I would still buy it.
What do you class as low quality?So, if Canon will make a fast zoom, we should expect a plastic phantastic with low image quality like the 1.2/45 or APS-C glass. But definitely not a L Lens.
f/1.8 is not really different enough from f/2 unless they add IS or somethingMy guess, RF 28-50 1.8 or 24-35 1.8, the latter one probably being a bit harder to make. I do not think there will be a 1.4 zoom.
I got a neoprene case for my V1.Have you ever had issues with pocketable cameras that end up full of dust inside?
Yes, some of us own cinema cameras.Is IS necessary when IBIS works so well with it?
Well, mine arrived yesterday after an excruciating 1-month waitWell, according to a recent article, Yodobashi sees Hasselblad XCD 2,8–4/35–100E as the #1 selling lens these days
Fair enough. It's outside my area. But I have seen it said that cinema cameras are usually used with rigs (is that the word?) to stabilise them? Cinema lenses don't usually have IS, do they?Yes, some of us own cinema cameras.
I presume you’re using a camera that lacks IBIS. The point being made was that the 28-70/2 delivers 8 stops of stabilization with IBIS alone, which is the same as the 24-70/2.8 IS achieves in combination with IBIS.Surprisingly yes.
I just had a recent experience with the 28-70/2, shooting in low light conditions (event). I was shocked to see how I can see the lack of IS on the images and probably how much I got used using IS. I had to explicitly focus on having a steady hand which I haven't much done in the past ~15y.
Canon has a graph for you (not a proper one, since it’s lacking numbers on the axes). You are certainly correct that the benefit of lens IS is mainly with longer focal lengths.Btw, I don't really see Canon leaving IS behind despite the development of IBIS. I believe it's the combination of the two which can give a real good result. Especially at higher focal lengths, but I'm no expert, can't draw a graph![]()

...there are comments on here, and then there are real world comments on here.Surprisingly yes.
I just had a recent experience with the 28-70/2, shooting in low light conditions (event). I was shocked to see how I can see the lack of IS on the images and probably how much I got used using IS. I had to explicitly focus on having a steady hand which I haven't much done in the past ~15y.
Btw, I don't really see Canon leaving IS behind despite the development of IBIS. I believe it's the combination of the two which can give a real good result.