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Loswr
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awinphoto said:[Dust on the sensor, much like the annoying dust on film, especially large format film, was not apperture specific... if the dust was there, it would be seen whether shooting 1.4 or f22... Couldn't it suggest the F22 dust is more dust in the lens because I would think dust on the sensor would be same hard outline of light not getting to the sensor either way...
Nope. Sensor dust is aperture sensitive - it becomes progressively more evident at narrower apertures. Lens dust, for all intents and purposes, is invisible in the final image. The difference from film is where the dust is in relation to the light recording medium. With film, the emulsion is right out there for the dust to settle on. But when we say 'dust on the sensor' we really mean is 'dust on the dichroic filter on top of the low pass filter on top of the IR cut filter on top of the phase conversion filter on top of another low pass filter on top of microlenses on top of the actual photosites of the sensor'.
In fewer words, unlike film, dust 'on the sensor' is not at the image-forming plane, but some distance in front of that plane, so diffraction partly determines the size and darkness of the blur spot.
Or, in as few words as I can manage: sensors aren't film.
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