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9VIII said:http://www.dpreview.com/reviews/canon-eos-7d-mark-ii/13
Getting an optimal ETTR exposure is difficult and usually only best done via extensive bracketing. Given the difficulty of absolutely nailing an optimal exposure, the flexibility offered by a camera with greater dynamic range cannot be understated for situations such as these: they prove more tolerant of any 'mis-exposure' which, in fact, may not be a 'mis-exposure' at all when you're using the in-camera exposure indicators to judge your exposure with higher dynamic range scenes such as this one.
See how dire the situation is when you don't have enough DR?
They even go out of their way to say that ISO invariance will give improve high ISO performance.
Note that the dynamic range advantages of cameras with high base ISO dynamic range can extend to higher ISOs as well, where the 'ISO-invariance' of cameras like the D7000 allows you to purposefully underexpose the image by lowering the levels of ISO amplification. This gives you extra highlight headroom in accordance with the amount of reduction in ISO amplification. The 7D Mark II is not amenable to this type of shooting.
But of course you'll only find lengthy paragraphs about these deficiencies with the 7DMkII, with no mention of beneficial tradeoffs to be seen.
For the D5 you find multiple legthy paragraphs downplaying the exact same points used to criticise the 7DMkII.
http://www.dpreview.com/reviews/nikon-d5-pro-dslr-review/8
Either way, in our opinion, we'd try not to over-stress the importance of the fact that the D5 has poorer base ISO dynamic range than its current peers (after all, you can buy multiple D810s for the same price, if low ISO DR is important to you). For its intended audience, the D5's high ISO imaging capabilities, advanced autofocus and durability are likely to be much more important.
http://www.dpreview.com/reviews/nikon-d5-pro-dslr-review/13
In real world shooting, the D5's dynamic range hasn't been a huge problem. Sure, you'll need to watch your exposure in high contrast scenes more than you would on, say, a D750 or D810 - pushed low ISO Raw files out of the D5 exhibit a lot more shadow noise than those other cameras. But that's taken care of by either sacrificing some highlight detail during your exposure, or with a little bit of luminance noise reduction in post. And if you shoot JPEG and nail your exposure, or routinely in low light, there's even more to like. Nikon's JPEG processing still doesn't retain quite as much detail, particularly at high ISO, as Sony's content-aware algorithm, but it's noticeably better than the D4S, retaining more detail at higher ISOs with less noise and better color retention.
Mr. Rishi*. Paging Mr. Rishi. Where are you, please come and remind us of how DPR is unbiased. :
*Technically, it's Dr. Rishi, but only the fake kind. I can say that without rancor as I am also a doctor of the fake kind.
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