We're on a tangent somewhat, but I don't see where I am misreading you all that badly. And I would appreciate it if you didn't use language like "short end of the stick."
A 200-400mm f/5.6 should still be an interesting lens, but I don't see any particular reason for the limited constant aperture - there is a reason the 100-400mm lenses and most consumer zooms allow wider apertures at their longer focal lengths. From the utility and marketing perspectives, a constant aperture lens is most sensible when it's a relatively fast aperture (f/4 or faster). Of course, with the hunt for good 400mm options, any improvement would be welcome, even in a "limited" 200-400mm.
With the 100-400mm L versus primes situation - yes, with modern materials there is every reason to believe a new 100-400mm would be much better. One thing I mentioned before is worth expanding on - not all lenses treat the long end as well as others. Overall, the Sigma 120-400mm seems a better design than the Canon 100-400mm, and when you look at the (not exactly compatible, due to them being different manufacturers) MTF graphs (
Sigma,
Canon) a couple things appear clear. One, the Canon's quality drops off rather rapidly past the frame center on the 400mm end, whereas the Sigma is more consistent across. Second, Canon optimized the 400mm setting where it seems reasonable to expect people will be getting effectively closer than is usual with the less-used 100mm setting. The Sigma is the reverse of this - the 400mm setting is noticeably weaker than the 100mm setting.
A big point to be made in all this is that the 400mm focal length is very useful at many different distances, even very close up, and so on these lenses people generally are much more interested in the far end than the 100mm - otherwise why not go for a dedicated macro or even a standard prime? I wouldn't necessarily sacrifice the 100mm range to go with a 200-400mm, and with new materials that shouldn't be as necessary to get a big boost in quality. I rather strongly believe that a lot of people are simply getting the 100-400mm as the best, cheapest option. The zoom range, IS, and minimum focus distance counteract any slight image quality benefit from the 400mm f/5.6.
@ Neuro:
Incidentally, and I don't think it's a big point either way (being such an old design), I see in
Thom Hogan's review of the Nikon 200-400mm f/4 ED that the original 1984 version was a "much bigger push-pull design" than the current one. I don't know which dimension he is referring to though. Can't seem to find reliable dimensions though it looks like a big lens.
neuroanatomist said:
I love that people still call the 100-400 a dust pump, when in fact, that part of the lens is sealed (although a filter is required on the front to complete the seal). Roger Cicala (lensrentals.com) recently
blogged that, "
People assume that zoom lenses with extending barrels will “pump dust.†They do to some extent, but the dustiest lenses we see are actually some primes and short range zooms."
And a second thought: The 100-400mm may not be all that dusty itself, but it is moving more air around and more vigorously than most primes and short-range zooms. I believe what Roger says - that the other lenses get dustier - but this doesn't necessarily mean they are pushing as much air into the camera internals as the others. Especially if a lens is usually mounted to the camera (as is likely to be the case with a privately owned one), as opposed to lenses that are being put on and taken off of all sorts of different cameras as part of a business, it should be fairly dust-free. But what our man Ken calls "eyeblow" appears to be pretty well-documented happening with the 100-400mm. No, I don't think it's blowing all sorts of dust around, but I do see where the term comes from. Anyhow, I'll avoid using the term even in jest in the future.