I hear such wonderful post about this lens. Has anyone had a bad experience or dislike of this lens?
lucuias said:Beside weight and price.This is an amazing lens
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Viggo said:I have owned three copies, because I couldn't decide between the 85 L and the 70-200.
I have had one copy that was completely useless, I had it in for repair, they changed TWO AF-moduls and TWO IS-units, they took out the front end, and three glass-elements and re-aligned the glass and when it came back the AF worked perfectly, but the IS was still not starting as quick as the previous copy, and it jumped, and often worked only one direction, and made a very weird, loud noise. It was VERY soft at 200 when I sent it in, and after all the re-alignment of the glass and front end it came back exactly the same. I sold it for cheap and had the buyer try it to see if if he liked it, and he bought, so I got a third copy, which like the two others had the issue of IS not being perfect, sometimes too slow to start, sometimes only one direction stabilized. But the AF and sharpness and overall image quality and build is as good as it gets. Wonderful lens. Just not as good as the 200 L, which is the reason I no longer have it
GMCPhotographics said:Viggo said:I have owned three copies, because I couldn't decide between the 85 L and the 70-200.
I have had one copy that was completely useless, I had it in for repair, they changed TWO AF-moduls and TWO IS-units, they took out the front end, and three glass-elements and re-aligned the glass and when it came back the AF worked perfectly, but the IS was still not starting as quick as the previous copy, and it jumped, and often worked only one direction, and made a very weird, loud noise. It was VERY soft at 200 when I sent it in, and after all the re-alignment of the glass and front end it came back exactly the same. I sold it for cheap and had the buyer try it to see if if he liked it, and he bought, so I got a third copy, which like the two others had the issue of IS not being perfect, sometimes too slow to start, sometimes only one direction stabilized. But the AF and sharpness and overall image quality and build is as good as it gets. Wonderful lens. Just not as good as the 200 L, which is the reason I no longer have it
I had a ef 200mm f2.8 II L and it was a stunning optic, slightly sharper than my 135L. When I got my 70-200 f2.8 L IS II, I compared it to my 200L and found that the zoom had better contrast and colours. Sharpness tthere was littel between them, manybe a slight nod to the prime wide open. But with teleconverters, the zoom was a lot better. The Zoom has the latest IS unit, faster and quieter AF and it focusses closer too. The bokeh of the prime and general flare control was better than the zoom. The prime is a lot lighter and less obtrusive.
I felt that for my needs, the zoom was a better optic.
hawaiisunsetphoto said:GMCPhotographics said:Viggo said:I have owned three copies, because I couldn't decide between the 85 L and the 70-200.
I have had one copy that was completely useless, I had it in for repair, they changed TWO AF-moduls and TWO IS-units, they took out the front end, and three glass-elements and re-aligned the glass and when it came back the AF worked perfectly, but the IS was still not starting as quick as the previous copy, and it jumped, and often worked only one direction, and made a very weird, loud noise. It was VERY soft at 200 when I sent it in, and after all the re-alignment of the glass and front end it came back exactly the same. I sold it for cheap and had the buyer try it to see if if he liked it, and he bought, so I got a third copy, which like the two others had the issue of IS not being perfect, sometimes too slow to start, sometimes only one direction stabilized. But the AF and sharpness and overall image quality and build is as good as it gets. Wonderful lens. Just not as good as the 200 L, which is the reason I no longer have it
I had a ef 200mm f2.8 II L and it was a stunning optic, slightly sharper than my 135L. When I got my 70-200 f2.8 L IS II, I compared it to my 200L and found that the zoom had better contrast and colours. Sharpness tthere was littel between them, manybe a slight nod to the prime wide open. But with teleconverters, the zoom was a lot better. The Zoom has the latest IS unit, faster and quieter AF and it focusses closer too. The bokeh of the prime and general flare control was better than the zoom. The prime is a lot lighter and less obtrusive.
I felt that for my needs, the zoom was a better optic.
I think he means the 200mm f/2.0L IS, not the 200 f/2.8L....
lucuias said:Beside weight and price.
pwp said:70-200 f/2.8isII horror stories? It's almost a contradiction.
You won't hear much other than high praise for this lens. Like any manufactured goods, regardless of factory quality control standards, the occasional "Friday afternoon" lens may slip through. Any horror stories are most likely to originate from damaged/poorly repaired lenses bought second hand in good faith.
The only horror story for me is the rare occasion that I'm without my 70-200 f/2.8isII. It's far and away my most used lens.
-pw
Marsu42 said:lucuias said:Beside weight and price.
Yes, "beside"and add "bulk" since it's an internal zoom... all three factors being potential problems according to personal preferences and circumstances.
So for pro use and if you have the $$$ and don't mind carrying/holding this thing, it's great, but for outdoor/travel seeing people carrying a 5d3+70-200/2.8 through nature or foreign places seems a bit awkward... consider the 70-300L in this case and a faster prime like the 135L for portrait. Also the 100L is a single-focus replacement for the 70-200L and also adds macro capability.
AlanF said:Why do people ignore the 70-200mm f/4 IS? It is stunningly sharp, almost as sharp as the "best" f/2.8s, and a fraction of the weight and price.
AlanF said:Marsu42 said:lucuias said:Beside weight and price.
Yes, "beside"and add "bulk" since it's an internal zoom... all three factors being potential problems according to personal preferences and circumstances.
So for pro use and if you have the $$$ and don't mind carrying/holding this thing, it's great, but for outdoor/travel seeing people carrying a 5d3+70-200/2.8 through nature or foreign places seems a bit awkward... consider the 70-300L in this case and a faster prime like the 135L for portrait. Also the 100L is a single-focus replacement for the 70-200L and also adds macro capability.
Why do people ignore the 70-200mm f/4 IS? It is stunningly sharp, almost as sharp as the "best" f/2.8s, and a fraction of the weight and price.
GMCPhotographics said:AlanF said:Marsu42 said:lucuias said:Beside weight and price.
Yes, "beside"and add "bulk" since it's an internal zoom... all three factors being potential problems according to personal preferences and circumstances.
So for pro use and if you have the $$$ and don't mind carrying/holding this thing, it's great, but for outdoor/travel seeing people carrying a 5d3+70-200/2.8 through nature or foreign places seems a bit awkward... consider the 70-300L in this case and a faster prime like the 135L for portrait. Also the 100L is a single-focus replacement for the 70-200L and also adds macro capability.
Why do people ignore the 70-200mm f/4 IS? It is stunningly sharp, almost as sharp as the "best" f/2.8s, and a fraction of the weight and price.
I found that my f4 LIS (which I wish I hadn't sold) was a tad sharper...but there wasn't much between them. I think my f4 version was slightly better at MFD, where as my f2.8 is slightly better at infinity. Both are great lenses but you are quite right, the f4 LIS is often over looked because it's older (the mkII 2.8 created quite a fuss when it came out) and it's slim features are often over looked by it's less bright f4 aperture. For many, this is all they need. For domestic and travel use, I'd say it's a hard choice between the 70-200 f4 LIS and the 70-300 LIS.