Don Haines said:
M.ST said:
Prototypes for a 7D Mark II now exist over a year, but if I look at the 70D and 6D price I think that there is no space for an 7D Mark II between the mentioned cameras.
But why can't a 7D2 with faster burst rate and superior focus system sit ABOVE the 6D?
This is fairly well-covered ground here in the forums. There is a split (I wouldn't hazard a percentage guess) between those who believe that (a) a crop camera, if appropriately spec'd, could warrant a higher asking price than the 6D, and (b) a crop camera should never cost more than a (relatively contemporary) FF camera.
I'm with the former group. The 7D2 represents the pinnacle, the 'standard bearer' for the APS-C format, and should be top of the line in each and every performance metric compared to Canon's other APS-C entries. So though it may lack the pure IQ advantage that FF offers, so many other features -- AF, burst rate, build quality, ergonomics, etc. -- could trump the relatively basic features of the 6D. So, yes, I think the 7D2 will cost more than the 6D, especially if it is coming out as late as they say. (By H2 2014, the 6D may be down around $1700!)
Also, the 7D and 6D products are aimed at different shooters. I've posted 'who shoots what and why' a few times in the past year and I still stand by it:
XXXXD: Cost cost cost. "I cannot buy a film camera any longer", "my high school student son wants to pick up photography", etc.
XXXD: A few key consumer level niceties: touch screen, swivel screen, so-so AF for video. "I just want it to take nice pictures, and occasionally a video", "Do I need a longer lens? Maybe...", etc.
XXD: A thicker grip (I hear this often), top LCD for quick adjustments, less reliance on auto modes. "I've been shooting a while now", "I felt limited by my older camera", etc.
7D: Serious shooters (and some pros?) who see APS-C as a strength and not a liability. Better build. Fast burst. "This is the best tool for birding", "I need high burst rate to cover sports for the local paper", "I really like tweaking my lens AF", etc.
6D: Serious shooters who do see APS-C as a liability but don't want to pay for all the bells and whistles. "I have always wanted a FF camera", "It's not the highest end, but you should see the pictures I get with this."
5D3: Pros, videographers, well-funded enthusiasts, etc. who will pay for IQ and build quality but do not require the apocalypse proof build, cost or size of 1D bodies. "It's solid and doesn't let me down", "Shoosh, we're filming right now", "[Quiet shutter noise at wedding]", etc.
1DX:
Those people. "Welcome to my studio", "We're invading Asia. Thought I'd tag along", "It was this or the obsidian steering wheel for my yacht" :
The 6D or 7D being higher or lower on the list is a matter of preference. The debate will always rage on between the 'FF purists' and the 'bigger picture / overall value pragmatists'. Both make fair points.
- A