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CarlMillerPhoto said:9VIII said:CarlMillerPhoto said:Improved high ISO video performance would be very welcome. 7d footage at 1600 and above just looks horrible. I understand how the smaller pixel size on APS-C sensors is a limitation, but it would be SOO nice to have a Canon crop at least equal to just the Mark II as far video ISO performance.
Would it be possible to create a ~24mp APS-C sensor (so lets say pixel size of: 4µm) but use larger pixels (something closer to full frame size: 6.4µm.....or even bigger like 8µm) for the pixels designated for video, (resulting in AWESOME low-light performance)? Or does having different pixel sizes on the same sensor simply not work for whatever reason?
And I can think of a ton of photo applications for such technology as well. I'm one of those weirdos who would love a 8-10MP camera with ridiculous pixel size and thus great high ISO performance. Plus getting 14fps+ should be a breeze with that image size.
Ugh, the "large pixel" myth rears its ugly head again. Lower resolution sensors gain you nothing but a smaller file size. Full frame sensors are better in low light because of increased total surface area.
You don't seem to understand the relationship between pixel size and signal to noise ratio. All other factors equal, larger pixels collect more light than smaller ones, thus giving them better noise performance. It's not a "myth," it's physics.
It's true if everything else is equal or the same. Nikon have gained a bit of DR by placing their D/A converted earlier in the on chip processing path than Canon which is wjy they ahve a little more DR at the moment, but it's not a huge difference. Processing, chip design and on chip NR all have an effect on iso noise performance. But yes, the general rule is smaller the pixels, the greater the noise.
But here' the irony, the physical size of the pixel is the same for all DSLR's....it's the size of the bin which it sits in that collects the quality of light. This bin (with the pixel sitting at the bottom) is capped off with a micro lens which more directs light to it. Once upon a time, the iso noise was controlled by the size of the microlenses. Every time there was a jump in MP, Canon would make the micro lenses proportionally bigger to equalise the iso noise...then Nikon spoiled it all and used the largest possible (gapless) on a full frame 12 mp sensor in the D3...thus shooting themselves in the foot for a short term iso advantage. Once the public got used to that level of iso performance...they demanded al the time...even from cameras with twice the resolution, whihc has caused the entire processing path to be re-designed to extract the maximum performance. I doubt that there will be much increase in MP goign forwards....I think the Nikon D800 has proved that point. More MP means more resolution at low iso values...but really poor iso performance at high iso values. Canon is wise sticking to the ~20mp region for a while. It's the best res / iso ratio.
If we consider the slight difference in iso abilities between the 1Dx, 6D and 5DIII...it's clear that it's purely the quantity of MP which is dictating the iso abilities. Slightly lower mp = slightly improved Iso performance.
If we consider the abilities of the 1Dx, it's quite extraordinary. 18mp, 12 fps and iso 6400 is SO clean!
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