Gear envy

Drizzt321 said:
And I can't believe they don't have at least 1 200-400 w/1.4x lens. Hmmm...well, ok. They'll be shooting from more known locations & distances, so I guess you can go with all primes like they have.

They took 7, their order just doesn't translate well...

"7 Canon 200-400mm zoom lenses"
 
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Halfrack said:
Drizzt321 said:
And I can't believe they don't have at least 1 200-400 w/1.4x lens. Hmmm...well, ok. They'll be shooting from more known locations & distances, so I guess you can go with all primes like they have.

They took 7, their order just doesn't translate well...

"7 Canon 200-400mm zoom lenses"

Oh there they are. I guess it's just so many lenses I'm blinded by my G.A.S. jealousy ;D ::)
 
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Once I was seeing the pictures of the bunker Canon equipment for the London Olympics and a friend asked me: Why do so many bottles thermoses white?
I told her that these "bottles" would make me a happy millionaire.
578761_10151061384227645_743962392_n-575x431.jpg
 
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mackguyver said:
It may be sacrilege to say this on CR, but I think I'd take the Lamborghini Aventador - but only because I don't need 20 of everything :)

Also, did you see these posts / photos on CR from London - I'm sure Sochi looks like this, too:
http://www.canonrumors.com/2012/07/canon-at-the-london-summer-olympics/

http://www.canonrumors.com/2010/02/the-olympics-canon/


What is the story about all of them wearing this vest? I mean just for the CF-cards or? ???


Edit: I see that it will make them recognizable as photographers like here but else...
 
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privatebydesign said:
KitsVancouver said:
I wonder why they bothered with the 5ds. Why not just have one model to track? Does the 5d do something the 1D doesn't?

SILENT MODE. It beats the living S___ out of the 1DX for being quiet and that is a very important consideration at this level.

No kidding, not too mention how living macro shooters couldn't live without it
 
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mackguyver said:
Chapman Baxter said:
Not a single 24-70 - that's surprising.
On Canon's CPS blog, one of the photographers said that they shipped this gear by boat to Russia and so the photographers were asked to give them whatever gear they could do without during the long transit period. I'm guessing most of them held onto their 24-70s and other core lenses.

At the Olympics there's not much call for a medium range lens. Most of the photographic content occurs at the very long or very wide end of the focal range. A 24-70 isn't very wide and it's certainly not very long.
 
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