My wife commented, before she asked me why I was having such a tough time choosing a camera.
You see, I was a Nikon shooter for several years, and owned everything from a D70, all the way through to a d700. I finally jumped ship a couple of years ago and got a 5D mark III.
I'm certainly not a pro, well I am, a pro high school teacher, but not a pro photographer. I used to shoot 10,000-15,000 shots a year for the district. Sports, events, portraits, you name it. Funds were short a few months ago and I had to sell my 5d, with the understanding that I'd replace it when we had the money. Now we have the money.
These days I run a program, and my shooting needs have gone way down. I do however have an 8 month old that refuses to sit still and an apartment with no overheads that seems to be dim and dingy no matter how many lamps I add.
So, here's the actual question part:
As a Nikon shooter, I never even questioned that I'd have a few cross type points to be able to use to accurately compose a shot as I saw it in my mind. Now, I no longer really need the bad-ass 5d3 61 spread AF system. But I rented a 6d and, well, frankly, it blows.
No offense to anyone, if I shot landscapes, I'd love it. But I can't quite believe that I can't compose a shot unless I use the center point. I have to shoot at mainly f1.4-f2 in my apartment, and with that sort of thin DOF, focus and recompose just isn't going to cut it with a moving kid.
So, in short-- I guess I can't quite believe that to get a FF camera with more than 1 cross-type point, I have to spend $3300.
I think a lot of Canon users are ok with it because, prior to the 7d certainly, it was sort of the norm for Canon AF. In fact it still is for the rebel crowd.
Coming from Nikon however, it's like asking a surgeon to perform a transplant with a butter knife.
My wife has a 70d for video of the kid, and we have a 24-105 and a 40mm 2.8. No other investment in Canon glass.
I guess my options are:
1. Suck it up and drop $3300 on a semi-pro 5d, just to get say 5 or 6 more accurate cross-type points across the frame.
2. Stop being an AF namby pamby, and just man up, get a 6d, because "real men do it by hand anyway"!
3. Grab one of those mighty tempting D700's on CL that go for around $1100 (in which the sensor still out performs anything from Canon) grab a couple of primes and go on my way, using the 70 as my video cam.
4. Do something really cool that I never thought of that you all are about to suggest to me.
I'd appreciate any input you guys might have...
You see, I was a Nikon shooter for several years, and owned everything from a D70, all the way through to a d700. I finally jumped ship a couple of years ago and got a 5D mark III.
I'm certainly not a pro, well I am, a pro high school teacher, but not a pro photographer. I used to shoot 10,000-15,000 shots a year for the district. Sports, events, portraits, you name it. Funds were short a few months ago and I had to sell my 5d, with the understanding that I'd replace it when we had the money. Now we have the money.
These days I run a program, and my shooting needs have gone way down. I do however have an 8 month old that refuses to sit still and an apartment with no overheads that seems to be dim and dingy no matter how many lamps I add.
So, here's the actual question part:
As a Nikon shooter, I never even questioned that I'd have a few cross type points to be able to use to accurately compose a shot as I saw it in my mind. Now, I no longer really need the bad-ass 5d3 61 spread AF system. But I rented a 6d and, well, frankly, it blows.
No offense to anyone, if I shot landscapes, I'd love it. But I can't quite believe that I can't compose a shot unless I use the center point. I have to shoot at mainly f1.4-f2 in my apartment, and with that sort of thin DOF, focus and recompose just isn't going to cut it with a moving kid.
So, in short-- I guess I can't quite believe that to get a FF camera with more than 1 cross-type point, I have to spend $3300.
I think a lot of Canon users are ok with it because, prior to the 7d certainly, it was sort of the norm for Canon AF. In fact it still is for the rebel crowd.
Coming from Nikon however, it's like asking a surgeon to perform a transplant with a butter knife.
My wife has a 70d for video of the kid, and we have a 24-105 and a 40mm 2.8. No other investment in Canon glass.
I guess my options are:
1. Suck it up and drop $3300 on a semi-pro 5d, just to get say 5 or 6 more accurate cross-type points across the frame.
2. Stop being an AF namby pamby, and just man up, get a 6d, because "real men do it by hand anyway"!
3. Grab one of those mighty tempting D700's on CL that go for around $1100 (in which the sensor still out performs anything from Canon) grab a couple of primes and go on my way, using the 70 as my video cam.
4. Do something really cool that I never thought of that you all are about to suggest to me.
I'd appreciate any input you guys might have...