If Canon wants to kill off Nikon/Sony/Pentax drop APS-C and Go APS-H

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Bosman said:
The next 7D with an aps-h sensor like the 1dm4 would kill! I'd buy it. Sensor size has always been one of the largest points of any camera. Bigger sensored cameras have more photo-site space and with gapless lens technology on the 1DX and 5DM3 its a big win over the Nikons non-D series sports cameras. Its also a win over Sony and others that are 1.5 or 1.6 crop. This would separate the 7d from the two digit series cameras like the 60d. It would kind of take the old helm of the sports camera but in the middle spot the 1dm2/3/4 held.

so the next 7d mk2 specs

10 fps dual digic 5
aps-h sensor 22 mpix
autofocus from 1dx/5dmk3 improved (focusing with f/8 lenses)
sealed body
price around 2000 usd/1700 eur

pratically a camera better than 1d mark 4 at a fraction of the price...bvery unlikely
 
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What is with the APS-H lust?

* It doesn't work with crop lenses but doesn't match FF lenses (i.e. limited WA options).

* In bright light it's "short" relative to crop bodies for sports.

* In dim light the sensor is noisy relative to FF bodies.

Know what I want to see? A Canon work around or license for the Sony patent that is killing them on noise/DR. Sony sensors convert the analog signal sooner which is why you can push shadow detail so hard. I would much rather see a 7D mkII that's APS-C but with early signal conversion than a 7D mkII that's APS-H.
 
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dtaylor said:
What is with the APS-H lust?

* It doesn't work with crop lenses but doesn't match FF lenses (i.e. limited WA options).

* In bright light it's "short" relative to crop bodies for sports.

* In dim light the sensor is noisy relative to FF bodies.

Know what I want to see? A Canon work around or license for the Sony patent that is killing them on noise/DR. Sony sensors convert the analog signal sooner which is why you can push shadow detail so hard. I would much rather see a 7D mkII that's APS-C but with early signal conversion than a 7D mkII that's APS-H.

I guess you just have to compare the pro sports usage of the 7D vs the 1D4 to understand what is being said here.

I have both the 7D and the 1D4 - the 7D just does not compete.

For every improvement that is made to APS-C can be reflected in the APS-H and the APS-H will always be better.

The 1D4 is not designed as a low light camera - but is happy to iso6400 - well beyond APS-C. With the 1.3 crop more of the lens is in the sweet spot so the lens perform better than on a ff.

The 1D4 is not designed as a landscape body - so to say that it doesn't do uwa is a red herring - it delivers the longest reach of all Canon bodies - so what you lose(duh!) at the uwa you more than gain at the long end.

I can only assume that the APS-C supporters have not had the pleasure of using a 1D3/4.
 
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briansquibb said:
I guess you just have to compare the pro sports usage of the 7D vs the 1D4 to understand what is being said here.

I have both the 7D and the 1D4 - the 7D just does not compete.

For every improvement that is made to APS-C can be reflected in the APS-H and the APS-H will always be better.

The 1D4 is not designed as a low light camera - but is happy to iso6400 - well beyond APS-C. With the 1.3 crop more of the lens is in the sweet spot so the lens perform better than on a ff.

The 1D4 is not designed as a landscape body - so to say that it doesn't do uwa is a red herring - it delivers the longest reach of all Canon bodies - so what you lose(duh!) at the uwa you more than gain at the long end.

I can only assume that the APS-C supporters have not had the pleasure of using a 1D3/4.

I don't know why I do this to myself. But, here we go again.

Brian, as you know, I have never disputed the quality of the 1D4. My issue has always been with the economic viability of the format. Or perhaps more accurately, with what I perceive to be Canon's view of the continued economic viability of the camera.

I cannot find any indication from Canon that they intend to retain the format in their stills DSLRs. They have, in contrast, taken actions and made statements that lead myself and many others to believe that they have dropped the format.

My problem with this particular thread was that the OP titled the thread and wrote an initial post that made a very bold claim. A claim that lacked any supporting evidence. Everyone is entitled to their opinion and there is certainly no law against starting new threads that rehash the same topic over and over again. This forum has plenty of them.

But, this is a discussion forum and having made a bold statement, it seemed logical to me that the OP would expect others to challenge his claim. Why start a discussion thread if you don't want to discuss the topic?

Mt Spokane quickly and effectively responded. I seconded that opinion. And, yes I was a bit of a smart ass about it. Feeling a bit badly about that, I decided to expand upon my opinion and challenged the OP to defend his position using some real world examples from his own profession as a wedding photographer (and from his website, he appears to be quite good at his craft).

The challenge was met with a snide post. Okay. Fair enough.

Brian, you know I have great respect for the work you do. I have defended your work when others attacked it. I also appreciate Wicked's comments and sense of humor about this whole debate. He adds a nice perspective and does it without being offensive.

If quality alone were the criteria, the APS-H format might be around forever. Unfortunately, companies have to turn a profit and it appears Canon has determined that the APS-H format doesn't currently fit into its business plan. They know their business better than any of us. So, if we are going to dispute their analysis, shouldn't we do so on some basis other than just making unsubstantiated statements?

The title of this thread is: "If Canon wants to kill off Nikon/Sony/Pentax drop APS-C and go APS-H"

All I am suggesting is that no one has offered the slightest defense of the original premise.

Now, I realize this isn't your thread so you don't have to defend it. In fact, I give you and Wicked credit, the two of you have always pretty much argued the superiority of the quality of APS-H, without pretending to know the profitability or lack thereof for the format.

So, I ask just this: somebody make a business case for APS-H, because I haven't heard a valid one yet.
 
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Strangely enough I am a ff fan - I have 3 ff bodies with a 1DX on the way. I also have 4 APS-C bodies too.

However my comment is really about the way that APS-H is being dismissed in favour of APS-C. I have read the Canon comments and the way they have been written definitely dont write off APS-H - rather that the 1D4 line is now ff.

If they can move the well established range 1 series (which has been around longer than APS-C) from APS-H to ff at a drop of a hat then there is no reason why they couldn't re-intoduce it

The business case is easy to understand - the 5DIII is currently about £2800 in the UK whereas the 1D4 was about £3400 at the same time. Now by putting the APS-H in a 5DIII body then the price would be no more than the 5DIII (all the other costs would be the same except that the sensor would be cheaper).

I wouldn't advocate the dumping of APS-C - however it is clear that the future of APS-C is in the smaller cameras, which means that there would be no requirement to develop APS-C to extreme levels. Even a move to APS-C+ (1.5 crop like Nikon) would give a big improvement in performance.

The 1D4 gives very good IQ plus the 1.3 crop and 10fps with good low light performance to iso6400- this is what makes it still a highly desirable body. There is still nothing on the market (including the 1DX) which can match the sports/wildlife all round package.
 
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Sorry to rain on everyone's APS-H parade, but in all likelyhood Canon's fabs used to make these sensors have been repurposed to make Super35-sized sensors for the Cinema EOS line (they're very close to the same size). Put another way, future APS-H(ish) sized sensors will only be in cameras with a red "C" on the front.

As Neuro said, they can make FF sensors in one pass now & churn them out in sufficient volume to be competitive. Why would they mess with a smaller niche format viewed as inferior to full-frame by everyone except Canon fans? The 1DIV was inevitably compared to the D3S & D700...

I'm not trying to preach a preference one way or the other (there are technical merits for both, & personally I'd love a small APS-H body), but now that the 1DX & 5D have shown that the technical reasons for APS-H to exist have been surmounted, the realities of marketing & manufacturing dictate that Canon has decided that two DSLR sensor sizes is enough.

& if you think about it, they have four large sensor sizes in production at the moment:

  • FF
  • APS-C
  • Super35
  • the G1X sensor

That's already two more than any competitor...
 
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funkboy said:
if you think about it, they have four large sensor sizes in production at the moment:

  • FF
  • APS-C
  • Super35
  • the G1X sensor

That's already two more than any competitor...

Any other competitor (for large sensors), except Sony ... which makes Full Frame, 1.5X APS-C, Micro 4/3rd, 1 inch (RX100), and several different Super35 and Super16 sensors for video. Guess who is the leader in sensor production :D ... Oh, and lets not forget the former Kodak digital sensor division (which is still active).
 
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kapanak said:
Any other competitor (for large sensors), except Sony ... which makes Full Frame, 1.5X APS-C, Micro 4/3rd, 1 inch (RX100), and several different Super35 and Super16 sensors for video. Guess who is the leader in sensor production :D ... Oh, and lets not forget the former Kodak digital sensor division (which is still active).

and that´s a part of sony that makes some money.
but not enough as it seems...
 
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briansquibb said:
I guess you just have to compare the pro sports usage of the 7D vs the 1D4 to understand what is being said here.

Looking at just the sensor, the 1D4 is a "short" 7D. Sorry, that's how I see it. (And even looking at everything the 7D is 90% of the capability for a fraction of the price.) The question everybody asked when comparing the 1D4 to Nikon's offerings was why isn't it full frame? Canon got the hint.

If you're going to crop the sensor from FF to gain reach, might as well go 1.6x.

I have both the 7D and the 1D4 - the 7D just does not compete.

Yes it does. The 1D4 gets about one more stop in low light.

The 1D4 is not designed as a landscape body - so to say that it doesn't do uwa is a red herring - it delivers the longest reach of all Canon bodies

Except for all the 1.6x bodies which have more reach.

I can only assume that the APS-C supporters have not had the pleasure of using a 1D3/4.

I have, and I would actually pick up a 7D over a 1D3 for most tasks.

APS-H has no place in the market. The closest option will be cinema cameras with Super35. Canon's 1 series sports body will be FF to compete with the Nikon Dx series. If Canon continues the 7D line (I certainly hope they do, it has been a best seller) it will continue to be a pro level APS-C. And if Canon could just work around that stupid patent it would probably have better low light performance than a 1D4.
 
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dtaylor said:
briansquibb said:
I guess you just have to compare the pro sports usage of the 7D vs the 1D4 to understand what is being said here.

Looking at just the sensor, the 1D4 is a "short" 7D. Sorry, that's how I see it. (And even looking at everything the 7D is 90% of the capability for a fraction of the price.) The question everybody asked when comparing the 1D4 to Nikon's offerings was why isn't it full frame? Canon got the hint.

If you're going to crop the sensor from FF to gain reach, might as well go 1.6x.

I have both the 7D and the 1D4 - the 7D just does not compete.

Yes it does. The 1D4 gets about one more stop in low light.

The 1D4 is not designed as a landscape body - so to say that it doesn't do uwa is a red herring - it delivers the longest reach of all Canon bodies

Except for all the 1.6x bodies which have more reach.

I can only assume that the APS-C supporters have not had the pleasure of using a 1D3/4.

I have, and I would actually pick up a 7D over a 1D3 for most tasks.

APS-H has no place in the market. The closest option will be cinema cameras with Super35. Canon's 1 series sports body will be FF to compete with the Nikon Dx series. If Canon continues the 7D line (I certainly hope they do, it has been a best seller) it will continue to be a pro level APS-C. And if Canon could just work around that stupid patent it would probably have better low light performance than a 1D4.

No APS-C has AF at f/8 which the 1D4 does

So 600 * 1.6 *1.4 for the 7D = 1344mm
Whereas 600 *1.3 * 2 for the 1D4 = 1560mm

So the 1D4 has the longest reach

From experience the 1D4 has 2 stops of usable iso - 1600 for the 7D, 6400 for the 1D4

The IQ of a cropped 7D picture soon gets ugly, whereas it doesn't on the 1D4

I could never consider the 7D as a pro camera, just a good hobbyists camera.
 
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Bosman said:
The next 7D with an aps-h sensor like the 1dm4 would kill! I'd buy it. Sensor size has always been one of the largest points of any camera. Bigger sensored cameras have more photo-site space and with gapless lens technology on the 1DX and 5DM3 its a big win over the Nikons non-D series sports cameras. Its also a win over Sony and others that are 1.5 or 1.6 crop. This would separate the 7d from the two digit series cameras like the 60d. It would kind of take the old helm of the sports camera but in the middle spot the 1dm2/3/4 held.

Whats the point to buying a 7D Mark II with an APS-H sensor when you can already buy a 7D with a full frame sensor?

Thats right you can currently buy a 7D with a 22MP full frame sensor it's called the 5D Mark III.

A 7D Mark II with an APS-H sensor is not going to be much cheaper that the current 5D Mark III IMHO.
 
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briansquibb said:
No APS-C has AF at f/8 which the 1D4 does

So 600 * 1.6 *1.4 for the 7D = 1344mm
Whereas 600 *1.3 * 2 for the 1D4 = 1560mm

So the 1D4 has the longest reach

From experience the 1D4 has 2 stops of usable iso - 1600 for the 7D, 6400 for the 1D4

The IQ of a cropped 7D picture soon gets ugly, whereas it doesn't on the 1D4

I could never consider the 7D as a pro camera, just a good hobbyists camera.

Do you not have to account for the 18MP vs. 16MP in your reach calculation? So multiplying 1344mm x 18/16 gives 1512mm which is still less but much closer. However, you're using a 2X TC vs. a 1.4X TC... any IQ difference there?
 
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match14 said:
Bosman said:
The next 7D with an aps-h sensor like the 1dm4 would kill! I'd buy it. Sensor size has always been one of the largest points of any camera. Bigger sensored cameras have more photo-site space and with gapless lens technology on the 1DX and 5DM3 its a big win over the Nikons non-D series sports cameras. Its also a win over Sony and others that are 1.5 or 1.6 crop. This would separate the 7d from the two digit series cameras like the 60d. It would kind of take the old helm of the sports camera but in the middle spot the 1dm2/3/4 held.

Whats the point to buying a 7D Mark II with an APS-H sensor when you can already buy a 7D with a full frame sensor?

Pixel density
 
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Bosman said:
Put an APS-h on a 7dm2 and many will buy the increased resolution as well as newest sensor tech, myself included. No need for a 1dx with that setup.

Thats another reason why Canon won't put APS-H in 7D Mark II, they will not kill off the 1DX flagship from within their own product line up.
 
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Meh said:
match14 said:
Bosman said:
The next 7D with an aps-h sensor like the 1dm4 would kill! I'd buy it. Sensor size has always been one of the largest points of any camera. Bigger sensored cameras have more photo-site space and with gapless lens technology on the 1DX and 5DM3 its a big win over the Nikons non-D series sports cameras. Its also a win over Sony and others that are 1.5 or 1.6 crop. This would separate the 7d from the two digit series cameras like the 60d. It would kind of take the old helm of the sports camera but in the middle spot the 1dm2/3/4 held.

Whats the point to buying a 7D Mark II with an APS-H sensor when you can already buy a 7D with a full frame sensor?

Pixel density

True but the point I was getting at is Bosman is saying replace APS-C with APS-H because a bigger sensor is better and he is right, therefore Fullframe is better than APS-H because it is bigger. I think the real problem here is that Canon should have put 36MP into the 5D Mark III then you would have the best of both, fullframe sensor with the ability to crop to APS-H or APS-C in post without the loss of pixel density.
 
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match14 said:
True but the point I was getting at is Bosman is saying replace APS-C with APS-H because a bigger sensor is better and he is right, therefore Fullframe is better than APS-H because it is bigger. I think the real problem here is that Canon should have put 36MP into the 5D Mark III then you would have the best of both, fullframe sensor with the ability to crop to APS-H or APS-C in post without the loss of pixel density.

A 7dII with a ff sensor would be a 5DIII
 
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briansquibb said:
match14 said:
True but the point I was getting at is Bosman is saying replace APS-C with APS-H because a bigger sensor is better and he is right, therefore Fullframe is better than APS-H because it is bigger. I think the real problem here is that Canon should have put 36MP into the 5D Mark III then you would have the best of both, fullframe sensor with the ability to crop to APS-H or APS-C in post without the loss of pixel density.

A 7dII with a ff sensor would be a 5DIII

Except your're missing a boatload of features and improvements. So, not really Brian. If you say that, then you're simply saying all else is equal between the 7D and 5D3 except the sensor. Nothing could be farther from the truth.
 
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bdunbar79 said:
briansquibb said:
match14 said:
True but the point I was getting at is Bosman is saying replace APS-C with APS-H because a bigger sensor is better and he is right, therefore Fullframe is better than APS-H because it is bigger. I think the real problem here is that Canon should have put 36MP into the 5D Mark III then you would have the best of both, fullframe sensor with the ability to crop to APS-H or APS-C in post without the loss of pixel density.

A 7dII with a ff sensor would be a 5DIII

Except your're missing a boatload of features and improvements. So, not really Brian. If you say that, then you're simply saying all else is equal between the 7D and 5D3 except the sensor. Nothing could be farther from the truth.

Note I said 7DII not 7D ;D
 
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