New Lenses Imminent? [CR1]

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It would seem strange for Canon to have neglected these lenses for so long only to begin to refresh them without any strong rationale. EF mounted video camera may be that catalyst.

Most important upgrades in my book for video and stills in order of want/need (I'm throwing IS in there. A guy can dream):

85 1.8 -> 85 1.4 IS
90 ts-e -> 90 ts-e II
28 1.8 -> 28 1.8 IS


KyleSTL said:
dilbert said:
In APS-C terms, that's 56mm(35), 80mm(50) and either 153mm(85) or 38mm (28)

You mean 136mm (85) and 45mm (28)

AJ said:
I can't remember the last time an affordable non-L prime came out? I think it was the 60/2.8

Non-L Primes (excluding 400mm DO):

60mm f/2.8 Macro USM (2005)
100mm f/2.8 Macro USM (2000)
MP-E 65mm f/2.8 1-5x Macro (1999)
28mm f/1.8 USM (1995)
50mm f/1.4 USM (1993)
20mm f/2.8 USM (1992)
85mm f/1.8 USM (1992)
100mm f/2 USM (1991)
TS-E 45mm f/2.8 (1991)
TS-E 90mm f/2.8 (1991)
35mm f/2 (1990)
50mm f/1.8 II (1990)
100mm f/2.8 Macro (1990)
24mm f/2.8 (1988)
15mm f/2.8 Fisheye (1987)
28mm f/2.8 (1987)
50mm f/1.8 I (1987)
50mm f/2.5 Macro (1987)
135mm f/2.8 Soft Focus (1987)
 
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Scott_7D said:
I disagree with your statement regarding FF users and the cost of an FF setup. FF users are not much more likely to be rich than your average prosumer APS user these days: here in Canada, a 5D2 is $1999 and a 7D is $1449, which is not a huge difference. Also, used 5Dc's and 1Ds(II)'s can easily be had for less than $1500.

Your entitled to disagree, but don't forget that the 7D itself it quite an expensive camera that most photographers can't justify spending out on. I take your point with used full frame, but I think the age of the cameras you mention is a put off. Not only do they lack a lot of the features that even the Rebel line has these days, but I would also be concerned about spending a significant wad of cash on such a old camera; these days cameras are basically consumer electronics and as such, I would not trust their reliability long term versus a film camera (maybe that's just me). By the way, a used 1Ds MkII still sells for more than a 7D, here in the UK at least.

Scott_7D said:
Secondly, a 5D2 with a 35/2 provides better performance at a cheaper price than a 7D with 24L (my set up); similarly, said 5D with 50/1.4 is much cheaper and better than said 7D with 35L. You can pretty much go on forever with similar comparisons. A 5D2 with 24/2.8 isn't even comparable to APS, as an EF-S 15/1.8 doesn't exist and if it did, the price would be frightening.

Sure, but a 5D2 with a 35mm f/1.4L will perform even better; are you suggesting that you should shell out over £1500 for a camera and put a £220 lens on it (I'm sticking to my home currency here)? You're right when you state that there is no comparing the 5D2 with a 24mm lens to an APS-C camera, that's my point -Canon haven't bothered to produce a fast 24mm equivalent prime for APS-C. You believe that a 15mm f/1.8 for APS-C would cost a fortune; I'm not sure that I'd agree, wide angles crop lenses require a lot less glass than for full frame, which is the whole point of EF-S (but I think that a 15mm f/2 would be a better performance-price compromise).

Scott_7D said:
If you look at it this way, you can see that your statement about a "decent" FF kit being expensive is quite wrong. One (myself included) might even say the opposite is true. I suppose that makes me look dumb, as I have a 7D/24L, but in my defense, they were purchased years apart, I need the 7D's features and my mkI 24L was way less than the new one is.

No need to defend yourself, your main camera requirements dictated that a 7D was the better choice of body for you. The fact that you had to shell out for a 24mm f/1.4 to get a (roughly) 35mm equivalent fast prime demonstrates that there is a demand for dedicated EF-S lenses in this range. How many people haven't bought a 24mm f/1.4L because it's too expensive for their budget, but would buy an EF-S 22mm f/1.8 (for example). Now you are thinking about buying a 5D MkII in addition to your 7D to meet your ndesire to use fast wide angle primes (I'm guessing -am I correct?). This would mean that you've covered all bases, but it's hardly an affordable option.

Scott_7D said:
If you don't need high PD or the AF/FPS of a 7D, how exactly are your priorities wrong in buying a 5D2 with cheap glass? You get better performance for less $$$ and often end up with a lighter, smaller kit as well. There's no rule stating that FF users are stuck buying L glass and honestly, they need it less than us APS guys.

First, what if you do need both (like you?), buy a 7D and a 5D2? Second, how much do you think that a 5D2 be worth in ten years and how will your 24L be worth? Third, you keep insisting that it's a 5D2 or a 7D; most people shoot with Rebels and XXD cameras.

Scott_7D said:
This is why I like the idea of Canon updating these non-L primes: they would benefit both APS and FF shooters. These lenses are mostly fine optically, all they need is USM, more aperture blades and maybe a tweak here and there. They should definitely be kept EF though, even if there is a small cost savings to make the wider ones APS, there's more than enough interest in them from FF users. Personally, I'm looking to add an FF body as soon as I can afford it and would definitely buy a 35/2.

If Canon could do this, it'd be ideal. I just think that, especially with wide angle glass, there are quite a lot of cost savings to be made by going EF-S. Compare the price of the Nikon AF-S 35mm f/1.8 G DX to the much poorer spec Canon EF 35mm f2.0; or the Canon EF-S 17-55mm f/2.8 to the EF 16-35mm f/2.8.
 
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They seemingly have to be related to the cine-theme. I'm guessing those 3 primes, if that is the case, would be cine-ied out with optional manual iris and a cp.2-sized focus gear. I don't think they're just going to be refreshed stills lenses.
 
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epsiloneri said:
whatta said:
Canon Prime Lens CTZ-029 (24mm)
Canon Prime Lens CTZ-030 (50mm)
Canon Prime Lens CTZ-031 (85mm)

Yes, but what are the maximum apertures? Expected prices would also be interesting.

Just up on Engadget:
24 T1.5
50 T1.3
85 T1.3

Now T is normally higher than F/, so i'd be guessing 24 f/1.4, 50 & 85 f/1.2. But that's too close, so it may even be 24 f/1.2-1.3, 50 & 85 f/1.0-1.1.
 
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I knew i'd find it eventually:
According to DXOMark
the EF 24 f/1.4Lii is T 1.6 and the EF 50 f/1.2 and 85 f/1.2ii are both T 1.4.

So if the new lenses are T1.5 and T1.3, then they're probably f/1.3 and 1.1, or else they've cut vignetting down a lot and/or made it with more highly transmissible glass.

Still, they may be EF mount, but more zeiss-like, Manual Focus and Manual ring-aperture.
I'd expect prices at least in the range of the current EF-L models, save money because of the lack of AF, but add more money in from the much higher-quality (i'm presuming) optics and better contruction. Compared to the size of the mount they look a lot wider than their counterparts (standard-sized focus/T-stop rings for rigs?). I doubt they're weather-sealed, but we'll see.
 
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Justin said:
Soft wide open till about 2.2 or 2.8. Too many chromatic abberations for me at wider appertures. No IS.

Compact, affordable, and light are working for it.

ericski said:
Are there (valid) complaints about the 85 f/1.8? Mine is one of my best lenses I own. I can't imagine improvements and it staying in the same price range/class.

yeah, sorry I mixed up CA.

The hood, considering the lens size and the fact that its a prime, is rather large. Doubles the length of the kit mounted on the SLR, essentially. Ofcourse telezooms have larger ones, but then... thats proportionally large. Compare it to the lenshoods on the 50mm prime.
 
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I will not be too happy if the CR sources got their info wrong about Canon releasing many lens updates in the next two years. For all we know, Canon may be more interested in releasing more C lenses and less keen on updating still photography lenses. :( :'( I'll be rather disappointed if that comes to pass.
 
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I have been waiting a new 50/1.4 for years, as the current one needs to be refreshed (the current 50/1.2L is pricey for its opptical quality IMO). But if Canon releases this new 50/1.4 with a good optical quality, the current 50/1.2L will be even less attractive....

The current 85/1.8 is largely good enough for 99% of the users and its refresh is not a priority compared to the old 50mm...

I would also mention a 500/5.6 that would be far cheaper (and lighter) than the current 500/4: this would be a very interesting lens IMO...
 
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nounours18200 said:
I would also mention a 500/5.6 that would be far cheaper (and lighter) than the current 500/4: this would be a very interesting lens IMO...

A 500/5.6 would be cheaper and lighter than the current 500/4, but cheaper is relative. Based on the needed iris diameter (89mm) and the associated front element size, it would still be in the supertele class and likely in the range $5-7K (in line with the current MkIIs, because as a new supertele it would have those features). So, while a $6K lens would be 'far cheaper' than the 500/4 II, it likely would not be much cheaper than the current 500/4.

ICanon has one pro supertele per focal length (with the exception of the 400/4 DO), and they're unlikely to release a slower 500mm lens. I think a 400/5.6L IS is more likely, priced in the 'consumer range' i.e. $2K or a little higher.
 
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A while back a patent for a 600 F5.6 DO surfaced.
Now that seems like a very interesting lens design, provided that some of the current DO IQ limitations are improved.

Never the less the price should still be painfully steep.
 
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I use a d5 m2 and looking forward to new light prime lenses 35/2,0 and 85/1,8 USM and maybe with IS would be very nice. I prefer this kind of lenses because I usually wearing my cameras for hours and and I am not a bodybuilder. I think is more then me as prefer this kind of lenses.
 
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