9VIII said:
Don Haines said:
The photography world is not going to abandon FF for MF. Yes, bigger sensor makes for better quality images, but the size of everything grows to the point where it becomes unwieldy for many uses. Studio work... Yes. Weddings.... Yes. Architecture and landscape, yes. But for wildlife photography, sports, and anything else requiring long lenses, forget it.
MF is probably a viable market... FF will remain a viable market... But APSC? Right now, APSC offers two advantages, price and reach. As ability to make larger sensors at a reasonable price improves, the cost advantage disappears. As pixel counts grow, FF. sensors could put the same number of pixels on target as a crop camera, and destroy the reach advantage. I thing they will be around for several more years, but ten years down the road Many FF shooters will be MF, rebels will be FF, and there will still be high end FF cameras.
I hope they make the new MF cameras mirrorless. If they were you would have no size increase from current SLR cameras, and using on-sensor focusing would get rid of faulty AF issues, and it would mean wide angle lenses wouldn't need to be retrofocusing.
It would be cool to see if they started with both SLR and mirrorless cameras and an equal set of lenses for both, then the market could decide which system is better.
Others have said other things regarding this, but I will take the other road of --- while the tech surrounding EVF is getting better, it's a night and day difference between OVF. The few mirrorless camera's I have tried out, the EVF is horrid. I would much rather stick with the classic mirror!
size - no way around it, when push comes to shove if you want access to everything, the size will go up. The 6d is a good example of what happens when you cram a large sensor in a small body, you loose a lot of buttons! So, unless you want a gimped body, then the overall size and weight will increase...
Don Haines said:
The photography world is not going to abandon FF for MF. Yes, bigger sensor makes for better quality images, but the size of everything grows to the point where it becomes unwieldy for many uses. Studio work... Yes. Weddings.... Yes. Architecture and landscape, yes. But for wildlife photography, sports, and anything else requiring long lenses, forget it.
MF is probably a viable market... FF will remain a viable market... But APSC? Right now, APSC offers two advantages, price and reach. As ability to make larger sensors at a reasonable price improves, the cost advantage disappears. As pixel counts grow, FF. sensors could put the same number of pixels on target as a crop camera, and destroy the reach advantage. I thing they will be around for several more years, but ten years down the road Many FF shooters will be MF, rebels will be FF, and there will still be high end FF cameras.
I agree on most points, but, for wedding work, i don't see MF taking off in the wedding world until a few things get retooled:
1) processors need to be faster and more robust - because the current burst rate for MF bodies is like 1 shot every second. With a larger sensor, you get a larger mirror, and I'd say it may be a while before we get full MF with decent MP's that can do any kind of burst mode...
2) related to the above, buffer size. Even if you can squeeze out 2 fps...each image is going to be huge - For a wedding shooter this may be an issue
3) ISO range - most MF rigs cap out at ISO 1600, and most of what I have read says that you really don't want to go past ISO 400. both Canon and Nikon would probably be interested in pushing the ISO's and processors and buffer limits - but I am betting on a slower progression because ---if the quality falls off after iso 800 then wouldn't it just be more sensible to use a 35mm?
summing it up IMO - I can really only see high end wedding photographers snagging a full digital MF rig. Shot in the dark guess at cost would be in the 10-20K range (*and who knows what the cost of the glass would be). All that $$$$ for a body that is pretty much going to sit in the bag for 90% of the day. I think the tech surrounding the sensor has a lot of catching up to do to take on more than the posed formal shots of weddings. For ceremonies, you need more ISO (most ceremony venues don't allow flash, so your depending on aperture and ISO). For receptions, you need more ISO, or, your using way more external light that you should to keep any of the ambient lighting in play. this would just be an unfeasible investment for the majority of wedding photographers. The high end ones, the ones whose packages start at 10K, the ones who draw in clients that want huge canvas prints and are willing to shell out the dough for it --- those guys can justify the cost. If your average wedding is 2k, with maybe $300-600 in print sales, then MF makes absolutely no sense - that $$$ is better spent in advertising, taking courses, etc, etc....