Tomorrow I'm picking up a new BG-E16 gripped 7DII which will be worked hard alongside my 5DIII. For over a decade I have worked with a FF body and a x1.3 crop APS-H 1-Series body. They've been perfect companions. The APS-C 7DII will step into the shoes of my very high mileage 1D MkIV. The 7DII is no 1-Series and there will be compromises, but there is zero alternative now that APS-H has sadly been consigned to history. There are a lot of 1D MkIV bodies around the planet being worked beyond their use-by date simply because there has never been an APS-H update. Sigh....
I'm betting that the APS-C and FF combination will be a perfect working combination. My default two-camera setup will be 70-200 f/2.8isII on the 7DII and either 16-35 f/4is or 24-70 f/2.8II on the 5D3.
If I end up feeling underwhelmed with the 7DII, the 1D MkIV is still quite fine, and the 7DII can do light duties, or used when having a third body is useful, eg 70-200 on the 1DIV and the 300 f/2.8is on the 7DII, or as a highly viable B-cam on video projects. What a great era we work in...totally spoiled for choice.
-pw
I'm betting that the APS-C and FF combination will be a perfect working combination. My default two-camera setup will be 70-200 f/2.8isII on the 7DII and either 16-35 f/4is or 24-70 f/2.8II on the 5D3.
If I end up feeling underwhelmed with the 7DII, the 1D MkIV is still quite fine, and the 7DII can do light duties, or used when having a third body is useful, eg 70-200 on the 1DIV and the 300 f/2.8is on the 7DII, or as a highly viable B-cam on video projects. What a great era we work in...totally spoiled for choice.
-pw
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