That was a prediction based on data trends.Can you point to where Canon has stated that EF lens production will cease in 2024?
It was not based on company statements.
It was also not presented as a factual statement.
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That was a prediction based on data trends.Can you point to where Canon has stated that EF lens production will cease in 2024?
Those maximum apertures stops sound more like Cinema lenses then still lenses. Still lenses (rarely) deviate from the typical numbers 1.2, 1.4, 1.8, 2, 2.8 etc… but I’ve noticed cinema lens often end in odd numbers in the decimal.
I would also guess this would be expensive cinema glass. The reason that the T numbers are odd on Canon glass, though, is because they are just taking the even focal length number and adding 0.1. I don't think many companies even measure the transmission, they just add 0.1 since the transmission will never be 100% of the theoretical f stop number. An f/1.5 would likely be a T1.6.Those maximum apertures stops sound more like Cinema lenses then still lenses. Still lenses (rarely) deviate from the typical numbers 1.2, 1.4, 1.8, 2, 2.8 etc… but I’ve noticed cinema lens often end in odd numbers in the decimal.
If you have a look at other lens patents, you will see a lot strange aperture numbers like 2.9 or 4.1 etc in the specs. The marketing division will sell them as 2.8 or 4.Those maximum apertures stops sound more like Cinema lenses then still lenses. Still lenses (rarely) deviate from the typical numbers 1.2, 1.4, 1.8, 2, 2.8 etc…
Cinema lenses usually go by T Stop.Those maximum apertures stops sound more like Cinema lenses then still lenses. Still lenses (rarely) deviate from the typical numbers 1.2, 1.4, 1.8, 2, 2.8 etc… but I’ve noticed cinema lens often end in odd numbers in the decimal.
If my 2008 self saw those two 1kg lenses as an alternative over a 4.5kg EF 800mm & 5.4kg EF 600mm then odds are I'd get the f/11 copies as I am lazy in carrying things and the risk of being hassled over the gear is reduced to near nil.
That has been my experience as well. You're more likely to see a Ferrari or McLaren than fast white primes.I've even had people comment about my gear when I use a 700D and 55-250mm thinking it's professional gear. But when I use the M5 and 18-150mm no one cares. You will still get people approaching you with the RF 600mm and 800mm, but not as much as the big whites.
For prepackaged things we have https://en.wikipedia.org/wiki/Estimated_sign over here in Europe. Nothing is absolute, but it'd be nice to have guidelines on how much leeway there is on specsAs it is Canon, they will likely print "f/1.4" on those f/1.5 lenses. Sadly Canon cheats a little when it comes to specs. A 600mm lens is only 585mm and so on. I wish there were laws that require companies to fulfil at least the promised specs. It seems a few percent of cheating is legal and they alway try to use those few percent to their advantage.
I wish the industry would also switch to T-stops instead of F-stops like it is already done for professional video lenses. There are huge differences between the same F-stops of two different lenses. Only with T-stops the amount of light would always be the same.
Wow. Seen this sign gazillions of times, never stopped to ponder that it meaning "estimated". TIL.For prepackaged things we have https://en.wikipedia.org/wiki/Estimated_sign over here in Europe. Nothing is absolute, but it'd be nice to have guidelines on how much leeway there is on specs![]()
Your implication seems to be that when Nikon or Sony put out an f/1.4 or 600mm lens, it’s actually f/1.4 or 600mm and not something slower or shorter that’s rounded to the specified value. Do you believe that’s true?As it is Canon, they will likely print "f/1.4" on those f/1.5 lenses. Sadly Canon cheats a little when it comes to specs. A 600mm lens is only 585mm and so on.
The patent for the RF 300mm f/2.8 has it as 292.53mm f/2.9. Are you still going to pre-order?Your implication seems to be that when Nikon or Sony put out an f/1.4 or 600mm lens, it’s actually f/1.4 or 600mm and not something slower or shorter that’s rounded to the specified value. Do you believe that’s true?
Not anymore. That sort of behavior is unacceptable for a manufacturer and I'm going to stick it to Canon by not buying their game or their lens.The patent for the RF 300mm f/2.8 has it as 292.53mm f/2.9. Are you still going to pre-order?
18-45 and 40-100 seem like a more likely combination.This would be epic!
Canon 21-80 f/1.5
Would be a total nobrainer and a goto lense for any event or wedding photographer. I doubt that this is realistic on fullframe though...