ahsanford said:PZ's read on the 16-35 f/2.8L III:
http://www.photozone.de/canon_eos_ff/992-canon1635f28mk3?start=1
TDP's painful vignetting figure is indeed corroborated here: 4.61 stops at 16mm f/2.8.![]()
- A
AdamBotond said:That vignetting is hard to digest indeed.... Finally, they got sharpness through the entire frame in III, but they got almost twice as much vignetting, making improved edge sharpness look much less attractive...
hendrik-sg said:This vignetting is a nogo indeed.
This seems to be the easiest way to get good sharpness vaalues, just darken the less sharp outer regions. this lens has worse transmission than the F4 IS verion in the outer regions, then i would better like to have IS (and keep 1/2 the money).
-4EV means, it's a T>5.6 lens at the corners, this should not cost 2k$![]()
Random Orbits said:hendrik-sg said:This vignetting is a nogo indeed.
This seems to be the easiest way to get good sharpness vaalues, just darken the less sharp outer regions. this lens has worse transmission than the F4 IS verion in the outer regions, then i would better like to have IS (and keep 1/2 the money).
-4EV means, it's a T>5.6 lens at the corners, this should not cost 2k$![]()
The vignetting is comparable to less than the 16-35 f/4 IS at comparable apertures. It's probably due to design constraints. Want a well correct lens? Then choose between a filterable design with heavy vignetting or a convex front element (a la the 15-30) that is not filterable and has less vignetting. No one is making you buy it; you have a choice.
Random Orbits said:hendrik-sg said:This vignetting is a nogo indeed.
This seems to be the easiest way to get good sharpness vaalues, just darken the less sharp outer regions. this lens has worse transmission than the F4 IS verion in the outer regions, then i would better like to have IS (and keep 1/2 the money).
-4EV means, it's a T>5.6 lens at the corners, this should not cost 2k$![]()
The vignetting is comparable to less than the 16-35 f/4 IS at comparable apertures. It's probably due to design constraints. Want a well correct lens? Then choose between a filterable design with heavy vignetting or a convex front element (a la the 15-30) that is not filterable and has less vignetting. No one is making you buy it; you have a choice.
YuengLinger said:Random Orbits said:hendrik-sg said:This vignetting is a nogo indeed.
This seems to be the easiest way to get good sharpness vaalues, just darken the less sharp outer regions. this lens has worse transmission than the F4 IS verion in the outer regions, then i would better like to have IS (and keep 1/2 the money).
-4EV means, it's a T>5.6 lens at the corners, this should not cost 2k$![]()
The vignetting is comparable to less than the 16-35 f/4 IS at comparable apertures. It's probably due to design constraints. Want a well correct lens? Then choose between a filterable design with heavy vignetting or a convex front element (a la the 15-30) that is not filterable and has less vignetting. No one is making you buy it; you have a choice.
What a revelation! This adds incredible insights to the conversation! Thank you! :![]()
Random Orbits said:YuengLinger said:Random Orbits said:hendrik-sg said:This vignetting is a nogo indeed.
This seems to be the easiest way to get good sharpness vaalues, just darken the less sharp outer regions. this lens has worse transmission than the F4 IS verion in the outer regions, then i would better like to have IS (and keep 1/2 the money).
-4EV means, it's a T>5.6 lens at the corners, this should not cost 2k$![]()
The vignetting is comparable to less than the 16-35 f/4 IS at comparable apertures. It's probably due to design constraints. Want a well correct lens? Then choose between a filterable design with heavy vignetting or a convex front element (a la the 15-30) that is not filterable and has less vignetting. No one is making you buy it; you have a choice.
What a revelation! This adds incredible insights to the conversation! Thank you! :![]()
Anytime. Of course, you didn't Dustin to tell you the corners vignetted heavily -- that info was already out (TDP), unless you were thinking that copy-to-copy variation could account for that much difference in vignetting performance. :![]()
hendrik-sg said:Despite i am a technician with some physical knowledge, i can not judge about the compromises which have really been done, but if it has to be stopped down only one stop (to adjust the brightness of the center to the brightness of the corners) the lens becomes obsolete
I buy fast lenses for their light gathering capabilities and i do not want to have to push the corner by this amount
LordofTackle said:hendrik-sg said:Despite i am a technician with some physical knowledge, i can not judge about the compromises which have really been done, but if it has to be stopped down only one stop (to adjust the brightness of the center to the brightness of the corners) the lens becomes obsolete
I buy fast lenses for their light gathering capabilities and i do not want to have to push the corner by this amount
Well, in that case almost every fast lens ever made is obsolete (by your definition) and you can throw them out of the window![]()
BeenThere said:I'm not a lens designer, but there are always trades to make. Perhaps vignette and edge of frame sharpness is one of those trades. It seems all the wide angles have this issue: either soft edges or a lot of vignette in the corners? A "lot" is a relative term and some makers get better overall results than others. For instance the Tamron 15-30 is a little softer than the new 16-35 Canon (over the whole frame to my eye), yet the vignette of the Tamron is not as bad. Which would you prefer?