Here's an example of false colors in an irregular landscape subject, the magenta and cyan pixels are not there in reality:
http://www.ludd.ltu.se/~torger/photography/img/ltr-colormoire.jpg
this requires the lens to be very sharp of course, and results vary depending on demosaicers. In general the demosiacers producing the finest details get more problems with false colors. Lightroom makes more false colors than Phase One's Capture One for example.
Water is another landscape classic where moire/false colors can show:
http://echophoto.dnsalias.net/ekr/Articles/Aliasing2/seawater_a.png
So there's more than fabrics.
When you shoot winter subjects it can be visible around sharp edges, thin tree branches on a white background for example.
The examples I've seen from the D800E when it doesn't produce any aliasing always show a pretty soft lens or much stopped down...
http://www.ludd.ltu.se/~torger/photography/img/ltr-colormoire.jpg
this requires the lens to be very sharp of course, and results vary depending on demosaicers. In general the demosiacers producing the finest details get more problems with false colors. Lightroom makes more false colors than Phase One's Capture One for example.
Water is another landscape classic where moire/false colors can show:
http://echophoto.dnsalias.net/ekr/Articles/Aliasing2/seawater_a.png
So there's more than fabrics.
When you shoot winter subjects it can be visible around sharp edges, thin tree branches on a white background for example.
The examples I've seen from the D800E when it doesn't produce any aliasing always show a pretty soft lens or much stopped down...
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