bycostello said:yes....
any where between 50-200mm is a good focal length...
what camera do u use though as the crop factor maybe important too
neuroanatomist said:It wouldn't be my first choice for a portrait lens, no. I'd take 135mm or 85mm lenses, first.
But just about any lens can be used for portraits. For example, the 600/4L IS II:
Generally speaking ... no (though of course there are exceptions and photographers who make it work). It puts you so far away from the subject that it's not easy to communicate with the subject. And while telephoto compression can be flattering, the compression of a 200mm can feel excessive, making the subject look two-dimensional. The point of a 200mm is usually to get "nearer" to the subject than would otherwise be practical (as for sports) or strong isolation of the subject from other elements.littlepilotdude said:Hello,
Is the 200mm F2.8 II a good portrait lens?
littlepilotdude said:If I were just starting out, and being on a budget, would this be a good lens?
neuroanatomist said:littlepilotdude said:If I were just starting out, and being on a budget, would this be a good lens?
In that case, I'd recommend the 85mm f/1.8 - in terms of IQ for cost, it's one of the best values in the Canon lineup, and it's a great focal length on FF for portraits.
privatebydesign said:It is funny, people pay nearly $6,000 for the 200 f2 and say it is the most awesome portrait lens ever with amazing compression and unmatched "look", same for the older 200 f1.8 at $3,000 secondhand, but when it is the more modest 200 f2.8 L suddenly the focal length is too long! And lets not forget all the 70-200 owners that end up with portraits from the 200mm end.
Indoors the 200, especially with a crop camera, can be unworkable, outside and/or with a ff camera the 200mm focal length can work very well, just look at the 200 f2 lens sample thread on this site for some examples.
As for holding off on the 135 for fear of updates, don't forget the 200 f2.8L is an ancient lens too.
Hi,
Thanks for that input, I thought that since the 200 II was a mark II version, I thought it was recent until I looked it up and it was released in the 90s. I might buy it because it is a cheap lens and I'm looking for a new L lens that is inexpensive.
Thanks
littlepilotdude said:privatebydesign said:It is funny, people pay nearly $6,000 for the 200 f2 and say it is the most awesome portrait lens ever with amazing compression and unmatched "look", same for the older 200 f1.8 at $3,000 secondhand, but when it is the more modest 200 f2.8 L suddenly the focal length is too long! And lets not forget all the 70-200 owners that end up with portraits from the 200mm end.
Indoors the 200, especially with a crop camera, can be unworkable, outside and/or with a ff camera the 200mm focal length can work very well, just look at the 200 f2 lens sample thread on this site for some examples.
As for holding off on the 135 for fear of updates, don't forget the 200 f2.8L is an ancient lens too.
Hi,
Thanks for that input, I thought that since the 200 II was a mark II version, I thought it was recent until I looked it up and it was released in the 90s. I might buy it because it is a cheap lens and I'm looking for a new L lens that is inexpensive.
Thanks
verysimplejason said:littlepilotdude said:privatebydesign said:It is funny, people pay nearly $6,000 for the 200 f2 and say it is the most awesome portrait lens ever with amazing compression and unmatched "look", same for the older 200 f1.8 at $3,000 secondhand, but when it is the more modest 200 f2.8 L suddenly the focal length is too long! And lets not forget all the 70-200 owners that end up with portraits from the 200mm end.
Indoors the 200, especially with a crop camera, can be unworkable, outside and/or with a ff camera the 200mm focal length can work very well, just look at the 200 f2 lens sample thread on this site for some examples.
As for holding off on the 135 for fear of updates, don't forget the 200 f2.8L is an ancient lens too.
Hi,
Thanks for that input, I thought that since the 200 II was a mark II version, I thought it was recent until I looked it up and it was released in the 90s. I might buy it because it is a cheap lens and I'm looking for a new L lens that is inexpensive.
Thanks
Must it be an L? As Neuro said, 85mm F1.8 is one of the best even if it's cheap. This is also workable in an indoor shootout.
It's generally too long, no matter which one you get or how much you spend. Of course, beautiful & amazing work can be done at 200mm (or any focal length). But my sense is that if someone doesn't know whether 200mm is a good portrait lens, then it's probably not the focal length they should start with. I would start with any of the 85's or 100's. The cheaper versions of those are excellent for someone with a limited budget.privatebydesign said:It is funny, people pay nearly $6,000 for the 200 f2 and say it is the most awesome portrait lens ever with amazing compression and unmatched "look", same for the older 200 f1.8 at $3,000 secondhand, but when it is the more modest 200 f2.8 L suddenly the focal length is too long! And lets not forget all the 70-200 owners that end up with portraits from the 200mm end.
Indoors the 200, especially with a crop camera, can be unworkable, outside and/or with a ff camera the 200mm focal length can work very well, just look at the 200 f2 lens sample thread on this site for some examples.
As for holding off on the 135 for fear of updates, don't forget the 200 f2.8L is an ancient lens too.
Ok, I modified my previous post to quote your whole post.privatebydesign said:Zlatko said:It's generally too long, no matter which one you get or how much you spend. Of course, beautiful & amazing work can be done at 200mm (or any focal length). But my sense is that if someone doesn't know whether 200mm is a good portrait lens, then it's probably not the focal length they should start with. I would start with any of the 85's or 100's. The cheaper versions of those are excellent for someone with a limited budget.privatebydesign said:It is funny, people pay nearly $6,000 for the 200 f2 and say it is the most awesome portrait lens ever with amazing compression and unmatched "look", same for the older 200 f1.8 at $3,000 secondhand, but when it is the more modest 200 f2.8 L suddenly the focal length is too long! And lets not forget all the 70-200 owners that end up with portraits from the 200mm end.
It is really annoying when people selective quote, why cut out the next bit? Where I advised it is often too long and looking at actual images might help get a feel for the focal length. "Indoors the 200, especially with a crop camera, can be unworkable, outside and/or with a ff camera the 200mm focal length can work very well, just look at the 200 f2 lens sample thread on this site for some examples."
Also don't forget the 70-200 f4 L is a bargain at under $700 if you feel an L lens will offer better depreciation value if it doesn't work out. Don't forget f4 on a FF camera gives less equivalent dof to a 2.8 lens on a crop camera, and if you use a short tele zoom for a while you can read your EXIF and see what focal length you take your favourite images.