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Loswr
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UOduck23 said:What I'm reading from you guys is that I'd be buying myself a few aperture stops and not a bunch more. Knowing that I think that I'll experiment with the improved ISO on the 5D versus my 40D and see if I'll even need more than that.
It's true that at comparable apertures, there's not much real-world difference between the 70-200 II and the primes (same for the 135L). So in that sense, you are just getting a few aperture stops (and smaller, lighter lenses, but less versatile, too).
Those few stops of aperture mean more light, for which as you state, an ISO bump can substitute. But a wider aperture also means a shallower DoF - I'd argue that for the 50L and 85L, at least, that's the primary motivation. Still, I think it's not a bad idea to try FF with the lenses you have - after all, your f/2.8 zooms will give you DoF on FF equivalent to f/1.8 on your 40D. The 35L can deliver shallow DoF, too, with close subjects...but being a wide angle lens (on FF), low-light situational shooting is a common use.
To your original question, there's little to distinguish the three lenses you mention from an IQ standpoint, although the 50L is a little weaker on sharpness (it's a portrait lens, and intentional sacrifice of sharpness was made to improve the bokeh). The 50L also has focus shift, which makes it more challenging to work with between f/1.4 and f/4. The 85L focuses slooowwwwwly. It takes some getting used to. The 35L has no quirks, just goodness.
Personally, I don't have the 50L, but I have the 'holy trinity' of primes - 35L, 85L II, 135L. My 24-105mm and 70-200mm II see much more use, but the primes are wonderful in certain situations. 35L for indoor family shooting in ambient light and nighttime walkaround/street shooting (on 5DII), 85L for portraits (on 5DII), 135L for tight portraits (on 5DII) and indoor sports (e.g. swimming, on 7D).
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