I found both the lens and the article underwhelming, especially the article because it left out some major considerations. First of all: To get that "magic" 1200-mm-feeling, you can buy a 600 L II and a 2xIII extender. You just lose 1 stop of light. So agreed, that's not 100 % the same experience because of the slightly larger depth of field of the 600-mm-combo, but what you gain is a lot: For roughly 1/10 of the money you get probably almost the same image quality (no test was made, that's why I have to speculate) in a (for some) handholdable lens (at least I can handhold the 600 L II for a short time at least), and you get a very good IS. Since that beast came out, noise performance of cameras and optical knowhow in newer lenses improved a lot so that I think on the whole, if you need 1200 mm, the 600 L II with 2xIII is the way to go.
However, and now I am talking about an issue that was not really mentioned in the article, the optical quality of the lens can hardly be put to use if you use it like the authors of the articles, i. e. to photograph far away subjects. From my vast personal experience with my 600 L II I can say that there is a minimal chance only that you can take photos at 1200 mm without the air between the lens and the subject destroying the image quality. Even at 600 mm, haze is an issue. At 1200 mm, you have to have very special atmospheric conditions to get really sharp images from subjects that are several hundreds meters away. Let alone kilometers. If you are focusing on subjects near infinity (astronomical shots excepted) you will NEVER get a sharp image of an object. Never. Talking about the shots of that bridge in the article, I am pretty sure that images taken with an ordinarly 600 mm lens would be quite as (un)sharp as those taken with this beast, even if the beast were optically better).