Review: Canon EOS 5DS R by Amateur Photographer

I can't even imagine. Thank you sincerely for all your hard work and your generosity and willingness to share it with us. If I ever get to the UK, I'll look you up. Do the same if you ever get adventurous and come to New Orleans ;-)

keithcooper said:
PureClassA said:
Ha! Throw out Keith's name and he magically appears! Thanks for the posts and your fantastic website, Keith!
Yes, I got the 'another post' message when posting ;-)

I'll try and get some more info comparing with my old 1Ds3, since I know a lot of people held on to them after finding the 1DX a less than enticing replacement.

The 5Ds RAW files won't open in my old photoshop (CS6), so the new camera could well nudge my exploration of workflows, since I've a copy of C1 and my old standby DxO (LR doesn't get a look-in I'm afraid, and DPP is still likely to be a curiosity).

Glad the site's of interest! I'm currently re-writing a huge chunk of it, but the rumours pages will stay as-is, since I don't want to go the route of turning every snippet into a fully fledged 'post'. I'd forgotten just how many pages there were...
 
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rfdesigner said:
Do we know if the 12.4 stops of DR is at native resolution or downsampled to some smaller image size as per "that website".. anyhow 6D is 12.0 stops by this lot, so they're saying it's almost than half a stop better than the 6D which has a very good sensor.

I think it's got to be normalized. When I measured the 5Ds DR a few months back it seemed like it would probably end up about 1/2 stop more than the 6D at ISO100 and normalized both to 8MP.
 
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Tinky said:
canon can't win. folks complain that video is detracting from stills development, so they develop a totally kick ass market leading stills camera...

folks complain it doesn't have 4k.

go buy a gh4 or a7s already.

I shoot primarily video, some of it on canon dslrs, and m's.

I have not had one client ask me for 4k yet. When a client I want does ask, I'll buy 4k that day.

I remember well spending over the odds on poorly implemented hd formats when forums were saying 'you must have hd'

One of my dh cameras burned out before I ever had occassion to shoot in hd...

Canon should have more solutions, at a wider range of prices already... why not let the stills guys enjoy a camera thats obviously meant just for them...

4k from a 50mp sensor.... that will take some blurry aa filter and some complicated line skipping....

There comes a point when its a good idea to use the right tool for the job, if you ate shooting 4k out of necessity, that tool probably isn't wrapped up in a dslr shell.

Hmm you must've missed the A7R II announcement.

4k from a 42MP sensor with not only no line skipping (it does on chip bin for FF) but in optimal Super35mm mode it delivers 4k with 1.8x oversampling for superb detail with no moire/aliasing and very near to FF level SNR ratio.
 
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LetTheRightLensIn said:
Tinky said:
canon can't win. folks complain that video is detracting from stills development, so they develop a totally kick ass market leading stills camera...

folks complain it doesn't have 4k.

go buy a gh4 or a7s already.

I shoot primarily video, some of it on canon dslrs, and m's.

I have not had one client ask me for 4k yet. When a client I want does ask, I'll buy 4k that day.

I remember well spending over the odds on poorly implemented hd formats when forums were saying 'you must have hd'

One of my dh cameras burned out before I ever had occassion to shoot in hd...

Canon should have more solutions, at a wider range of prices already... why not let the stills guys enjoy a camera thats obviously meant just for them...

4k from a 50mp sensor.... that will take some blurry aa filter and some complicated line skipping....

There comes a point when its a good idea to use the right tool for the job, if you ate shooting 4k out of necessity, that tool probably isn't wrapped up in a dslr shell.

Hmm you must've missed the A7R II announcement.

4k from a 42MP sensor with not only no line skipping (it does on chip bin for FF) but in optimal Super35mm mode it delivers 4k with 1.8x oversampling for superb detail with no moire/aliasing and very near to FF level SNR ratio.

i didn't miss it. I just wasn't talking about it. Woukd you care to chip in about the price of cheese as I wasn't talking about that either.

Even if canon did go do doen that route... (damn, I've bitten) ... and it's not a bad implementation, too many folk erroneously (in my view) want to shoot video on a 135 format.

Canon have actually got their primary 4k sensor, that is the s35 8mp sensor, bang on. But then, I wasn't talking about that either.

My main points were- let the stills only guys have their day, and that any dslr form, be it a gh4 (okay not a dslr Mr. Pedant) or the a7r2d2 (not a dslr either Mr Pedant) isn't a form that professional video guys would want to shoot with, and the only folk who actually 'need' 4k are high end professionsl users.

I love it when folk hark on about the a7 in particular, because they are absolutely ghastly to use for video, riven with lens mount caveats, designed as they are with the compromises of a dslr format - when they aren't even DSLRs! hahaha!

And don't even start ne on the a7 codec...

Sometimes quality is better than quantity.

The stills guys should be veryhappy, the video guys shoukd be looking elsewhere.
 
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Tinky said:
LetTheRightLensIn said:
Tinky said:
canon can't win. folks complain that video is detracting from stills development, so they develop a totally kick ass market leading stills camera...

folks complain it doesn't have 4k.

go buy a gh4 or a7s already.

I shoot primarily video, some of it on canon dslrs, and m's.

I have not had one client ask me for 4k yet. When a client I want does ask, I'll buy 4k that day.

I remember well spending over the odds on poorly implemented hd formats when forums were saying 'you must have hd'

One of my dh cameras burned out before I ever had occassion to shoot in hd...

Canon should have more solutions, at a wider range of prices already... why not let the stills guys enjoy a camera thats obviously meant just for them...

4k from a 50mp sensor.... that will take some blurry aa filter and some complicated line skipping....

There comes a point when its a good idea to use the right tool for the job, if you ate shooting 4k out of necessity, that tool probably isn't wrapped up in a dslr shell.

Hmm you must've missed the A7R II announcement.

4k from a 42MP sensor with not only no line skipping (it does on chip bin for FF) but in optimal Super35mm mode it delivers 4k with 1.8x oversampling for superb detail with no moire/aliasing and very near to FF level SNR ratio.

i didn't miss it. I just wasn't talking about it. Woukd you care to chip in about the price of cheese as I wasn't talking about that either.

Even if canon did go do doen that route... (damn, I've bitten) ... and it's not a bad implementation, too many folk erroneously (in my view) want to shoot video on a 135 format.

Canon have actually got their primary 4k sensor, that is the s35 8mp sensor, bang on. But then, I wasn't talking about that either.

My main points were- let the stills only guys have their day, and that any dslr form, be it a gh4 (okay not a dslr Mr. Pedant) or the a7r2d2 (not a dslr either Mr Pedant) isn't a form that professional video guys would want to shoot with, and the only folk who actually 'need' 4k are high end professionsl users.

I love it when folk hark on about the a7 in particular, because they are absolutely ghastly to use for video, riven with lens mount caveats, designed as they are with the compromises of a dslr format - when they aren't even DSLRs! hahaha!

And don't even start ne on the a7 codec...

Sometimes quality is better than quantity.

The stills guys should be veryhappy, the video guys shoukd be looking elsewhere.


Really, so if you have heard about the A7R II then why are you then telling lies:"4k from a 50mp sensor.... that will take some blurry aa filter and some complicated line skipping.... " since you'd know that's not how it has to be?
 
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Telling lies? Thats rather a bit of a strong accusation is it not.

Not telling lies, and not talking about the a7r2.

You'll be talking from the perspective of somebody who has hands on with the a7r2 and has handled 4k footage from it in a 4k workflow then? Or are you kind of making it up? (dare I say, you are telling lies also?)

You think a 42 or 50mp sensor is the best starting point for 4k?

You think than an aa filter designed for a 50mp pixel pitch is also going to play immpeccably with 4k output?

Or do you agree, as is my basic point... that if you must have 4k, then you are probably working at a certain level (key word is MUST) and it follows that you are better spending your money on a more video orientated sensor / codec / package?

But all of this is moot, as the 5ds/r, which i was talking about, does not have 4k...

Do me a favour, start a thread about the a7 and fill your boots there.

For what its worth, I think Canon were right to concentrate on absolute stills quality, the video mode is probably sufficient for press agency work, although i'm almost tempted to suggest that in this kind if camera its almost superflous, and theres certainly no need for 4k, as those who need it are far better catered for elsewhere, and no I don't mean by the a7r2 or gh4.
 
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Tinky said:
i didn't miss it. I just wasn't talking about it. Woukd you care to chip in about the price of cheese as I wasn't talking about that either.

Even if canon did go do doen that route... (damn, I've bitten) ... and it's not a bad implementation, too many folk erroneously (in my view) want to shoot video on a 135 format.

Canon have actually got their primary 4k sensor, that is the s35 8mp sensor, bang on. But then, I wasn't talking about that either.

My main points were- let the stills only guys have their day, and that any dslr form, be it a gh4 (okay not a dslr Mr. Pedant) or the a7r2d2 (not a dslr either Mr Pedant) isn't a form that professional video guys would want to shoot with, and the only folk who actually 'need' 4k are high end professionsl users.

I love it when folk hark on about the a7 in particular, because they are absolutely ghastly to use for video, riven with lens mount caveats, designed as they are with the compromises of a dslr format - when they aren't even DSLRs! hahaha!

And don't even start ne on the a7 codec...

Sometimes quality is better than quantity.

The stills guys should be veryhappy, the video guys shoukd be looking elsewhere.

You're wrong there. You're only seeing video cameras as either a camcorder or full blown unweildly cinema camera. The fact is that ever since Canon came out with the 5D Mark II it changed the game for DSLRs. It was no longer a camera purely for still photography. The video feature revolutionized that market and added a whole new market of customers who started buying and using DSLRs for video (some use these SOLELY for video in fact). The DSLR ergonomics wasn't designed for video, no. BUT the major advantage they have are having large/full frame sensors in tiny bodies that are perfect for wedding/event shooters. Yes if we were making big budget movies we'll get a cinema camera, but not all productions could afford that. Smaller budget films, and especially wedding/event shooters are the perfect use for DSLR form factor.
Look at sites like EOSHD and Cinema5D that cropped up and are dedicated to DSLR video/filmmaking. Go to trade shows like NAB and see how much support equipment and accessories are made specifically for DSLR video.

The fact is that Canon started this trend so the expectations are that they will at the very least keep up with the competition. Instead it looks like they're backing off. Instead of furthering their DSLR video line, they instead come up with EOS cinema cameras to go up against established players like RED and BlackMagic. But they don't have the feature or price advantage at that level. And because they have that new cinema camera line, they're afraid of cannibalizing those sales by putting out a DSLR with the same capabilities. The problem is that Sony and Panasonic are doing it already and in comparison it looks like Canon is holding back. They have the tech and can easily do it if they wanted to. It was poor business strategy and they've dug themselves into a hole with that EOS cinema line.

I've already mentioned it before, I've already bought a GH4. I likely will buy the a7R II if there's no news from Canon. Just because you don't have any clients asking for 4K yet doesn't mean that Canon should fall behind and hold back features that we all know are possible. It just makes us hesitant to stay with Canon. Don't get me wrong. I love the 5D Mark III ever since I bought it the day it came out and have been enjoying and using the hell out of it (and so do clients). But it's definitely getting long in the tooth and Canon is due for the next big thing and they better hurry or else a lot of us will be jumping ship.

Good thing all the competition has/will have full adapters for Canon EF lenses so we can still keep the excellent lens collections.

As a still shooter, I'll still be happy with the 5D Mark III. I don't have a need for 50MP for any of the work that I'm currently doing, but if that day ever comes then I might look at the 5DS.

As a video shooter, the 5D Mark III will still be great for shooting lowlight events/weddings in 1080p but I've already moved on to the GH4 (with speed boosted Canon glass) for 4K and slowmo capabilities and will be eyeing the a7R II when that releases. As of now, it doesn't look like there's any compelling Canon DSLR body options for us in the near future.

It was nice to have a 'do it all' camera that could handle both stills and video for the past few years but it looks like we'll have to go back to having 2 separate bodies soon.

It's just so disappointing that Canon is not listening to a huge portion of their user base. Like you said, still shooters will be happy, but it'll piss off all the video shooters. To us it just looks like Canon is holding back on new features and they don't have any good explanation for it.
Imagine if Canon came out with new DSLR bodies that have higher megapixels, but didn't bother to update other things like higher res LCD screens, still had USB 2.0, didn't support the newest/fastest CF and SD cards, didn't improve the AF system. Like it or not, video is now a feature and important spec of DSLRs and by not keeping up with what's current Canon is only hurting themselves.

Even most current smartphones out NOW can shoot 4K and slowmo video. Sure they won't get the same kind of image quality of course, but it's downright SHAMEFUL that a frigging phone can outspec a top of the line dedicated camera. Don't you think?
 
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I'm not suggesting canon should hold back anything, in fact i earlier stated that they shoukd already have had more of a choice and at different price points.

Personally I'm delighted that canon have concentrated on video for the likes of the c300mk2 and concentrated on stills for the 5dr/s. I don't think every product they make has to be targeted at every possible end user.

I think a 5d4 should probably have 4k, with all the previous caveats that would necessarily accompany it, I just think that the 5dr/s needn't be a catch all.

If the benchmark is the a7 or gh4 or even the xc10, then the bar is being set pretty low.

And I'm not knocking using dslrs for video work - I do it. I'm knocking the folk who are never happy.

Canon have the trump card for the first time in around 8 years. Be happy.

Well done for shooting stills and video side by side. I enjoy doing both, but not at the same time.
 
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Tinky said:
I'm not suggesting canon should hold back anything, in fact i earlier stated that they shoukd already have had more of a choice and at different price points.

Personally I'm delighted that canon have concentrated on video for the likes of the c300mk2 and concentrated on stills for the 5dr/s. I don't think every product they make has to be targeted at every possible end user.

I think a 5d4 should probably have 4k, with all the previous caveats that would necessarily accompany it, I just think that the 5dr/s needn't be a catch all.

If the benchmark is the a7 or gh4 or even the xc10, then the bar is being set pretty low.

And I'm not knocking using dslrs for video work - I do it. I'm knocking the folk who are never happy.

Canon have the trump card for the first time in around 8 years. Be happy.

Well done for shooting stills and video side by side. I enjoy doing both, but not at the same time.

I'm not saying you are suggesting it, Canon IS holding back. We DSLR video shooters are saying it.

The C300 Mark II is a completely different species. Just because it says Canon and EOS on it doesn't compare it at all to any DSLR. It's already priced WAY out of this market. It's a dedicated cinema camera aiming for the RED and BlackMagic level.
No, not every product they make has to be for every possible end user, but as I've already repeated many times, Canon themselves are the ones who started this trend of the stills AND video DSLR with the 5D Mark II and III. By just concentrating on stills again is going backwards.

The a7S and GH4 can produce some amazing footage. There were times when I expected my GH4 to be loud and noisy but it holds its own in low light really damned well when paired with good optics.

The XC10 is just garbage. THAT is another thing that pisses us off. There was simply NO REASON for Canon to come out with that. They could've used those resources to make a 4K DSLR surely.

I'm happy about a lot of things. But I can't be happy when Canon has been sitting on their hands for the past several years while everyone else leaped past them. I'm glad I don't have any stock in the company otherwise I would be VERY MUCH MORE unhappy. :)

I don't shoot video and stills at the same time, but sometimes I work with a full team and we have both still and video shooters and it's great when we are all on Canon so we can swap lenses/batteries/cards. Since I've added the GH4 with adapter the lens isn't an issue but it's annoying having a different set of batteries/chargers to have to deal with.
 
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I disagree on mild terms.

Canon aren't aiming the 5ds/r at you, so get over it.

xc10 was poorly conceived. I may dabble with an rx10mk2. May. Dabble.

If the day cones when not having 4k will lose me a booking I'll buy 4K. There aren't mature products at my budget yet, so I'll hold off as long as I can. Partly because I was stung with hdv and xdcamhd when there wasn't the demand, and partly because I'll also need to spend a lot of money on a 4k capable ready suite.

I'm not selling my work or services on resolution, and I am keeping very busy.

Yes canon should have more of a feel of the contender about them. With the 5dr/s i would argue they do, but my basic point is they aren't going to please every user every time.

And the first dslr with video was the nikon d90. Which arguably had the better mount (more adaptable, aperture rings on lenses) but I'm glad canon picked uo the ball and ran with it back then, as I was already invested in their system.
 
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Tinky said:
canon can't win. folks complain that video is detracting from stills development, so they develop a totally kick ass market leading stills camera...

folks complain it doesn't have 4k.

go buy a gh4 or a7s already.

[...]

There comes a point when its a good idea to use the right tool for the job, if you ate shooting 4k out of necessity, that tool probably isn't wrapped up in a dslr shell.

I'm with Tinky on this one! I think it's OK that the 5DIV will be "the do it all well" Canon DSLR, and the 5DS+r will be for the stills shooters.
 
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I really did like this review. I would like to mention, since it has been such a hot topic (even though I find it highly overrated) that I checked the DR measurement of the D750, on amateurphotographer.co.uk, and it was 12.86 at best, compared to 5DSr at 12,4.

Any ideas how this will translate into the measurements done by DXO?
 
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Larsskv said:
I really did like this review. I would like to mention, since it has been such a hot topic (even though I find it highly overrated) that I checked the DR measurement of the D750, on amateurphotographer.co.uk, and it was 12.86 at best, compared to 5DSr at 12,4.

Any ideas how this will translate into the measurements done by DXO?

I don't know but that's more like the practical difference I find between Canon and Exmor. In reality, for producing high quality shadow tones, the "14.5 stops" is a load of bull**** because to access that 'extra DR' you have to underexpose, proportionally, thus negating most of the benefit.
 
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Nice review, but from what I've seen a lot of the sample photos from these reviews aren't critically sharp at 100% even when shot at higher SP to reduce camera shake.

The quality looks incredible, but in practice it looks like a more of a learning curve and you have to be careful when shooting hand held, which we all knew anyway. But these review shots prove this.
 
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tomscott said:
Nice review, but from what I've seen a lot of the sample photos from these reviews aren't critically sharp at 100% even when shot at higher SP to reduce camera shake.

The quality looks incredible, but in practice it looks like a more of a learning curve and you have to be careful when shooting hand held, which we all knew anyway. But these review shots prove this.
It is indeed a camera, I'll need to take a bit more care with, but...

'Critically sharp' is IMHO a shibboleth that more people would do well to actively question.

The relevance of sharpness at 100% is at best a variable - and at worst a wooly concept that causes too many people to tilt at windmills.

I say this from the POV of someone who earns a living from architectural photography, makes massive prints, and has just got a 5Ds, which I'll still be using handheld for landscape work (OK, not at night).

As I noted a while ago, only other photographers ever look at my prints from inches away, but they never buy anything...

As ever, YMMV... ;-)
 
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keithcooper said:
As I noted a while ago, only other photographers ever look at my prints from inches away, but they never buy anything...

As ever, YMMV... ;-)

Looking at other photographers work is only the start of an internal talk on how to replicate the result or make it better, and if he can do it then surely I can, and I will print mine ;D
 
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Tinky said:
Telling lies? Thats rather a bit of a strong accusation is it not.

Not telling lies, and not talking about the a7r2.

You'll be talking from the perspective of somebody who has hands on with the a7r2 and has handled 4k footage from it in a 4k workflow then? Or are you kind of making it up? (dare I say, you are telling lies also?)

It's specs. No line skipping is no line skipping.

You think a 42 or 50mp sensor is the best starting point for 4k?

Well if you get non-line skipped, non-on chip binned, 1.8x oversampled 4k from it what pray tell is bad about that starting point?

You think than an aa filter designed for a 50mp pixel pitch is also going to play immpeccably with 4k output?

Why not? It's not line skipping! (side point: the A7R II doesn't even have an AA filter anyway)

Or do you agree, as is my basic point... that if you must have 4k, then you are probably working at a certain level (key word is MUST) and it follows that you are better spending your money on a more video orientated sensor / codec / package?

Not necessarily, since the higher level Black Magic Ursa costs more and if you also shoot stills and wanted a high MP, high DR body you'd need the A7R II anyway so....

If you do nothing but video, care not about stills at all, and have the money, then yeah, maybe something else.

But all of this is moot, as the 5ds/r, which i was talking about, does not have 4k...
Do me a favour, start a thread about the a7 and fill your boots there.

I would've but you're the one who started going on about how crazy people were to expect 4k out of a 5Ds since the concept of hgh quality 4k from a near 50MP sensor was absurd.

For what its worth, I think Canon were right to concentrate on absolute stills quality, the video mode is probably sufficient for press agency work,

And for all their concentrating on stills quality it will almost certainly end up with at least two stops less DR at the low end so where exactly did they gain by forgetting about video and focusing only on stills when the camera ends up having both much worse video and even the stills is quite arguably overall worse.

I'm sure the 5Ds handles better overall, far so under some conditions, but that's a different matter. And it's certainly not a bad camera by any means.
 
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