The Canon EF 70-200mm f/2.8L IS USM III Has Been Discontinued

The ‘magic drainpipe’ was a good lens for its day, but that day has long passed. The EF 70-200/2.8L non-IS that succeeded it delivered better IQ, and today the IQ of the latter is surpassed even by RF consumer / non-L zooms, and more so by modern L-series zooms.

It's all relative. The Magic Drainpipe blew away what any previous 80-200mm or similar f/2.8 lens could do optically. It was the first zoom lens to seriously challenge the idea that no large aperture zoom could be as good as even a modest prime. That was revolutionary in the late 1980s and early 1990s.

In the years since we have seen constantly improving quality of zoom lenses, but it has been more of a series of continuous incremental improvements. I do not think we've seen as large of a jump from what had been previously available to what a new lens could do since the EF 80-200mm f/2.8 appeared on the scene. The only thing that even comes close is the EF 70-200mm f/2.8 L IS II USM compared to the EF 70-200mmf/2.8 L IS in 2010, and that was not the same level of improvement that we saw with the Magic Drainpipe compared to what else was out there in 1987.
 
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Depends on what you want to mainly shoot with that lens: the f/4.0 is a very good landscape and short sports tele zoom; the f/2.8 shines when you shoot people, including portrait (that's why reporters love this lens), and it is of course the better choice if you want to use it with extenders. But I do not want to teach you, you surely know exactly for which purposes you want such a lens.

Btw the f/4.0 L IS USM is not only quite compact & light (like the non-IS version), feels very nice in the hands, in particular turning the zoom ring feels so light and smooth, it is a real fun to use that lens. The f/2.8 L IS USM II that I have feels extremely solid, too, but it is much more massive.
Yeah — for me it was my kid for a long time (now in university), and during that time we bought a farm and live in a rural community. (I know, weird for a tech guy.) As such, I've gravitated towards domesticated animals (e.g., ducks, horses, hounds); wild animals (e.g., eagles, deer, elk); and people or my own experience in that context (my avatar pic is from a rodeo), such as portraits around barns, warehouses, shops, etc.

For me the 70-200 f/4 original on an R6 with DLO is very satisfactory in terms of quality, especially for animals that aren't shy or things like cowboys riding a bucking bull. IS doesn't help much beyond what the R6 is providing for these contexts. That stated, I am on the Pacific Northwest, so things like humidity and rain are an issue. The lens has some internal sealing, so it's always fine (no fogging, etc.) but I don't bring it out much in the winter or spring. The IS versions are sealed better, so they remain attractive in that regard. I also powerlift, so the larger lenses are more a packing inconvenience than anything else. ;)

But, I also have followed the guiding principle of expanding capability before replacing capability. It's tough for me to upgrade from 70-200 to 70-200 unless the advantage is overwhelming. I still have my ultra-telephoto capability to establish, for example, and since I won't justify $10k+ on a lens (I'm not making money in most cases) and I like primes (for the zen, not pragmatics) I'm waiting for that mythical 500 f/5.6 unicorn to show up. It's why my sig has all of those lenses: each provides a capability or interesting feature that I actually use in a situation that I'd otherwise miss emotionally for my day-to-day or month-to-month prosumer amusement. It's also why I'm not an RF person yet — the gains are there, but for the cash most of the time those gains (to me) are not overwhelming vs. my late-EF editions combined with DLO.

But I really appreciate everyone's input and experience, because my friends and local stores don't carry everything so I can't always test things out before buying. And renting is a real inconvenience for where I am.
 
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