What am I shooting, and why?
If it's an event and I have no clue what I might be shooting, I want one or more zooms.
If it's one specific shot and I know exactly what I want, I probably want just one prime.
If it were, say, a football game, I'd want one of each: the 400 f/2.8 and the 70-200 f/2.8.
Since this is a money-is-no-object exercise, I went with the list of primes and the unstated assumption that I'd have an assistant to carry them and a half-dozen bodies so they could be switched out at a moment's notice.
But your list also missed out on some of the most important primes, like the TS-E 24, the MP-E 65, and the Great Whites....
Cheers,
b&
If it's an event and I have no clue what I might be shooting, I want one or more zooms.
If it's one specific shot and I know exactly what I want, I probably want just one prime.
If it were, say, a football game, I'd want one of each: the 400 f/2.8 and the 70-200 f/2.8.
Since this is a money-is-no-object exercise, I went with the list of primes and the unstated assumption that I'd have an assistant to carry them and a half-dozen bodies so they could be switched out at a moment's notice.
But your list also missed out on some of the most important primes, like the TS-E 24, the MP-E 65, and the Great Whites....
Cheers,
b&
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