Veteran cameraman claims: BBC 'fakes wildlife shots all the time'

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I am surprised that this is thought of as a news piece as the Daily Mail wouldn't know news if they fell over it. This way of filming was addressed by David Attenborough a number of years back when he was asked about how some of the great shots were achieved. So Mr Editor Daily Mail, this is old news very old news.
 
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Quite obviously, the previous responders to this thread are beyond the age that would remember "Mutual of Omaha's Wild Kingdom', with Marlin Perkins and Jim Fowler, whereupon, on some back of some studio in California, Marlin would "watch from the safety of the helicopter while Jim wrestled the crocodile". Whereupon, the helicopter was in fact on the ground (the chopper shots of Marlin looking on were often repeated from show to show), and the crocodile was... well it was somthing in the mud, and could have been a deflated weather balloon for all we know.
 
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CharlieB said:
Quite obviously, the previous responders to this thread are beyond the age that would remember "Mutual of Omaha's Wild Kingdom', with Marlin Perkins and Jim Fowler, whereupon, on some back of some studio in California, Marlin would "watch from the safety of the helicopter while Jim wrestled the crocodile". Whereupon, the helicopter was in fact on the ground (the chopper shots of Marlin looking on were often repeated from show to show), and the crocodile was... well it was somthing in the mud, and could have been a deflated weather balloon for all we know.

I remember watching that show as a young kid, and loving it. At the time I didn't even think about whether it was fake/staged/dramatized, I just took it at face value. A few years later I watched zoologists bring captive animals onto the set of the Tonight Show with Johnny C, and that was equally fascinating. As a child, the Tooth Fairy is interesting; as an adult, physical anthropology (or any "dry" science) is interesting.

At some point I'll have to watch some episodes of "Wild Kingdom" to see them through adult eyes. If it's obviously fake I'm willing to write it off as a dramatized children's show. I'm more concerned with well-done fakes, where it's not possible to find the fakery unless you're an expert.
 
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CharlieB said:
Quite obviously, the previous responders to this thread are beyond the age that would remember "Mutual of Omaha's Wild Kingdom', with Marlin Perkins and Jim Fowler, whereupon, on some back of some studio in California, Marlin would "watch from the safety of the helicopter while Jim wrestled the crocodile". Whereupon, the helicopter was in fact on the ground (the chopper shots of Marlin looking on were often repeated from show to show), and the crocodile was... well it was somthing in the mud, and could have been a deflated weather balloon for all we know.

Mutual of Omaha's Wild Kingdom was presented as real wildlife at the time. I have never heard the stories that you just outlined but some of the cast later talked about going to remote locations, they would bait the wildlife or arrange for wildlife confrontation. They would also release tame animals in to the wild to get the action shots they wanted. They did what they had to do to arrange the shots and told no one.

This was old news and it is amazing that some will read this news story and think it is something new.

But the whole thing cheapens the value of wildlife photography. Those of us that would rather take pictures of wildlife in wild settings doing their natural thing work hard to produce a product that compares to a so called Pro's staged, lighted pictures of animal actors.

Of course we can say these pro's are deceptive. But then I know many bird photographers with feeder in their back yard, great lighting and great photoshop skills and they pass their bird photography off as wild life pictures. When a wild animal starts eating from the food you provide and sits on the perch you provide it is semi domesticated IMO.
 
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mackguyver said:
Not commenting directly on this article, but it's a sad fact that as long as money is involved, people will fake wildlife photos. Whether it's shooting in zoos, using animal models, roadkills, reeling in a dead mouse to attract owls, etc. it will be done. If your livelihood depends on it, you really can't blame people for doing it. I just wish people would label it as such, as the North America Nature Photography Association (NANPA) advocates: http://nanpa.org/positions_overview.php.

For me, wildlife photography is all about the challenge of finding wild animals, which is often about luck, and the skill of getting the shot when the opportunity presents itself. If it were easy, I don't think I would enjoy it. Then again, my income doesn't depend on getting these shots.

Bare in mind that the nature programs involved generally involve the best wildlife video footage the world has ever seen.

For Americans the Daily Mail is basically Fox News in print form and is opposed to the BBC as an independent public broadcaster. The grandfather of the current owner was a fascist sympathiser pre WW2 yet he ran a highly dishoniest story on the current center left leaders dead father "hating britan".
 
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Rienzphotoz said:

I am an an avid, avid watcher of BBC programing, especially the documentaries. They do show how they get their wildlife shots are done. As a wildlife photographer I find their workflow interesting.

I take the educational content seriously. How they get it, I do not make too much of a fuss over it.

Now, is it a news program? If it isn't then they can stage the heck out of it.

Is it a photo/video contest that disallows any form of staging? If it isn't then they can stage the heck out of it.

People should be more scandalized on the staged nature of "reality TV" and talent/singing contests. ;)

Finally, if you dislike what the BBC is doing then all you have to do is turn the TV off.

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We must remember that the health & safety of the production staff should take paramount importance rather than the authenticity. We should also consider that the level of difficulty & budget in making such a production somewhat limit the authenticity.

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Earlier this year I was being bugged on "authenticity" and "truthfulness" of wildlife photography and to be honest what other people do is their business. If you're in an organization then you should follow their protocols or else just keep out.

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In my mind, why the fudge (pardon the language) would I spend so much money to fight people on how they do their business?

Because at the end of the day, you post or otherwise make public your work some idiot with "good intentions" will appropriate your work for their advocacy without even the decency of either acknowledging you for your time/effort/money or compensating you.
 
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dolina said:
Rienzphotoz said:

I am an an avid, avid watcher of BBC programing, especially the documentaries. They do show how they get their wildlife shots are done. As a wildlife photographer I find their workflow interesting.

I take the educational content seriously. How they get it, I do not make too much of a fuss over it.

Now, is it a news program? If it isn't then they can stage the heck out of it.

Is it a photo/video contest that disallows any form of staging? If it isn't then they can stage the heck out of it.

People should be more scandalized on the staged nature of "reality TV" and talent/singing contests. ;)

Finally, if you dislike what the BBC is doing then all you have to do is turn the TV off.

=========

We must remember that the health & safety of the production staff should take paramount importance rather than the authenticity. We should also consider that the level of difficulty & budget in making such a production somewhat limit the authenticity.

=========

Earlier this year I was being bugged on "authenticity" and "truthfulness" of wildlife photography and to be honest what other people do is their business. If you're in an organization then you should follow their protocols or else just keep out.

=========

In my mind, why the fudge (pardon the language) would I spend so much money to fight people on how they do their business?

Because at the end of the day, you post or otherwise make public your work some idiot with "good intentions" will appropriate your work for their advocacy without even the decency of either acknowledging you for your time/effort/money or compensating you.
I absolutely agree
 
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Rienzphotoz said:
I absolutely agree
So chill out, relax or else you might get hypertension over wildlife. ;)

Or better yet go after people who destroy the habitat and pouch wildlife rather than some overly enthusiastic cameraman.

Again, for the record. I did not get serious in my photography just so I can dictate others how they should lead their lives. I am neither paying them for their time and gear so best bet is to keep out of their business so long as what they are doing is legal.

If animals and bugs knew what people are on about they'll all think we're f-ing batty. ;D
 
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Pi said:
moreorless said:
[...] to the BBC as an independent public broadcaster.

In most countries, organizations funded by taxes would be called governmental ones.
That is probably correct, for most countries. But it gives you a tilted view of the consequences. BBC, NRK (Norway), SVT (Sweden) and a few other broadcasters are financed through the tax system, rather than commercials. They are controlled by independent bodies, which does not control the money. That gives you two major benefits. One; There are no commercials (American TV is totally wrecked by commercials), and you can watch a program from start to finish without numerous noisy commercial interrupts. Two; Because they have a fixed and firm budget, with clear rules to also serve the niches, they produce programs without being slaves to viewer volumes.
So summing up, BBC, NRK and SVT are a lot more independent than a commercially driven broadcaster. Wether it is public or governmental is academic.
 
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Eldar said:
That is probably correct, for most countries. But it gives you a tilted view of the consequences. BBC, NRK (Norway), SVT (Sweden) and a few other broadcasters are financed through the tax system, rather than commercials. They are controlled by independent bodies, which does not control the money. That gives you two major benefits. One; There are no commercials (American TV is totally wrecked by commercials), and you can watch a program from start to finish without numerous noisy commercial interrupts. Two; Because they have a fixed and firm budget, with clear rules to also serve the niches, they produce programs without being slaves to viewer volumes.
So summing up, BBC, NRK and SVT are a lot more independent than a commercially driven broadcaster. Wether it is public or governmental is academic.

It also allows for documentaries on such interesting subjects such as cranes (the mechanical kind, not the bird kind).

Such subjects would never ever get enough funding to make it interesting production-wise.
 
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CharlieB said:
Quite obviously, the previous responders to this thread are beyond the age that would remember "Mutual of Omaha's Wild Kingdom', with Marlin Perkins and Jim Fowler, whereupon, on some back of some studio in California, Marlin would "watch from the safety of the helicopter while Jim wrestled the crocodile". Whereupon, the helicopter was in fact on the ground (the chopper shots of Marlin looking on were often repeated from show to show), and the crocodile was... well it was somthing in the mud, and could have been a deflated weather balloon for all we know.

I remember it well. Used to watch it frequently. And was often amused at the events you describe. He looked like he was getting pretty old, though.
 
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CharlieB said:
Quite obviously, the previous responders to this thread are beyond the age that would remember "Mutual of Omaha's Wild Kingdom', with Marlin Perkins and Jim Fowler, whereupon, on some back of some studio in California, Marlin would "watch from the safety of the helicopter while Jim wrestled the crocodile". Whereupon, the helicopter was in fact on the ground (the chopper shots of Marlin looking on were often repeated from show to show), and the crocodile was... well it was somthing in the mud, and could have been a deflated weather balloon for all we know.

That show was incredible.... There was the show where he wrestled a dead anaconda, then the show where they shot the bear up with so much tranquilizers that they killed it, so they spread honey on the carcas and filmed the babies "nursing".... but the best show of all was when they filmed the legendary migration of the lemmings and had a conveyor belt flinging them off of a cliff while they filmed the lemmings "jumping" from below....

Walt Disney rented a lot of trained animals for his wildlife documentaries.... I was impressed with how well groomed his cougars and wolves were....

Go watch "mountain men".... the wild animals are rented from Wasach Rocky Mountain Animals.....
 
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