awinphoto said:
Fair enough and thanks for clarifying...
*nods* a lot of tone gets lost in text, and I really am not trying to communicate that I think poorly of the 5D3 or its users.
I do agree the high cost compared to it's predecessor the 5d2 was shocking but in the end, the 5d2, under demanding situations falls short and the 7d, while an incredible body and AF system, leaves some to be desired once you crank up the ISO beyond 1000. The 5d3 is, as you put it, a good fit, for me and from what I can gather a good chunk of 5d2 users. I've talked to 5d3 pro shooters who even said they are using that over their 1ds 3 bodies... It's not for everyone for various reasons, but it's still an incredible body.
I think this cuts to why some people are reacting so poorly to it, as you say, it is a great upgrade to the 5D2 and excels at the things the 5D2 was used for... but Canon is kinda positioning it as a catch all (though part of that is due to how they release cameras, staggering models like they do has this historic problem, which is why most other industries have stopped doing it) thus for people whom the 5D2 was not geared towards are kinda grumpy.
I think one of the marketing problems is that the 5D2 was such a runaway success that Canon is now treating that user segment as the primary or only one, producing two new bodies that fit that case plus, it could be argued, starting a whole new line of video cameras designed to be an upgrade path for the video segment of that group. So a non-trivial number of Canon users are going 'but.. I wasn't a 5D2 user' and thus if the 5D3 is positioned as the catch-all replacement then, well people are going to point out areas where it fails at that role.
Hopefully within the next year Canon will release some complementing bodies in the mid-high range and I imagine much of this drama will die away. And in fantasy land they will someday learn to release the whole range at once instead of this mess they do now.