Each flash manufacturer has their own ID code so what ever transmitter you are using it has to be paired with a receiver of it's own kind .
I use the Godox 600s 200s and V1s but in the studio i have a mix of Godox and Alienbees, for the setup I have and old Adarama transmitters and receivers can't remember the name but they have a hotshoe so place the Godox transmitter at the top and trigger both lights at the same time. If you are in a studio you can also use the optical sensor to trigger your other brand providing both lights can see each other. However it's best to stay inside the same ecosystem, if you have Godox they have a wide range of lighting for all occasions along with Profoto and Westcott.
If you use studio strobes like Godox just forget about the Canon flashes and invest in the Godox ecosystem.
Good luck.
Thanks!
I wish I had gone Godox from day one.
I use several Canon 600 ver 2 RT and 1 430 RT and Yonguo 600 flashes.
They work together but they all glitch.
Today I had 4 flashes going and they were flawless, until I shut them down.
Booting them back up was a nightmare.
I sort of laughed at Profoto prices when they first launched, but I at the point Profoto seems CHEAP if the crap works every time!
( I really do not mean that, it would cost me 9k to switch to profoto)
I have found that both the Canon and the Yonguo are a little more reliable with the Canon trigger if I set them to never sleep.
But the units can be very warm at the end of a shoot.
Tomorrow I have an academic presentation in a room with flat black ceilings but white walls. I may set up 4 Yonguo as slaves up high and light the entire room with just a touch of flash at 45 degrees chriscrossing the room to break the harsh crap straight down industrial lights in the place.
Canon is so 2030s high tech as a flash that I carry a bunch of these 1980s peanut slaves as backup.
I bought a Yonguo 560 for a light behind the seamless but the optical slave did not pick up, so it was moved to a rim light and worked just fine in that role.