From Adorama
Adorama is giving $2000 off of the Canon EOS C300 cinema camera. Both the PL and EF mount cameras get the instant rebate.
I think buying one of each is a great idea!
EOS C300 EF Mount $13,999 | EOS C300 PL Mount $13,999
cr
![*UPDATE* The “Historic” November 3, 2011 Announcement [CR1]](http://www.canonrumors.com/wp-content/themes/magnet/scripts/timthumb.php?src=http://www.canonrumors.com/wp-content/uploads/2011/09/2011-09-15-thestorybeginsvrev.jpg&a=t&h=100&w=200)
*UPDATE*
I was also told that we’ll see at least two compact cine lenses, and possibly a third. No focal lengths were mentioned.
More hints?
Source: PhotoLifeToys
CR’s Take
There will be no DSLR announcement on November 3, 2011. This is a video only announcement. However, there could be “EF” and “EOS” branding involved.
I was told Vincent Laforet has been shooting promo material with the new camera in the Los Angeles area. However, he was NOT shooting with a DSLR.
cr
EF & PL Mount Cameras
I’ve received more contact that EF and PL mount camcorders are coming from Canon over the next 6 months or so. We’d see the EF mount camera most likely before the end of 2011 and the higher end PL mount version sometime before Q2 in 2012.
The source said the EF mount camera looks to be “affordable” and would be extremely popular, the PL mount camera would be a higher end professional solution.
No mention of sensor size or specs on either camera. That is usually a good sign this far ahead of any sort of announcement.
Take any rumor of an EF mount video camera with a large grain of salt. This is a product that does not exist yet and has a potential to be a wishlist product.
cr
Vincent Laforet is at it again
The angle of video of a Canon 600mm f4 EF Lens with a 2X converter on a RED Epic, is roughly one degree. (1 Degree, 45 arcminutes horizontally to be exact.)
The focal length in terms of 35mm is more than 3400mm – not too shabby when you consider this was shot at 4K, 120fps in full RAW on the Epic.
So who cares? Is this just a case of “just because you can…”
The yet to be released EF mount for the RED system fully supports IS, autofocus, digital aperture control, touch to focus, touch to rack focus and distance readout. All you need to convert your RED to EF is a Torx screwdriver.
Vincent shot this film at Mono Lake 45 minutes after sunset until it was dark. He used an ISO range of 800 to 2000.
Visit the Vincent Laforet Blog to see more images of the setup.
cr
Sooner than Later?
Received an email talking about an EF mount compatible video camera in testing. There are 2 prototypes making the rounds of higher up testers for Canon.
Announcement would be in mid 2012. It was suggested it could be another one of those “in development” announcements.
No word on resolution or specs.
cr
*Busted!*
A couple of knowledgeable people wrote in and basically said all of this is poppycock. As with most highly detailed rumors, this one appears to be a rehash of old rumor wishlists.
Fun to talk about though!
Seriously though, this is where my lack of pro video knowledge rears its ugly head. I’ll figure something out in regards to video.
Pretty detailed stuff
I received a pretty detailed rumor from an anonymous person. Usually when something is very detailed, it tends not to be true. However, I sent this information to a video guy and he gave me his opinion on what we’ve got here.
The rumor is a direct copy/paste from the email I received. Canon is apparently testing these 3 video cameras. The opinion of my friend is in italics.
1. Based upon the APS-C chip size (new sensorchip design) this new cam comes in a body which roughly looks like the XLH1 series. EF lens mount. Problems with moire are solved. Video looks much better than 7d vids, about 12 stops of dynamic range, clean pictures up to ISO 3200. 3 ND filters on board. 1920x1080p up to 60fps over HD-SDI out. 2K and 4K output possible, but not in the beginning, will be sold as additional hardwareupgrade. Codec: 4:2:2 50 MBit MPEG-2 Full HD . CF-Card slot and optional SD-Proxy. Pricerange $6-8K. Release scheduled for june/july 2011.
This sounds very much like a competitor to the panasonic af-100. All plausible specs to me based on the fact that the sensor they showed at the Canon EXPO was an aps-c sensor doing 4k video. I wouldn’t doubt that Canon is working on a video camera body that would challenge both af100 and the Red (which is where this rumor seems to be going).
2. Maybe most interesting to know, a revolutionary new 3-chip design (fullframe chips, new sensorchip design) is being tested. Absolutely stunning image quality in both laboratory and field tests (snowy + green nature); crisp sharp + most neutral colors with many distinguishable snow-whites, no clipped highlights even without ND’s (no build in ND). Up to about 20 stops of dynamic range possible (14-20 switchable + shiftable and special highlights preserving function). 2K and 4K raw output. over dual HD-SDI. Chrystal clear images up to about ISO 6000. This cam (intern codename, non official: “Yamato”) will sell for $20+K. Body design not finished yet, but will offer modular options.
20 stops of dynamic range is over the top. I don’t doubt that Canon’s working on some chip advances to get there, they’d be silly not to be trying to expand dynamic range! But 20? Most people put film at 15-16 stops. It almost sounds like they’re embedding some processing to prevent clipping of whites but I don’t know enough to understand. Though using different processing chips might explain that. Quite the rumor you’ve got there. I would also suspect that something like what is being talked about here might be out 2 or so years… my suspicion is that is still a testing platform for the future.
3. Same 3-chip design as Yamato but with smaller APS-C chip size in testing, but not finished yet. No known pricerange yet.
With the number of sensors they showed off a the Expo – one of them being 120m pixel sensor on an aps-c chip, I wouldn’t really put some of this out of the realm of the future.
Take this with a grain of salt, I expect some follow-up contact from this post.
cr
Canon’s RED?
Received this spec list in regards to a video camera with an EF mount.
Specifications
- Unconventional case, more like a Hasselblad.
- Alloy heatsink for extended shoot times and lower heat related picture noise.
- FF 4k sensor, no line skipping and much reduced jello effect
- ISO 100-1600
- Pellicle Mirror however it can be flipped up if a OVF isn’t required to regain the lost 2/3 stop.
- EF fitment
- AF when pellicle mirror is down
- Digital Follow focus to control lenses electronically
- Twin CF slots
- Add on module with SSD drive for extended shooting, like a virtual film mag.
- 4:4:4 SDI out
- HDMI out
- 3D LUT capacity
This is currently a “skunk works project that was initiated with the 5D video explosion. Designed to be a base body, leveraging the existing EF glass. 3rd parties left to develop rails, matte boxes etc.”
cr
