7D & Lens Pictures [CR3]

Craig
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7D Box?
7D Poster?
15-85 f/3.5-5.6 IS USM
15-85 f/3.5-5.6 IS USM & 18-135 f/3.5-5.6 IS
15-85 f/3.5-5.6 IS USM
15-85 f/3.5-5.6 IS USM
15-85 MTF Chart
15-85 MTF Chart
18-135 f/3.5-5.6 IS
18-135 f/3.5-5.6 IS
18-135 f/3.5-5.6 IS
18-135 MTF Chart

I guess we can call these lenses CR3 now.

Forum: http://www.canonrumorsforum.com/index.php?topic=130.0

thanks to my sources!

cr

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Craig is the founder and editorial director for Canon Rumors. He has been writing about all things Canon for more than 17 years. When he's not writing, you can find him shooting professional basketball and travelling the world looking for the next wildlife adventure. The Canon EOS R1 is his camera of choice.
647 Comments
  • Well this is cool. I still can’t see anything about the sensor on the box. Then again, I cannot read Japanese. :)

  • Digic 4?!?

    and 6400 ISO?

    something is not right..

    But i would love to sell 19AF, and 100% viewfinders.

    18MP? why not~!

  • What would the 63 denote? And what about the 3rd box from the left on the bottom. In camera IS?

  • also.. it’s not even Japanese..
    it’s Chinese….
    There is no way i would trust Chinese box… :)

  • I guess the lens is 15-85 f/3.5-5.6 IS USM.
    I have read a larger version of this picture

  • My mistake – I originally read this on a Korean page.. The text in the images does look like Chinese.

  • haha you wish it’s Korean..
    I am Korean.. I believe I am pretty sure how Korean looks like..

  • also Full HD

    Tell me, where on this poster/box does it say 18 MP. I only see 1800.. (dont know what that should mean)

  • From my limited chinese:

    100% viewfinder
    18million effective pixels (1800 x 10,000)
    dual digic 4
    8 fps
    the rest are either self explanatory or words not legible.

  • just one question: why I cannot see the gold strip on the 2 lens ?
    does that mean they won’t be usm ? then it’s a big step backward from the 17-85

    am I wrong ?

  • 18mp? And everyone whinges about the 50D having 15. I guess this means it’s effectively a 9mp sensor (you’re supposed to use sRaw).

    Looks good, although I’ll wait until it’s official before I make any judgements on it.

  • You guys think it’s the standard 9 af points in the diamond pattern, 6 hidden in the center like the mk2, and perhaps 4 on the corners to make a box instead of diamond? That would make rule of thirds focusing so much easier. I’d also bet on all selectable points being cross-type.

    This is going to be awesome, but I would imagine they’ll charge more than $2k for it, and because it’s probably aps-c, I won’t regret just having bought the mk2 :)

  • Gosh, the higher the CR-rate gets, the more I got a feeling like a huge mountain is going to bear a little tiny mouse. A kind of disappointment for the serious DSLR-users …
    Next week we will see …

  • I don’t believe that this box is real.

    Two reasons:

    1st) The product would be available before it was announced.

    2nd) The camera is not shown in full and canon has not done that ever with its DSLR-cameras so far.

    In short: hoax.

  • The shape of the pentaprism looks like a 40D or 50D. But you are right, I don’t see a gap where the flash should be.

    Maybe the flash commander is RF?!

  • I think we can all agree this is a hoax.

    Significant box style departure and poor timing

    The specs seem at least plausable though

  • because that means too much noise… besides most people really don’t need that much pixels and most lenses won’t to come close to that resolution as the 7D is a crop camera and not a FF

  • This is not a box, it is most probably a Chinese traditional poster for the Hong Kong market. I did remember the Nikon D5000 poster appearing days after it’s release, so I don’t see why this is not real. :)

  • The picture doesn’t show a box! Thats pretty obvious imho…

    It seems more like a Poster!

  • I don’t know that an RF flash commander is possible as the current flash generation uses IR for communication.

  • It seems that it has 19AF points, virtual horizon and some other cool/new stuff, possibly including 100% viewfinder. Sweet, seems like D300 targeted camera, which is a great thing, who knows, I might even buy one.

  • 7D

    18 MP
    Dual Digic 4
    8 fps
    19 AF points all cross type
    ISO 6400
    3 in LCD
    Video
    APs-C
    Electronic leveler
    63 zone metering

  • This isn’t a box.. It’s obviously a poster.

    I am starting to think that it’s a hoax though.

  • I don’t think it’s a hoax. I believe that this is a poster of some sort. Like the kind you would place i a shop window or something. If you look at the egde where the side meets the top (if it were a box), you’ll see that it is very rounded with no cuts to make an opening. Also: You can see that the image repeats itself on the right side. Not something you would see on a box… But the camera and specs are real, I think.

  • The lenses don’t really fit into the current EF-S finish style… maybe cuz they’re pre-production??

  • there are 12 icons on the poster, left to right:

    1 – 18mpix

    2 – dual diginc 4

    3 – 8 fps

    4 – 19 af points

    5 – iso 6400 max

    6 – 63 metering zones

    7 – 100% viewfinder

    8 – ???????????

    9 – electronic level

    10 – 3 inch LCD

    11 – video

    12 – ???????????

    Who can get 8 and 12?

  • This is supposidly from a CR3, aside from it not being the typical box, does it appear to be a hoax? I would think if it was a hoax, they would not have gone with a 18mp sensor, given all the chatter?

    Can anyone read the chinese and translate?

  • Can a 18mp crop have even compare to the full frame 5d ii as far as iso goes and noice? Has there been that much of an advancement in sensor tech in a year or maybe the chatter about the improved iso of this model is not right?

  • if you notice the 7 and the body start to repeat with no seam.

    That would either be one poorly designed box for an incredibly wide camera, or it is a poster that has been printed two up and not yet cut.

  • Is there anything on the box indicating sensor size? Can anyone translate the chinese, etc?

    If this is a FF it certainly will cost more than the 5d ii. If a 1.6 maybe under $2,000?

  • If the 7D is speced as a high-end “pro” crop, then that 15-85 might just be a reaaaaly sweet lens. The 18-135 NOT being USM is a bummer. But that 15-85?!?! hooo-boy. Bring it on!

    Does it also say the VF is 100%? Hope it’s pentaprism! And 19af — if all cross type. Very nice.

    Side note — those two lenses are EFS, and if the 7D is crop (of course, given the association with the lenses), then Canon is clearly putting more money into the mid-range. I wouldn’t think “FF for everyone” is quite on their horizon just yet, given this investment.

  • i think this is not a hoax poster. Believe it or not. Canon built a camera that for prosumer-sports. Advantage only is the 19AF point. 5d mark ii for prosumer-studio/landscape.
    Definetely dont hold your money, just buy 5dmk2

  • The poster shows two 7-series cameras – maybe there will be a 7D (speed demon) and a 7Ds (affordable FF)?

  • I hope they really have high ISO performance under control if the 18MP is true. Everything else looks fine for me. I had always wanted an artificial horizon since I have a nasty tendency to slightly mess up landscape shots by minor tilting.

    If it now ends up being <=1800€, I am in.

  • Well if it is real (and I’m not sure it is) it’s fairly similer to the posters/material canon give to shops to put up as promotional junk.

    None of the specks seem too unbelievable except the 18 mp, which worries me a bit, if it’s true… this camera really can’t be a 1.6 crop… for all their mistakes even canon know better then that, unless they have some other break through that defies quantum physics.

    Alternatively it could be full frame or 1.3, and the new rumored ef-s lenses to be launched with it are not targeted at the 7d market but rather for the new rumored xxxxd camera that may be launched, which would also explain why they aren’t usm? does that sound possible to anyone?

    My own sources assured me that this camera would not be full frame, and he’s pretty reliable, how ever if canon do change something fairly last minute (like they did with the 5d mk2) then he can be off by a few points.

    I’m hoping against hope this camera is full frame… I wouldn’t even care if it cost more then the 5d II if the rest of the specks are accurate.

  • I guess 8 is something to do with the viewfinder because it has the same box icon around it

  • then wont canon name it as a totally different name?? It doesnt make sense to come up with such a marketing plot.. we would even be more confused with the models

  • 18 MP… disappointing to say the least. What happened to Canon’s so-called renewed focus on image quality??

  • I’m beginning to lean more towards it being authentic, but my thoughts for it being a fake were:
    -18MP on a crop sensor sounds ridiculous.
    -The body doesn’t appear to have the same top plate as was leaked a while back

  • 18 mp is way to mutch. If It’s true, again they are sacrificing picture quality for MP. That would be It. I would switch boat

  • That is the real kicker. From the specs, I am starting to believe that the Best Buy rumored price might be true, which puts it well out of the D300S price range.

  • If this is real and it’s aps-c, it looks like a bummer to me. Even if the noise control is ok, 18mp seems more like a useless marketing decision. Not what I’m looking for. I want a solid camera. If there’s more marketing motivation in this thing than real performance, major mistake by Canon.

    Maybe there’s still hope for aps-h or ff!

  • it’s certainly a 1.6.
    there is the new EFs 15-85mm on it, and the prismbox is too small for ff…

  • The 15-85 is USM. Also, I’d assume the 18-135 is a higher quality lens than the 18-200, otherwise what’s the point. So, my read (or guess) is that a couple of high quality EFS lenses to support a brand new EFS camera. In the chinese translated page on the lens specs (see the canonrumors forum link), it talks about using the new 18-135 for sports. That would mean speed, so I’m assuming coupled with a fast shooter like the 7d.

    Just some thoughts. I suppose we’ll all know in just a couple of days.

  • So the 1d having a crop sensor for the last 8 years doesnt disuade you at all from that statement then?

  • Other reasons it’s likely EFS

    100% viewfinder. Why is this chest-beating if you are FF. This is a boast if you are crop.

    18MP, 8FPS, HD Video, 19 cross-type AF. Wouldn’t this gut demand for the 5D mkii?

    TWO (not just one) new EFS lenses.

    Its got to be crop

  • If they are advertising an iso 6400 for this camera, canon must think it has improved the noice control since the standard setting for the 50d is 3200?

    Could this really have comparable noise levels to the 5d ii at 18mp? Or is this just a sci-fi dream?

  • Can anyone read what it says under the little video camera icon? Is there anything there about, um

    MANUAL VIDEO CONTROL?

    Because that’s kind of a biggie

  • if you amplify the pictures it says ultrasonic on the top right (or the closest line to the mount)

  • It actually does…the zoom ring on both new lenses (if they are real stuffs not hoax) looks exactly like the one on the 18-55mm IS and 18-200mm IS.

    What I don’t understand is the group of words under “15-85” on the back half of the barrel – the first word looks really like “Ultrasonic”, but the gold strip is not there on the front of the barrel. Also, the arangement of the words on the barrel does seem unusual for a Canon lens.

  • 8 – “smart” optical viewfinder (i can’t read the fine print inside the box)

    10 – it says “LCD II” (OLED?)

    12 – Live view

  • Me too, I was hoping that 8 was the MP count! Why do camera manufacturers keep giving us more and more and more?? We don’t need it!

  • It’s 8 MP and 18 FPS!!!!

    You are all lost in translation with the 18 mp and 8fps version!!!

  • What’s wrin with high MP as long as noise is under control?
    You can still shoot sRAW, or resample your images at home. It works.

  • At least wait for the camera to be reviewed by someone. Funny how so many people here think they know more than Canon engineers what an APS-C sized sensor is capable of.

  • how on earth is 18fps going to happen.. can the mirror even move at such a speed i doubt with todays technology

  • If this is truely a sports/wildlife camera, I guess there is no real need for a pop up flash, although itbsure is handy for the “consumer” who uses the camera for muliple purposes.

    Could the poster just be a 5d ii body, where they put in a 7?

  • Without a pop-up flash, could it be possible that it has an APS-H 1.3 crop, but with intelligent cropping to keep all of the EF-S lens buyers happy/content? I know that this is a long-shot, but the lack of room for a pop-up flash gives me hope for the larger sensor that can actually use 18mp …

  • You still sacrifice dynamic range, and noise reduction smears out the details. Not to mention that there will basically be no zoom lenses that can keep up with it anymore.

  • +1 for it beeing a poster and not photoshopped afterwards, but might also be a fake photoshoped poster, made either from real spec from canon and old 50D (or other) picture :=)

    (or completely guessed feature)

  • Maybe Canon has developed some incredible new technology that will completely rewrite conventional wisdom about sensor density’s directional proportional relationship to electronic noise.

    That or they’re continuing their course of cramming more MP on a small sensor for marketing purposes.

  • true, but i kinda wanted it to go down or at least stay at 15, the less pixels the better… lets say they get a really good image at 18, if the lower it to 15 with the same technology the pixels get bigger and there should be even less errors.

  • hard to believe that they could screw it up again if it’s true… thinking of the 50D here. We could forgive the 50D since it’s a xxD, but screwing up a xD on MP doesn’t sound right to me.

  • I still hope it’s APS-H with mountable EF-S (to explain the picture on the poster)… is it ok to dream out loud !?

  • Bingo. 18MP on APS-C is way too dense. Some reviewers didn’t think the 50D was that great an improvement over the 40D for the same reason. Higher resolution, sure, but higher noise too, and the kit lens isn’t good enough to make the extra resolution mean much anyway.

  • …and made a full frame sensor that works with ef-s lenses!

    now wouldn’t THAT be a bummer!

  • Me too, for sure . . . the more I look at the D300s and its 12mp, the more I’m seriously considering switching. I was just saying that I’d prefer 8 to 18 =)

  • Yeah, it sure could have been. The other picture though (with the 7D emblem) did show a button for a pop-up flash though.

  • FF, 18MP, 8fps, EF-S compatible AND cheaper than 5D MkII?
    NEVER! That would be too good to be true.

  • Well, the reason that prism-box (where a mirror/prism reflects to viewfinder) that big on D700 and 5D2 is that they use Prism, instead of Mirros like in xxD models, so why do you think that they cant use same type of reflector for APS-H or even FF? thats my 0.2 cents

  • The chinese character above the Digic 4 means dual. Also the character in Japanese means “futa” which is also means two.

  • And sony just released A850 wich is FF AND can accept Cropped (sony style) lens in APS-C mode (read on dpreview), canon can do same trick, allowing all lens to be mounted on every new 2009+ model. Thats sounds like wishlist, but hey :)

  • the ‘8’ – intelligent (something) – maybe an autoswitch FF-Sensor? the ef-s lenses mounted for advertisement?

  • I hope it’s something like that, however unlikely, as for me this camera went from a must purchase to a joke.

    18MP is just too much for a crop sensor, hell 15MP was too much.

  • Does anyone else think that the 15-85 lens looks kind of strange? It seems to have a narrow control ring close to the camera body and a wider ring farther out. So either they’ve reversed the positions of the zoom and manual focus rings compared to all other Canon zoom lenses, or they’ve made the zoom lens ridiculously narrow.

  • Ok guys

    Chinese simplified, from PRC…I can be of some use here.
    China is one of the biggest market for Canon.

    Let’s translate a bit

    倍速进化 on the title (Bei su jin hua) means “an even quicker evolution”

    then 视界 (shijie) means “horizon” but in the meaning, I think cannot be “horizon control”…but more “viewable screen”…100% to trump the D300s…

    The rest is difficult to read and I had terrible week, I need to sleep. TOmorrow I’ll check If I can get more details…I found an image but Again…no contact email to the venerable owner of CR

  • Can someone who knows chinese translate each readable section of the poster? that would be wonderful! =)

  • Stop crying like a baby and wait to see some test results. 18MP doesn’t mean it’s going to be crap.

  • That’s typical for Canon’s EF-S and non-L series zooms. look at 28-135 and 17-85 to see for yourself. It is zoom in front, focus in back

  • Darn. The MTF charts don’t look any better than their existing lenses. 15-85 doesn’t look any better than 17-85 and 18-135 not any better than 18-200 (in which case, why does this lens exist?)

  • yeah, but look on the bright side, apart from the way too many megapixels it seems to be a great camera. So Canon has nearly figured it out. This is very nearly a XXD version of a 1D body, just too many pixels. Hey, who would have guessed just a few months ago that Canon would give 18 MP 8 fps to a prosumer body? not I, I’m impressed so far, I just wish that the people who decided on pixel count for G11 from the G10 had been the ones who decided on pixel count for this camera.

  • Not really. Better sensor resolution means better sensor resolution, period. All lenses, both great and poor, will profit from this resolution increase.

    As for the noise, it may be bigger at pixel level (100% crop) but at image level it will be at least the same as previous cameras (probably better).

  • i hope so too, just look at the g11, that camera is much more a consumer product, and they lowered the MP count, and in the prosumer segment (where the MP count not that important) they rise it? it just not sounds logical, but canon done stupid things several times… on the other hand, even if it would be a FF camera with dynamic crop, they wouldnt call it 7D.

    i think i have to start searching for a renewed 5D =/

  • Hmm, so if that’s the case here, the 7D ships with an EF-S kit lens and the sensor operates in APS-C mode when you have an EF-S lens attached, but switches to FF mode when you attach an EF lens. Interesting thought. But if the 7D is indeed dual-mode, and does 18 MP in FF mode, then in APS-C mode it would only be about 8 MP, which seems a bit low for today’s market.

  • I can read Chinese and here is what the box said from

    left to right

    First row:

    18MP, Dual Digic 4, 8ps, All cross 19 AF, ISO 6400, (Last one is not clear enough to read)

    Second row:

    100% view area, Smart something (not clear), (not clear enough to read), 3 inch LCD, EOS Movie capture, Live View

  • if it is FF with crop ability then the Best Buy price would appear to be correct, and it won’t be cheaper than the 5DMkII

  • What if they are using a new type of image sensor, the 18MP 1.6 crop could be quite usable even in low light. See US patent USP 20090008735.

  • Your statement that all lenses profit from higher sensor resolution makes no sense to me. The issue isn’t the lens or the sensor alone but the combination of the two. If a given lens (say, a cheap zoom) isn’t all that sharp, then increasing the resolution of the sensor beyond the level needed to get all the detail the lens is capable of providing does not make the picture better, it just makes the lens’s lack of sharpness more obvious in a 100% crop.

    As for noise, there is a definite relationship between the color accuracy of an individual sensor site (which is the opposite of the noise level, basically) and the size of that site. The smaller the site (that is, the more MP crammed into a sensor of a given size), the less accurate its color reception, and hence the more noise in the image. This can be quite noticeable in images even without resorting to 100% crops, especially in low-light situations.

  • This would be amazing. This is what made the D700 amazing…I know Canon is capable to doing this…whether they want to…is a completely different story…

    I REALLY WANT THIS CAMERA TO BE FULL FRAME!!!!!!!!!

  • Correct me if i am wrong, but diffraction is a function of the lens. Since all Canon APS-C are essentially the same physical size, the image being projected on the sensor has always been the same. There for the diffraction is the same as it has always been. It is however true that when viewed at 100% the diffraction will APPEAR more visible, when in reality that is just because there are more pixels per measurement unit.

    When equalized to the size of say a 350D’s 8mp sensor, the effects of diffraction should not look any worse.

  • I believe in that.
    18MPixels FF => 7MP APS-C (unlikely)
    18MPixels APS-H -> 12MPixels APS-C (more likely)

    I’d go for the second because
    – they’ll want to test new AF on same size than 1D
    – the mirror will be less of a problem between 1PS-C and APS-H
    – 18MPixels is too much for APS-C and Canon’s marketing is going (back) this way nowadays : “less pictures for better pictures”.

  • Who cares about these lenses? Personally I wouldn’t lower myself down to using anything that doesn’t have an L on it. But we all have different ambitions I suppose.

    This camera will not be FF people, so please stop going on about it. At 1.3x it would be a must-buy. At 1.6x, I think we will see some considerably improved noise levels if they’re bold enough to be putting 18MP on it.

    As a wildlife and sports photography fan this could well end up on my shopping list.

  • This camera would have the same ISO range as the 5d MkII. Would canon do this if they didn’t believe the image quality at the same iso would be similiar? If ISO was not improved with a 18mp crop, wouldn’t they have left it at 3200 like the 50d?

  • Calm down you two. Canon would not want one of their FF cameras and an EF-S lens being seen held in the same hands, never mind being mounted. It will never happen.

  • Hahahahahahahahaha…. whoa you crack me up with such originality. That joke isn’t one bit tired. What a witty person you are.

  • I agree. Canon will have been working hard on noise control behind the scenes. Just because the 50D was criticised, it doesn’t mean Canon have nothing up their sleeve.

  • I do believe that such a camera must have an L quality direct print button, one that would complement my wonderful collection of L lenses adequately.

    Leave the lower quality direction print buttons for the peasants with their shabby EF-S lenses.

  • what do you think about the ‘horizon control’ or whatever you call it to be a internal IS like olympus?

    or that thing may help in live view mode.

    got any suggestions?

  • Read above before you start asking questions like that. It has already been answered multiple times.

  • I think you’re basically correct, but diffraction does limit the value of the extra MPs beyond a certain point. Why should I want 18 MP APS-C if the diffraction limit means my images won’t look any better than they would have with 10 MP APS-C?

    Of course this relates to aperture. If you take all your pictures at f/4 or wider, then the diffraction limit is less of an issue. But I dislike the idea of a camera that shows diffraction blurring at f/8. The increase in MP that makes the diffraction limit that low also increases image noise. I’d rather reduce the MP a bit to get lower noise and push the diffraction limit out to at least f/11.

    In engineering there are all sorts of trade-offs like this. You don’t get more MP for nothing; there’s always a price to pay.

  • Such a peasant. Obviously you’re of low moral character and of no ambition if you haven’t a collection of L lenses.

    Shame. Shame.

  • Obviously, if you must ask you mustn’t be able to afford it. Such is not a concern for myself, with my massive collection of L lenses.

  • No, problem is Legacy lenses can resolve more lines than consumer lenses, this means that consumer lenses aren´t able to get the most of high resolution sensors (5D MKII, 1Ds MKIII, 50D, T1i)and thus the sensors outresolve the lenses, this problem was present when the Canon EOS 1DS MKII was introduced several photographers noticed that the only way to get the most of the 16 megapixel sensor of the 1Ds MKII was to actually use lenses that were able to resolve the resolution the sensor had and it was only a handful of primes and L lenses that could match the resolution of the camera, today the problem is even bigger.

    Nikon did take this into account and launched 3 new legacy lenses: 14-24mm f/2.8, 24-70mm f/2.8, 70-200mm f/2.8 VRII because the older lenses barely could match the resolution of the new sensors.

    That´s why also the most common suggestion in photo forums is to get good glass and later to buy a top of the line camera body, a 5D MKII with a 28-135mm will give you poorer IQ compared to a 5D MKII witha a 24-70mm f/2.8 L.

  • I hope you are right. however, The noise level for 50D is not as good as the 40D. and almost all test report says the 50D has out done the resolution of the best prime lens and the L zoom lens. We could have almost double the picture file size and hardly gain anything. Therefore I am a little skeptical. I would wait to see a reliable test report before would buy it.

  • Besides been an hoax or not.. and probably 7D will bring a 1.6x crop,

    – Would be posible the APS-H mount change somehow that can receive EFS lenses??

    For the spefics would be great in 1.3x crop!!!

  • I completely agree that there are trade-offs and that the ultimate goal should be improving image noise and dynamic range. However, I think people shouldn’t even consider diffraction at all.

    You will not see diffraction effects any more visible at the current print sizes you use with an 18mp image than you would on an 8mp image. More resolution simply allows for larger print sizes. There is no question that enlarging an 8mp image to 12mp will provide worse results than down-sampling an 18mp image to 12mp.

    I do however feel that an 18mp image from a supposed 7D will be better in all regards if down-sampled to a 40D equivalent image. Even though at a pixel level the original 7D image may look ‘worse’ than a 40D’s does, the 7D still has the advantage of having more data when down-sampled.

    People need to stop worrying about diffraction and pixel level noise so much and worry about what their final image resolution looks like.

  • Here is a summary of all icons on the poster (say thanks):

    CANON 7D – An even quicker evolution

    1 – 18mpix

    2 – dual diginc 4

    3 – 8 fps

    4 – 19 af points

    5 – iso 6400 max

    6 – 63 metering zones

    7 – 100% viewfinder

    8 – “smart” optical viewfinder

    9 – electronic level

    10 – 3 inch LCD II

    11 – video

    12 – Live view

    The only questions we still need answered are:

    What is the crop factor? There is no confirmation of it here, but apparently there is an EF-S lens attached in the picture.

    What is the story with the flash? Who knows?

  • hahahah canon wants to go out of business with a bang.. so far they are doing a great job !

  • But if the camera is 18 MP at full-frame with EF-S compatibility achieved by in-camera 1.6x cropping, the APS-C equivalent resolution would be only about 8 MP. That seems low for today’s market.

  • Yeah, I’m with you on this. I’ll hold off till I see real tests, but I’m not too optimistic about image quality (especially noise and color range at high ISOs).

  • One thing is for sure canon is making us crazy! either they like the hype or are preparing us for a huge 50D like dissapointment!

  • ALL EF-S lens sticks out about 2 to 3mm beyond the lens mount to make use the smaller mirror size for the APS-C sensor and make the lens design easier. That is how they can make 18 to 55 or 17-85 for APS-C ONLY.. Any other size will have a bigger mirror which will hit the EF-S lens. Couple people have suggested the mirror can swing back before flipping up. This is a standard operation for a LONG time in ALL modern SLR for both film and digital. How many of you remembers that the upper part of the image in the view finder is a little dim when using lens longer than 200mm??? That is the SLR without the mirror backward movement.
    So please thinking of using EF-S lens in any other sensor size.

  • Everyone was talking about 18MP will have high noise image, I think you guys forgot about DUAL DIGIC IV processor. If 18MP divided by 2 meaning each DIGIC IV is only handling 9MP. Wouldn’t it be good enough balancing the noise control???

  • Agree. A dream. Similar claims were floated when the 50D arrived, and though its noise is respectable for 15MP, it can’t match the cleaner performance of 10-12MP. 18 MP is probably just a further step in the wrong direction. Sigh…

  • It means that your SRAW1 (or is it SRAW2?) will be 9MP, which is a pretty useful number of pixels.

  • The point is, why push the sensor resolution so far if you have to downsize the image to make it look sharp anyway? Not to mention digital IQ concerns.

  • I use it on a trip with5DII
    Raw for Landscape I want to print
    sRaw 1 for what I don’t want to print
    sRaw 2 for my girlfriend

    Ha Ha Ha

  • I figured the purpose of dual DIGIC IVs was to increase burst-mode frame rate by allowing the camera to start processing a second image before the first is finished (and then start a third after the first is finished, but while the second is still processing, etc.).

    Also, in-camera noise reduction processing is not a substitute for creating a less noisy image in the first place. The initial noise level has to do with the sensor, not the processors.

  • That would be great if true, and I wish it was so, but I doubt it….. I think that would be the case is you had two sensors…. not two processors…. sorry.

  • Actually I secretly own only EF-S lenses and hate myself for it. Can anyone recommend a good therapist?

  • I always thought high ISO noise was primarily the result of small pixels which is the product of cramming too many of them on to a sensor.

    Please someone correct me if I’m wrong…

    But If I’m right, it means seriously small pixels with an APS-C sized sensor

  • You mean the 1D _HAD_. That was yesterday. And yes, I meant 1.6 crop. 1.3 crop would still be reasonable with 18 MP, but I don’t think, Canon will re-introduce 1.3 crops again.

  • In 2008, Canon introduced the new DIGIC 4 processor, used by the EOS 500D/Rebel T1i, EOS 50D and EOS 5D Mark II, as well as some new PowerShot cameras.

    Canon claims improvements such as:

    Much faster image processing when compared to previous processors

    Improved noise reduction in high-ISO images

    Improved performance while handling larger 14-bit RAW images

    Live Face Detection AF during Live View

    H.264 1080p encoding.

    Took this off from the internet. It says “Improved noise reduction in high-ISO images”. So Dual Digic IV doubles the noise reduction if we use high ISO to compensate the 18MP sensor? Just my thought!!!

  • The box says:

    i) 18Mp
    ii) 100% viewfinder
    iii) 8 frames / second
    iv) Digic IV
    v) 19 pt AF
    vi) 3 inch LCD
    vii) ISO 6400
    viii)Video
    ix) “Real Time Display” which probably is LiveView
    x) What looks like “artificial horizon tilt”

    And another 2 items which I cannot make out. One of them looks like “zone metering” … ?

  • Oh yes they do. That’s how the AF tracking works while burst shooting. Some of the recent Nikons keep the mirror up to get a faster burst rate, but they lose AF tracking when they do this.

  • I concur. Everything that has been translated are right. GOOD JOB. The last one on the top right is hard to read. From the symbol I would guest it to be curvature correction or built in grid in the view finder. The second one at the bottom row says smart and the smaller character says optical. So I guest it may say “smart exposure control or adjustment” i would guest the next one ( from the symbol) may be horizontal indicator.

  • Good point, the short back focus length is actually more of a problem than the cropped image circle if people want to talk about putting EF-S lenses on FF cameras.

  • When they advertise the ISO is it normally the value before or after the ISO boost? For example, the 40D goes to ISO 1600, but “H” mode is ISO 3200. Would they stick “ISO 1600” or “ISO 3200” on the box/poster?

  • I’m not denying the existence of in-camera noise reduction, I’m just saying that (1) it’s no substitute for creating a lower-noise image in the first place, because noise-reduction processing tends to blur fine details, and (2) my impression is that Canon’s purpose in putting two processors into the camera is to speed up the frame rate, not to lower noise levels. I could be wrong, but that’s how it seems to me at this point.

  • What you said about resolution isn’t true. Oversampling will bear out more resolution, which is why for example, any lens on a 50D will outresolve the 40D with same lens, even if it’s a POS lens like the 75-300 III. I’m not saying I really want 18MP on a crop, as we’re into diminishing returns at this point, but it will still outresolve any other APS-C, that’s forsure. I personally would have preferred 12MP, 12FPS or 10MP 14FPS instead, but I guess we’ll see what happens.

  • Cannon can’t do this because EF-S lenses actually protrude further into camera than standard FF lenses. This causes them to hit the FF sized mirror.

    DX lenses from Nikon and the ones from sony don’t go any further into the camera than their FF lenses, this is why they are able to do it.

  • dynamic crop, they changed the mirror and it doesn’t hit a backfocusing EF-S lens anymore

  • Maybe I should correct myself slightly, but substantially: “I still don’t believe a one-digit-D _should_ ever have a crop sensor”. But after some reflection, I think this one WILL have one. Why? If one of the icons on the box really means 8fps and the processor is a Digic 4, i’m pretty sure it’s not possible this sensor is anything but a 1.6 crop because i don’t think the Digic 4 can make 8fps on 18MP full frame sensors. What do you think?

  • or it has a lens inside the viewfinder to magnify the image from the pentaprism…keeps the possibility for a dynamic crop

  • 倍速进化 on the title (Bei su jin hua) translates more closely to “a quantum leap in evolution/development” ..

    Or literally ” evolution many times over “

  • I hope for them and for us… but I’m sure that marketing people didn’t… 50D is one sign in that direction.

  • can anyone tell me that these mtf charts are good for us or bad? i compared the 15-85 chart to the 17-85 chart but strictly watching the lines i think 17-85 wins, but i dont know exactly how to interpret the graphs. can anyone help?

  • Comparing an image recorded in RAW and same image recorded in jpg, you can see that the jpg one will be more noisy, because in DPP you can use more complex formula like comparing more points or do more anti-aliasing resulting in cleaner image. If a camera has more powerful CPU, it can builtin more complex formula or do more anti-aliasing resulting in better jpg images. That is my understanding.

    Mentioning anti-aliasing, you can always have more, like 8x, 12x, 32x…so there is no limit how clean a picture can be as long as CPU computing power is increasing, so I personally recommend shooting pictures in RAW if you have the time to process it, you might get a better picture in the future when DPP evolutionizes.

  • I’m not denying the value of oversampling, I’m just saying there is a practical limit, though you improved on what I said by pointing out that it’s a matter of diminishing returns. If your lens can resolve X horizontal lines, having a sensor with 2X vertical resolution is worthwhile, but when it gets to 8x you may not be getting much for the extra cost, and you’ll be paying for it not only in financial terms (more expensive sensor) but also in higher noise levels.

  • Based on your comment, are you for or against the 18MP… I’m not sure to follow. To improve noise and dynamic range, 12MP will ease your life, why struggling with 18MP ?

    Since 50D start showing diffraction at f/7, what would be of the 7D ?

  • I bet the camera on the right shows a similar text but has other statistics and maybe even another lens on it.

    That’s a clear hint towards anyone not believing in a dynamic crop for canon.

  • One VERY interesting observation. The picture of the 7D box did not mention anything about crop sensor also there is no mention about EF-S Lens either. On the posting about 8 spaces ahead, there is a picture showing 7D teams up with 24-105 L lens. If put two and two together. the 7D may still be a FF. and not cheap. 1. It teams up with a $1300 lens as a kit. canon always team up a kit lens about 1/4 of the camera body 2. No built-in flash ( canon only does this on 1D series) 3. If it is a 1.6 crop sensor. That will be teaming with a 38 to 168mm lens. That is a awkward kit lens. Too short for sport or wide life. Too long for landscape and family. On the other hand. if it is a FF sensor. The 24 to 105 will be a perfect general purpose lens.

    So FF fans ( actually I am not one), Keep your hope alive.

  • I guess we’ll all know for sure real soon what the specs are. I saw some comments about too many Megapixels being a bad thing because the current lenses wouldn’t be able to handle it. But from my experience it seems like my images are just as sharp if not sharper on the 5DII than the older camera bodies I had.

    I’m excited, I guess it all depends on the real price tag when its released.

    That’s cool that someone took a pic of that poster. Many thanks for that.

  • FF to APS-C
    FF @ 8 fps and 18MP

    APS-C @ 18 fps and around 8MP

    Which makes it the best sports camera around ànd keeps the iso clean.

  • I hope you`re right. even a 1.3 crop sensor would be cool.

    Does anybody know if the ff sensor is written on the 5d mk II box as a spec? If it`s not, then there is still hope for a non apsc 7d.

  • 18-135 mm without USM?!?!?!?! Again a low level lens from Canon, just like the 18-200mm. A stupid policy! For me a reason to stop with Canon after more then 20 years and to step over to Nikon. Nikon has a very very nice 18-200mm lens with IS and USM :-)

    Bye, bye, Canon

  • “No built-in flash ( canon only does this on 1D series)” you mean xD, since both 5D and 5DII doesn’t have it.

  • its a 1,6 camera if you look close you can see ef s followed by a a zoom range and a non fixed aperture.

    PS if noise sucks on this camera I will switch to nikon. I just dont like the way they are going with their camera’s. Cramming more pixels in their sensors.

  • I read Japanese, not Chinese, which is still good for recognizing short/simple worlds.

    That said, it looks like it says dual DIGIC 4.

  • true, but the practical limit is higher than most people think. Every single lens tested on a 15MP 50D provided noticeably more detail than on a 10MP 40D.

  • although a 5d2 with a 28-135 will give you more overall picture detail than a 40D with a 17-55 IS and a 5D2 with a 70-300 IS at 300 will give more detail than a 40D with a 300 2.8 IS.

    But yeah, if you want to truly take full advantage of the sensor, a 5D2 and a 7D need much better glass than say a 5D or a 10D!

  • The CR3 report two days ago here on CR said the 7D was definitely APS-C, but you’re right, it would be weird to ship an APS-C camera with the 24-105 L lens. I guess we’ll just have to wait for the official announcement!

    It’s not true, though, that Canon kits always package a body with a lens 1/4 the price. The 5D MkII kit has the same 24-105 L lens.

  • nah BB was $2700 that is way too high for this!
    This is probably a better camera than the 300S but no way $1000 better, no way!

  • If that was true, the viewfinder would go dark and you’d have no idea what you’re shooting past the 2nd/3rd shot.

  • There is a practical limit, but I think we’re still a ways from it. Say, for example, 15MP was the resolving capability of a lens (this is too low for L glass but perhaps about right for cheaper glass.) To oversample by 2x, which is probably about the useful limit, you would need to quadruple the resolution of the sensor, or have 60MP. Even if 8MP was the limit, resolutions up to 32MP would be useful. Like I said, we’re still a ways from it.

  • Now that you mentioned northligth, there was a good picture of the idea behind the patent together with quote of the most important part of patent:
    “…proposes a photo-detection method that uses a two-dimensionally laminated image sensor in which a pixel has a multilayer structure and the three colors of RGB are detected at different depths utilizing differences in the absorption coefficients of Si. In this two-dimensionally laminated image sensor, a high S/N ratio can be expected because photo detectors having a spectroscopic function are arranged and loss of light due to the presence of a color filter does not occur”

    The image can be found in http://www.northlight-images.co.uk/camera_images_4/Canon/misc/sensor.png

    So instead of having the subpixels laying next to each other on the same plane (red, blue, 2xgreen) the subpixels are on top of each other, and can thus be the same size in area as the whole pixel and thus each subpixel can be 4 times the area than in a traditional sensor.

  • I had been hoping for a lens like this with better performance than the 18-200… but the lack of USM is indeed disappointing.

  • From a friend from a friend who works at Canon. They have been working for a long time on his one. It will be good. Let’s hop so. Get it out so we may have a few review’s

  • I pray. That would be awesome. It would have better AF than a 1D2 then, same frame rate.

    What I fear is that it is per the early rumors though, the 1D4 AF but with ALL helper points removed. Which would be a serious crippling for tracking ability once again. And if it has no adjustments to AF it might be even touchier/jumpier than a 40D/50D! So I really hope they were smart and left the helper ring around the center point even if they got rid of the fancy helper rings for more outer points (which can allow for better sports composition and make 1 series better).

  • What in the world is a new legacy lens? That’s an oxymoron.

    And there’s no reason why a lens made for a legacy system would resolve categorically better than a lens for a current system. Are you confusing the meaning of ‘L’ in Canon’s lens nomenclature?

  • this one or d300s…. it depends on noise performance what we missed a lot.

  • hah, no way. Not that everyone would not be ecstatic if that were the case but i believe you are reading way more into the box than what it says!

  • The picture does not seem to match the top plate picture we see a week ago. Where is the Movie function button?

  • People shouldn’t moan about 18mp sensor, Canon know more about sensor’s than any of us do, I’m sure they have done a good job with it.
    Also it obviously wont be 6400, it’ll still be expandable to 12,800 or more…

  • What does 1.3,1.6, FF have to do with speed? A CPU doesn’t care a whit where it gets data from, just how much it is sent. 8fps by 18MP takes the same CPU power to process whether it comes from a tiny P&S sensor or a MF camera.

    That said, look at it, it is not FF though.

  • can anyone help me out? i dont understand this exactly
    “On the posting about 8 spaces ahead, there is a picture showing 7D teams up with 24-105 L lens.”
    i think i lost a little bit

  • to notice that, you must actually handle real cameras and take pictures with it. as some of us forget to do, and base our opinions solely upon the opinions of others (at DPR, etc.)

    I’ve always said I’d upgrade from my 30D to the 50D even just for the image quality, let alone the rest of the specs.

    just so happens that, by the time I save up the money, now there’s all the talk of the 60D and 7D… I’ll wait to see both before deciding I guess, as the 30D ain’t broke yet

  • Whereas the standard units of large numbers in the West is thousands/millions/billions (and thus MP), in Japan/China it is 10 thousand (called man in Japanese, I don’t know Chinese) and 100 million (called oku in Japanese). So the resolution is 1800 man pixels.

  • A dream for SNR! It has like 2.5 times less surface area how to make up for that?!

    But if they fixed up read electronics and banding perhaps it could beat the dynamic range of the 5D2 or at least match it. That could be possible.

  • 18mp APS-C, 6400 ISO is that maximum ISO???? Now I have to wait longer to replace my 40D.

  • Also, there’s a camera next to it on the poster. Says 7 so could just be the same thing repeated, but is it possible there’s a 7Ds kind of thing? It doesn’t show what comes after the ‘7’ on the one on the right.

  • no, that is totally ridiculous!

    Where then are the plug-ins for CS4 thta reduced noise by 30x when you let them run for an hour with a quad core?

    The only thing Digic IV does it turn jpgs to mush!

  • I don’t think it matters whether it’s a crop or not in terms of the (dual) Digic 4 handling 8FPS. What matters is the bandwidth, which is dictated by the resolution and bit depth. The physical area in which those pixels is spread does not matter.

    Now it is easier to make a faster crop camera, but that’s because the mirror assembly is smaller (and therefore less travel distance and less mass,) but this has nothing to do with the capabilities of the processing chip.

  • dont see the pic but that sounds like that lame pre-5D2 photoshop job from like s years ago…. that keeps coming back again and again….

  • It is definitely a APS-C camera! If you look close you can see EF-S 15-85 followed by a non fixed aperture. So it comes in a kit with the new walk-around lens.

    The last symbol in the upper row indicates a 63 field matrix metering – 9 by 7 fields.

  • I just hope they were sensible about the 19pt AF. Like the 9pt plus 6 helper and then 4 more outer and didn’t just take the 19 base points and chop out ALL of the helpers. If they did this thing will still be a PITA to make it track as well as a 1 series. If they just chop out the outer helpers points that wouldbe reasonable though, leave the more ideal sports framing for 1 series for now but still let this beast focus great using the center point.

    From older rumors and knowing canon I bet they were dumb and gave it NO helper points. We’ll see.

  • The argument that noise reduction smears out the details and therefore lower resolution is better is vacant. With a lower resolution that detail isn’t there in the first place!

    I thought the MP-race was stupid, but also the backlash is equally inane. People need to stop pixel peeping or at least understand what it is that they are looking at.

  • I think DPR did a post on this. Based on their tests, it’s not as effective as it sounds.

  • Good question. On one hand, I would think marketers would want to post the higher (boosted) number. On the other hand, boosted ISO recently has been reaching truly huge levels (ISO 25600 anyone?) so 6400 seems pretty pedestrian if it were boosted. We’ll have to wait and see of course (besides, the numbers are meaningless until we see what quality at those ISOs are anyway.)

  • i think 7D mark II or so. only 7 would think to a “high end” kamera. not xxD.
    I hope also it’s a FF, but…

  • It’s not like diffraction wasn’t there before. Diffraction is function of the lens, not the sensor. With a lower res sensor, you just can’t see it because the sensor can’t resolve that level of detail. All else being equal, a higher resolution will always yield a superior image (although it may not appear that way if you make the pixels the same size.)

  • can’t wait to see what diffraction does to your images with that many pixels…. you’ll have diffraction creeping in as soon as you start stopping down…. ugh… this is why I switched to FF (5D classic) after trying the 50D

  • sRAW tends to looks less noisy b/c you loose some of the noise pixels as your bind down to the lower resolutions… its a common way to pull extra sensitivity out of a sensor at the cost of resolutions… so might in effect get a supper 20D at sRAW or crank up the resolution and use it at low ISO (though you’ll still have problems with diffraction).

  • Wow, there’s so much wrong with that article I don’t know where to start. In regards to diffraction, he seems to claim that diffraction reduces the overall quality of the image more with a higher resolving sensor, which is patently false. (It reduces the quality of 100% crops, certainly, but you have to compare images at the same rendered size. Blowing up a low res image will make it look crappy too.)

  • 8MP APs-C is about 21mp FF, not 18…though this would justify a 5D MKII price but not the lower naming (7D)…. I fear that Canon really did just cram even more pixels into an APS-C sensor… and here we thought they learned with the G11… oh well, maybe in another year or two…

  • Do you remember this rumor : http://www.canonrumors.com/2009/07/60d-specs-cr1-2/

    At the end, they mentionned :”lastly, an all-new, pleasantly surprising “feature” that would bring

    a smile to all the Canon loyalists (just watch for it) ;)”

    If this “feature” was a compatibility of EF-S lenses with the APS-H sensor of the 7D ? that would be nice. It would please lots of people.

  • Thats a Nikon naming system and I don’t ever see Canon repeating it… they just give a new name rather than adding an S or something else

  • More I think about this one and more it could make sense… let’s hope for it. Specially with the Chinese translation of the poster title “evolution many times over”… “over” might be the buzz word.

  • what if its a foveon type sensor so that its 18mpx extrapolated but natively 6mpx? That would be a smarted move and give great hi ISO performance rather than doing their usual sensor in an even more cramped version

  • +10 lets hope you’re right!

    Now what if they cracked teh code on low ISO at higher MP on APS-C if they get me 40D Performance I’m In!

  • Why canon cannot do it right at least one?

    There shuld be a 5DII with better autofocus on the market, but is not.

    7D should be anything else but no 18MP on APS-C:
    it could be 18MP on FF, or APS-H
    it could be 10 to 12 MP on APS-C

    They need a change in top management ASAP!

  • if this is true then the 7d went from paperweight to almost killer camera (FF would have made it a killer camera)

  • Fyi – the first of these messages was mine – the remainder were made by an impersonater. Could the mods step in here please?

  • Agree completely. If 6400 is the max ISO (with extension) then this is a waste of time. I’d like to see 12 MP in full frame with the new sensor improvements (larger sites, better lenses). That would probably get us 2 or 3 real stops of noise improvement with file sizes small enough for 8+ fps. THAT would be a camera I’d buy in a heartbeat.

  • the xD series could be deemed as being for those who would use a pro-type flash unit anyway so the pop-up would be too amateur looking to put on… its silly logic in my opinion but something that I wouldn’t put past a marketing person

  • 18MP Aps-C = Fail.

    There must be something more to this. They couldn’t be that foolish. 50D was a bomb. G11 indicates that they have learned that more MP doesn’t equal more IQ. If the 7D were FF and APS-C like D3/D700 that would make perfect sense and be an excellent camera. However all signs point away from this camera as FF. So Canon WTF?

    I feel like Scotty, “You cannot change the laws of physics, Canon!”

    Baring some sci-fi, gee-whiz technology, I think 7D looks like a major dud. Who cares if you can shoot 8 blurry images a second. Who wants huge file sizes that don’t yield extra detail?

    Someone above said Canon knows more about sensors than any of us, so we should just trust them. The 50D sure proved that. Their marketing department knows all they need to know: More MP=More sales!

  • Ha ha very funny. Some smart alec here fancies himself as a comedian? The only post made here by me is the one dated August 28th, 2009 at 11:36 am.

    I would like the mods to step in here and review these posts. If anybody needs confirmation of whether I posted a message or not, the mods have my email address and can communicate back to me that way.

  • Not sure your logic is correct mickey muncher, but I’m pretty sure Canon would not be putting 18MP on a 1.6x sensor unless noise control was going to improve significantly. I don’t know if its likely that the dual processor would directly lead to a reduction in noise.

  • unfortunately it ‘looks’ like the banner shows an EF-S lens on the 7D…I’d rather have APS-H @ that MP…but that’s me.

    I think if there was a better 5D mk II on the market then the 1Ds Mk III sales would go way down…

  • Might be that this *will* be the “60D”, but that they decided to rename that line for fear of people getting confused between the Nikon D60 and Canon 60D. Like “Canon 60D? I’ve heard that’s a crappy low-end camera that can’t even autofocus with most lenses. I’ll get this Nikon D90 instead.”

  • How can one post an observation on here and begin by declaring it “one VERY interesting observation”. It was at that point that I stopped reading. Such arrogance does not merit the attention you clearly crave. If you want me to read the message, post it again minus the first line.

  • We should not forget that we see only half of the poster… the other half should show (crossing fingers) the killer feature…

  • Be patient. By putting 18mp on a 1.6x (if indeed that’s what the sensor will be), then Canon are making a statement and trying to prove the doubters wrong. It would be an amazing feat if 18mp on a 1.6x results in better noise control than the D300. It’s only slightly faster and, from what I can gather, considerably more expensive. My chips are on Canon pulling a rabbit out of the hat on this one. Otherwise it’s a bad egg in the face.

  • See my last post (directly above yours). Enough of the “friend of a friend” talk though – we are all here for factual information only. Rumours can go elsewhere.

  • It will be a sad day to see an EF-S lens mounted on an XD Canon. What is the world coming to?

  • Remember how everyone panned the 5DMkII? Then after it came out until today, it is back ordered. Canon just can’t make enough of them at $2700/each. I think the 7D will be the same. It will be a great camera, but it may take months and months to get.

  • I would hate that to be true. An EF-S lens has no place on neither an APS-H camera nor FF camera. The flashmaster rumour sounded most likely to me.

    Affordable (to the masses) 7D with 1.3x crop, 18MP and 8fps would wipe the floor with every camera in its class ever released before it. It would effectively be pound for pound, the greatest camera ever built. And that is why it simply won’t happen.

  • I agree with you, i’m really getting tired of all the disapointed stuff Canon gave us since months.. Nothing exciting, when I see the yellow do, I’m really thinking of changing brand :/

  • System resolution is a result of both lens resolution and sensor resolution.
    Better sensor resolution means better system resolution, period. You go from 12Mpix to 21Mpix, you gain resolution, as simple as that. You might not see it if you peep at your images at 100% crop on screen, but if you downsample the bigger image it will look sharper and more detailed yhan the other at 100% crop. So if you upgrade your camera you don’ necessarily have to upgrade your lenses, on the contrary, upgrading the sensor is a good way of getting more resolution from cheap lenses.

    Simple example:
    The Canon 17-85 IS at 17mm wide open on the extreme borders, a lens well known for being quite poor under these conditions:
    on 8 Mpix system resolution is 1315 l/ph
    on 15 Mpix system resolution is 1736 l/ph
    so you get 32% more resoltuion from that lens by putting a sensor with 36% better linear resolution. I’d say it’s fair enough.

    There are diminishing returns, but they are diminishing very slowly. We’ll see 100Mpix APS-C cameras and they’ll give better IQ than 50Mpix APS-C cameras.

  • Do you realy think, that canon will produce a noisy camera with unusable 1600 ISO (for example) ?
    Do you imagine how much money they will loose?

    I dont think canon camera developers are so dumb, its totaly new processing with APS-C or APS-H, deffo not FF.

    To people who saying about switching to Nikon, what you waiting for? switch and feel good, i dont see why you complain, if you want a camera with features that D300/D700 gives, buy it and do job with it, instead of begging canon to make a camera that you want…

  • hmmm… can’t believe I didn’t think of that… still seems a bit strange to me outside of the 1D series but yea, I guess that would make it plausible

  • i.e. if you like Mercedes, but Ferrari gives you higher speed, and your “professional speed racer” why stay with Mercedes, go and use Ferrari :)

  • Who told you that EF-S has no place on APS-H/FF?
    Or thats just xD = Must Have L ? Than why theres people who use 50 1.8 on Ds or 5D2 ?
    That sounds like you have been fooled by marketing…

  • It will be a great day when we don’t have to listen to Mr. Swan’s prattle. What is the world coming to?

  • Just kidding… i actually have split personality disorder… so, about that therapist?

  • I don’t know Nikon’s product line that well, but if the DX lenses don’t have a shorter back focus like the EF-S lenses do, then Nikon doesn’t have this problem.

  • Speak for yourself. I know EXACTLY what he’s talking about.

    Where is the flash controller, indeed??

  • I wouldn’t discount the idea that they could have a new layered sensor where the actual pixels would be more like 6mpx which would be extrapolated to 18… (I think Foveon sensors are like this?)… I think this might be a way for Canon to go around the issues of excessive noise and diffraction effects while still looking like they have more pixels?

  • My source from Canon Japan (Yokohama office) told me that the 7D will be 1.3 crop BUT EF-S lenses can be used. This is the hidden feature we’ve been told about.

  • It wont be faster if it’s paired with a kit non-USM lens.

    Having a good 19 point AF system paird with a non-USM lens is kind of having an BMW M5 on donut wheels.

  • I totaly agree with you….
    just another APS-C sencor with a price biger than 50D….
    I just wasted my time waiting one year for this camera…

  • Exactly..!! Canon will never give d700 or d300. You may get all the extras..may be gps, altimeter, mp3 player,radio, instant messenger, may an inbuilt cellphone too..but NO Pro AF, NO Pro weatherseals…to summarise, no Pro body matching Nikon. But unfortunately marketing works..!!

  • Me… fooled? I can honestly say that I’ve never been fooled in my life. IMHO xD cameras should ONLY be mounted with L lenses. Why buy a great body and fit it with sub-standard lenses? The most important purchase should be the lens – not the body.

  • My friend in the Yokohama office says that he had some Ramen for lunch. And that the 7D is gonna destroy the D300s with godzilla-like abandon.

  • No, it’s just that I measure my self-esteem by the length and girth of my L lenses.

  • See you two love birds later so.

    At least wait to get the spec announced officially and allow some time for tests to be carried out before you start getting your knickers in a twist?

  • You might want to re-read reviews of the 50D. If you look at resolution, you’ll clearly see it outresolving the 40D. BTW, per-pixel, noise levels are about the same between the 40 and 50D.

  • Maybe they know/discovered a better noise control, but at 18MP on a ‘simple’ apsc, i’m VERY VERY INCREDIBLY worried about diffraction, thing that gets noticable at 100% crop at above F/11 on a 400D 10MP, and at above F/8 on a 50D 15MP; how worse could it get on a 18MP?

    On paper this seems a dream camera, and i’m very tempted to order it as soon as i can, whatever the price if i have the proof diffraction will be reasonable (i’m looking for an ultimate upgrade to my 400D, and am birdshooting, which i love; also need a good low light for other pics, wanting apsc because of my efs kind lenses, and extra reach on the 100-400)

    But, i’m so worried about diffraction: i need F/11 (or better) for macro shooting! that diffraction just gets horrible at F/16 on a 400D

    I simply hope for a new technology in this sensor, or guess i’ll have to wait another 6months for a hypothetic 60D :(

    I’m also about to buy the 10-22 for a ultra wide fun; but i’m waiting for the final announcement before buying… Just to be sure. Aps-h or full frame won’t fit my lenses ‘collection’/needs/expectations at the moment.

    I think canon understood that plenty of xxD owners are waiting for a ultimate upgrade even at a high price. aka D300s killer. A pitty they are just ‘following’, and didn’t innovate before others.

  • Remember the earlier reports that the 7D would come with “never before seen feature”? We’ll, guess what it is…

    The 7D is not a 1.6 crop camera and it takes EF-S lenses. You heard it here first :)

  • In Canon´s acronyms system L stands for “Legacy” if you didn´t knew ;). The one that´s confused is you.

  • Is great success from the manufacturer! I am well excite to use this camera at various functions! Please let us hopes that it become a 1.3 APS-H crops.

  • What’s your source for that? I wasn’t aware that there was an official, publicly-revealed meaning for the L.

  • yeah, flash master is already a pretty big goodie. let’s not get too greedy and assume Canon’s just handing out upgrades like its Halloween

  • I believe the bestbuy leak, was somewhere around $2,700, which does not make any sense with these specs if it’s a 1.6. Now if there was a 1.3, that could be possible??

  • In my opinion there are two different cameras on the poster.

    The second one on the right is smaller…

  • right, let’s torture him, and by divulging his name, he’ll get fired…. Maybe he’ll sepaku, who cares!

  • Street price drops with time, and it’s a product of demand vs. supply. It’ll probably start at around $1,800. Really though, your guess is as good as mine.

  • I think the left side of the poster show the 7D 1,3 crop”ef” and the right side 7D 1,6 crop “EF-S” mode? In the same camera.

  • Update: The 7D will be 4mm thicker than the 50D, but only around the lens connector location (probably because of the larger sensor), and the whole body is only 2.5 ounce heavier.
    Bad news: this will be priced the about same as the 5D2, not because it’s new but its long term market position is supposed to be side by side with the 5D Mark II. Now the decision to cripple the 5D2’s focus system is starting to make sense.

  • That’s my only hope too.

    Can’t imagine that Canon would be stupid enough to put a noisy 18mp sensor on a ~$2K camera.

  • You are right. Anyway at this point I am staying at Canon because I don’t want to say goodbye to my awesome zoom L lenses (17-40 and 70-200 2.8).

    I would love to use this lenses in a “Canon D700”. What I said is: if after a while this remains not possible, I will switch to Nikon.

  • Crap. Are you serious? I was kinda hoping this this was gonna run between $1800-$2100…. Blerg!

  • The chinese text on the right side of the poster is same so long we can see but the precent of the wievfinder mabe 96%? in the 1,6 crop mode. I think the right side show the 1,6crop features in the 7D

  • There’s no way it can be priced the same as the 5d Mkii, unless there is a 1.3 crop and the ability to use ef-s lenses…..

    That would be cool, but I think we’re all dreaming…….

    Maybe this would reconcile many of the rumors? Similar pixel density as 5d mkii, Cause 1.3 at 18mp, capable of ef-s lenses (why there’s the 1.6 rumor and lens on it) and the bestbuy price leak.

    If it’s strictly a 1.6 it MUST be under or around $2k no more.

  • Now I’m hoping it’s a 1.6 crop. I’m not about to spend another $2.5K on a body (just got the MKII). Canon, hook us up with $2K price for a 1.3 cropper! Hoyoooo!

  • I have a question. Does 1 more FPS and 3 extra MP + video + better AF justify the huge price difference between this camera and a 50D?

  • I don’t understand ppl waiting for a D700, you have the “old” 5D, or the even better 5dmk2,

    if i was waiting for a “budget” FF from canon, in fact, i wouldn’t be waiting and would buy a 5Dm2 as soon as i can. It has so many excellent reviews, except for the AF part, but that’s where the 1Ds comes in, and its not cheap.

    a better camera than 5Dmk2 will hit their 1ds sales (and 5D), i think you shouldn’t expect a better & cheaper FF camera from canon atm.

    but a apsc d300s killer is a market where canon has a big hole, and that’s where the 7D seems to fit; let’s hope the 18MP sensor won’t before-born kill it

    i’m looking (probably like many of XXXD and XXD owners) for a perfect upgrade (with fullhd, low light?, low diffraction!??), it seems the 7D is the answer.

    just my .02Euros :p

  • If that’s true, the 2 new walkaround lenses will effectively become 19.5-110.5 and 23.4-175.5. WOW!!!

    And if I can mount my 10-22 it’ll become a 13-28.6. Far out!

  • Some of you old-timers will remember the Canon Pellix… It used a fixed, semi-silvered pellicle mirror. Might this allow the two formats without EF/EF-S exit pupil incompatibility? With the advances in optics in forty years and the two-layer sensor, there might just be a new workaround to the obviously dimmer image getting to the sensor through a mirror. Achieving a high frame rate would be easy with a pellicle, as there is no mechanical activity except the shutter. A 100% viewfinder image would also be easier to engineer with a larger fixed mirror. Ah, isn’t speculation fun!

  • I use my 5D2 on sRAW fairly often because it offers a far less noisy image, at least for computer-viewing usages.

  • Well 8 x 18 does equal 144 million, so these specs seem plausible. I was really hoping for 12 x 12 though. I have serious doubts that Canon is going to make a low noise camera with that many pixels in a 1.6 crop. From what I’ve read about the 50D, they sacrificed image quality with only 15MP. I would think they would have learned their lesson.

  • (As per above…)

    I use my 5D2 on sRAW fairly often because it offers a far less noisy image, at least for computer-viewing usages.

  • If its priced same as 5D2, what the point buying when you can add a little and buy 1D Mark III ? EF-S compability wont worth that much.

  • I’m sorry, I must have missed where it says APS-C on that poster. This is still speculative, so the 18mp might actually be an improvement to the 21mp sensor.

  • Maybe because the D700 is the only sub $4500 full frame camera that can actually focus?

  • I think when you admit that “it reduces the quality of 100% crops” you are basically saying the same thing that the article meant.

  • If you can wait another 6 months I believe there’ll be a 60D by then at around $1.3K.

  • From the rumors going around, you can’t afford one, Annie.

    Maybe you should consider a Holga, the film processing is expensive, but the body is within your price range.

  • Possibly, but there was a CR3 report here on CR two days ago that stated specifically that the 7D was APS-C. We’ll just have to wait and see.

  • FOR SALE!!!

    Anyone interested in buying my 40D… …cheap? I’ll keep my 50D around for a while, but it looks like it will be a back-up now.

  • why would they pair it up with a EF-S lens that doesn’t utilize the whole APS-H sensor?

  • Indeed, if the 7D is 1.3 crop it’ll mean that the xxD line will live on as Canon’s top-of-the-line 1.6 crop. Nice product plan, Canon.

  • Rumours =
    – we don’t know yet
    – we hope it is (better)
    – we hope it won’t be the SX1 CMOS fiasco (or 50D)
    – we hope it’ll be more tolerant to diffraction than 50D
    – we hope it’ll be less noise sensitive
    – we hope it’s not a simple bayern upgraded sensor, which will kill the 7D sales as soon as it gets reviewed, if it truly is a 18MP APSC.

    i really don’t know, but this is fscking me for another week of waiting b4 detailed announcement. #sigh#

    And will be fscking me for another month b4 reviewed by more or less serious websites

    i’m dying! =)

  • I was able to sharpen the image and make out the box on the bottom row, second from the left. The Chinese translation is “Dual Direct Print Buttons”

  • Oui, Annie, Maybe you should invest in zee holga, yes? As for moi, I am interested in zees Canon 7D.

  • I think if it’s a 1.6 crop, it will be priced around Nikon D300. If it’s really around $2.7K it cannot be 1.6 crop.
    It’s also possible that we see a 60D and a 7D next week.

  • For me this camera is for people who loves numbers, not for those who loves to take great pictures.

    And also it makes me feel, this is a product what is an end result of making a camera based on forum comments…

    Pretty silly.

  • You are all wrong. What happened to math? You chumps remember how to solve for “x?”

    Area of sensor
    FF = 864mm^2
    H = 525.4mm2
    C = 419.7mm^2

    H sensor pixel count assuming 5DmkII (21MP) pixel size and pitch:
    21.1/864mm^2 = X/525.4mm^2 H pixel count = 12.8MP

    FF sensor pixel count assuming the rumored 18MP pixel count on an H sized sensor:
    18/525.4mm^2 = X/864mm^2 FF pixel count = 29.6MP

    C sensor pixel count assuming the rumored pixel count of 18MP on an H sized sensor:
    18/525.4mm^2 = X/419.7mm^2 C pixel count = 14.4MP

    Now that’s how you do some math! It’s the learnin’ train ya all…

  • Impossible !

    can canon really afford to wait another 6 months before a fullHD video 1.6 crop? (or maybe a 1.3 with 1.6 compatibility)

    It’s impossible, or they are living on the edge of failure

    I believe the 7D will be their best 1.6 camera within years, the 60D will be more or less a 40D or 50D upgrade with video; which i would like. But i’m soo tempted for a 1.6 FULLHD video upgrade, that i prolly won’t be able to wait.
    AF looks like the best that canon will give us for a 1.6;
    if it’s the “lord of darkness”, it explains itself;
    but i’m soo worried about diffraction … :/

  • Assuming an APS-H sized sensor at 18MP is what gets released that means that the FF equivalent pixel count would be 30MP (assuming pixel pitch and size remain constant). That’s a load of horse crap CANON. What in the hell is wrong with you? This better be a full frame camera…

  • Yes,

    There are a lot more amateurs than professionals, them… direct print buttons and tons of mega pixels.

  • I know what you’re saying, but that doesn’t change a few points. One is that those pining for more FPS shooting would have benefited from a lower MP count. That’s fairly set in stone. The other is that those who want the least noisy image from their camera would have benefited from less MP. That’s not to say that Canon couldn’t have greatly improved the IQ of this 18MP sensor, but that improvement in combination with less MP would have resulted in even better IQ, no? There will be those who are entirely happy with the detail levels they can get out of a 12/15MP image and simply want the best noise quality from those shots as possible.

  • Henry’s Cameras in Canada has this message on their home page:
    ‘Watch this space for an incredible announcement coming early next week!’
    http://www.henrys.com

    I hope it’s more incredible than what we’ve seen so far.

  • What about the camera next to it in the image, it like the image is repeated but it appears blury and smaller.
    Bad photoshop?
    Another camera?

  • That’s what it looks like to me, too. Just beefed up specs. I hope it’s better than that.

    I’d take a camera pretty much like my 40D but with some significant improvements in IQ, dynamic range, and ISO performance. I really don’t want much else. HD video and 8fps doesn’t mean that much to me. 6fps was just about right for me.

  • Why don’t they give us a crop factor already? C’mon Mr. CR Guy, give us more information!

  • Well, what can you expect from a company taken hostage by their Marketing gods. Canon very clearly indicates “If you need Pro AF then buy 1 series. Period”

  • Canon may name it “7D”, but to be ture, this camera is a “60D”.

    A few evolutionary improvements over the 50D do not justify the xD name. And for this very reason, I can only consider buying the “7D” if it’s priced as an xxD camera.

  • At first I thought the same thing as everyone about the ad poster being the same poster twice, just not cut in half yet. But go check it out again, notice where the Chinese writing starts over the first body, then where it’s starts over the 2nd body.

    Hmmm…

  • Good eye…… maybe a 1.3 on one half and an add for e-fs crop mode like a second camera? Why oh why couldn’t take a pic of the entire thing……. =(

  • Rumors just a week ago had 7D and/or 60D coming out now. If the 7D descriptions to date all true, then what will be the specs of a 60D rumored now to come out in February? With new EF-S lenses coming out all the time, Canon is strongly supporting the APS-C/1.6 crop format. It seems that the 60D specs would have to be between those of the 50D and the new 7D – but with what features, and at what price?

  • we – Canons customers – force Canon to finally give us Pro AF in bodies significantly cheaper than 1 series. It doesnt matter, what Canon indicates.

    We have the money, we call the shots. Canon doesnt want to play? We buy Nikons. That simple.

    After 3 years of too little too late APS-C bodies (30D/40D/50D), its about time Canon delivers a pro-level APS-C body that clearly beats the Nikon D300s at a similar price point.

    If not … many more users will switch.

  • Diffraction has nothing to do with the resolution of the sensor… it’s about aperture and light wavelength.

  • Huh??? The 18-200 Canon lens has both IS and USM. The 18-135 may be intended as a kit lens for $700 Rebels. It’ll be interesting to see if the 15-85 is the new kit lens for the 50D and 60D. It would have to be better than the 28-135 that Canon has been adding.

  • ever THINK you could use .. GASP .. a 17-55 2.8 EF-S on it? or heaven forbid a 35 1.4 or a 24 1.4 on it too?

  • “4mm thicker than the 50D, but only around the lens connector location” That mean they must have moved the sensor 4MM forward also. The distance between the front of the lens mount and the sensor must be fixed for any canon lens to be used on the camera regardless of the sensor size. They either need room for another PC board for the second DIGIC 4 and the video function or they may have the flipping LCD monitor in mind later.

  • ZOMG .. then .. don’t .. view .. at .. 100 .. PERCENT.

    do you honestly PRINT a 6 foot wide print and then look at it from 18 inches away and go ZOMG .. that pixel on quadrant 2.12387 feet by 3.32387 is diffraction limited!

  • the none sarcastic point is that diffraction depends ENTIRELY on your sensor to viewing magnification .. if a 4um pixel is diffracted .. who gives a rats behind? when you print 12×18, 20×30, or whatever, it will still look good or better than a print with a lower pixel density sensor at the same print size.

  • it will be a multi-verse changing event! all parallel universes will feel the impact, even those in which canon doesn’t even exist!

  • Where do you get that to mean it was designed by listening to forum comments? If it has no central assist points and it is all numbers 18,8,19 then that has nothing to do with forum commentators and everything to do with marketing that have probably never taken a shot in their lives.

  • look like we have a slight disagreement on the numbers:

    APS-C: 22.5 X 15 = 337.6 mm^2
    APS-H :27.7 X 18.5 =512.45 mm^2
    FF: 36 X 24 = 864 mm^2

  • It was interesting to me. Until I saw the picture with 24-105mm lens as a kit with the 7D. I was convince it is a 1.6 crop with 18 mp (based on CR3 from this site). I feel Canon has betrayed us. Now I start to feel that there is still hope. Is that interesting? If you cannot share my joy, I am sorry. It is not being arrogant or craving for attention. It is all in your mind.
    At least I do not go around putting down people that uses EF-S lens, correcting people’s grammar, telling people to “stop it” or saying something that is not suitable for children to read.

    So let us think about who is being arrogant and craving for attention

  • True. But it also affect the effective usage of the memory. Why should I have a 15mp picture with same resolution as 10 mp. Also You want great depth of field, so you stop down to f 11 ( personally, I try to avoid f16 even shooting film with my M4) and the diffraction kicks in and having a slightly unsharp picture.

  • Hi guys,
    I’m looking at that photo/poster/box and I see an 18mp full frame camera. 7D? Makes sense to me, as in the just released G11, a reduction in resolution to gain photosite sensitivity, hence low noise, dual processors to handle the high frame rates (Helped by the lower pixel count), new focus to appease those who think the 5D MKII is slow… That bottom left box looks like 100% FF to me… I also don’t see any parting line on the camera body upper surface where a “60D” would have a pop up flash. A clean ISO 6400 would rock your world. What do you think of that?

  • Direct from CanonUSA website:
    50D (APS-C) = 22.3mm x 14.9mm. Area = 332.27mm^2
    1DmkIII (APS-H) = 28.1 x 18.7mm. Area = 525.7mm^2
    1DsmkIII (FF) = 36.0 x 24.0mm. Area = 864mm^2

    Updating the above calculations:
    C sensor pixel count assuming the rumored pixel count of 18MP on an H sized sensor:
    18/525.4mm^2 = X/332.27mm^2 C pixel count = 11.

    The even scarier calculation:
    If it’s an 18MP APS-C sensor it translates to FF equivalent at:
    FF sensor pixel count assuming the rumored 18MP pixel count on a C sized sensor:
    18/332.27mm^2 = X/864mm^2 FF pixel count = 46.8MP

    That last calc is just silly Canon – WTF?

  • I think that would be awesome beyond belief. BUT it is not going to happen, since it is Canon. And sure as heck not for $1699!

  • Yep. Marketing for gearheads.

    I think this thing will be a POS, and I think that Canon’s driving more nails into their coffin.

    I wish they would innovate.

  • It certainly does, diffraction limits the smallest possible circle of confusion, so smaller pixels will have a larger limiting aperture.

  • If they were marketing for gearheads it wouldn’t be a 18MP 1.6x crop.

    Those high MP counts are aimed at the “Debbi Digitals” and other neophytes who don’t know any better.

  • Good question, sRAW doesn’t even give you as much resolution as a RAW downsampled in post.

  • Well I’m sure the poster’s real, whether the information on it is real is a question for the conspiracy nuts.

  • Of course that doesn’t reduce the amount of detail the lens resolves, if that’s actually what you were referring to.

  • Don’t you think maybe that $2K Sony has perhaps made them a bit nervous? Size wise, Canon is David to Sony’s Goliath… They would be wise to view them as a serious threat to their current position atop the camera manufacturing mountain. When you’re #1 the only thing bigger than your sales is the bullseye on your back. I know the new Sony 850 had me looking at their lens selection, and I’ve got a bag FULL of Canon glass. I like the Canon system, and am used to their gear, but I’m just a hobbyist and I’ll go where I think the best value is. Sony has Zeiss lenses that may be expensive, but are universally recognized as top notch stuff.

  • +1!!

    and replying to anonymous, who said: “I don’t understand ppl waiting for a D700, you have the “old” 5D, or the even better 5dmk2”.

    If you don’t understand us, go and read the specs of any of those two Canon cameras.

    And then think about it: what if you need a FAST camera (more than 5 fps), with pro AF, full frame, good at high isos, and you have no need of 20 MPX?

    What if moreover you don’t want to spend more than 3.500 €?

    The answer is Nikon D700. But I wish I could stay in Canon to use my great lenses.

  • Yeah, hope its the nominal sensitivity. We need a clean 6400 as well as a usable 12800 and 25600.

  • I can’t comment on the technical diagrams so I won’t. The “box” or “poster” shot I can comment on. From a design perspective, it has some problems and I’m calling fake.

    1. The large “EOS 7D” – the D has imperfections on it in the bottom right corner of the D. Some of the bars don’t line up.

    2. The “7D” on the camera just seems to “bright” to be an actual image of the camera.

    3. The info squares with the Chinese script are wonky and show variable sharpness. I doubt this picture was take with an f2.8 lens, it’s more likely a cameraphone – so I call poor Photoshop…

    Now don’t get me wrong. My wish / hope /desire for a 7D is huge – I just don’t think THESE picutres are the real deal.

  • Sometimes you want to be able to use the MP for cropping & recomposing, what else would you need 18MP for?

    640 kp is enough for everybody!

  • It doesn’t seem so. The left edge of the poster has much more room in comparison to the gap between cameras…

  • The Canon 18-200 has a dc motor not a usm motor. The 18-135 should have ring usm. In fact all canon lenes should have ring usm.

  • I tend to agree.

    Also, with regards to the ‘info squares’, is it normal in Chinese advertising posters to have un-uniformed squares?

    Some of the ‘info squares’ have borders, some don’t. Some have sharp corners, some have rounded corners. Some have thick borders, etc.

  • Also, the body looks too squashed. Look at the angle of the shutter button, it’s too flat.

  • That is probably due to perspective distortion. Similary is also the figure “7” more straight. The photo was probably taken at close distance with a wide angle lens. It appears as the righthand side of the picture is farther away.

  • From the other leaked image (of the top of the camera) it seems that this camera (7D) will not have any scene modes (only M/Av/Tv/P/B and the like… no Landscape/Sport/portrait et al.) so there you have another reason to wait for the 60D :-P

  • Are you HIGH?? That would mean this alleged 7D would have less resolution than 5DmkII. 18MP is suitable for APS-C and only just suitable for APS-H.
    FF @ 18MP?? Forget it! Did you know that the 5DmkII has 21MP?? That would give you a hint if nothing else!

  • I was half joking, but I will be selling it. It is in excellent condition, and I just had it cleaned. Come to think of it, I bought the accidental damage – replacement protection. I sure hope there isn’t an accident. That would be a shame, particularly if they have to give me a 50D instead. wink wink.

  • Yes. The CoC concept assumes that you use certain variables defined (e.g. magnification of the “negative” and viewing distance). These assumptions are washed away when viewing 100% on the monitor.
    ms’ post show just how most uneducated people thinks. If you have disturbing diffraction at let say f8, there is nothing the resolution of the sensor can do anything about, diffraction can’t be avoided.
    Ofc a low resolution sensor may not detect it but in the end (the final image) the higher resolution sensor will not show it either (keeping the CoC constant)

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