EF 100-400 f/4.5-5.6L IS Done?

Craig Blair
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From Germany
I had this info this morning, but I wasn't given a link or a store name to backup any of the info.

Koch Foto has the lens listed as discontinued.
http://www.fotokoch.de/…..

The info comes from a German forum
http://www.dslr-forum.de/showthread.php?t=608971

The poster was told by Canon Germany that production of the lens had stopped.

Thanks Wolfram

cr

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Craig is the founder and editorial director for Canon Rumors. He has been writing about all things Canon for more than 17 years. When he's not writing, you can find him shooting professional basketball and travelling the world looking for the next wildlife adventure. The Canon EOS R1 is his camera of choice.
147 Comments
  • EF 100-400mm f/4.5-5.6L II IS USM?

    I’m looking forward to mounting one on an EOS 7D for wildlife photography…

  • Good riddance, this lens deserved to be gone a while ago (just for its antiquated push-pull zoom), hopefully it will get updated to a more normal twisting zoom.

  • Well, I hope it is being updated, i have wanted one for my 40D for some time, but the rumours alway fly about a possible replacement or update, so i have waited. would be nice update on 7D as well

  • I don’t think so, Canon usually does not discontinue a lens before announcing a new one and currently they don’t have one that would fit this range. So, I’d say it is an input/user error at the Koch web site ;)

  • Yeah, that’s right! This always happens – take a 1,300 USD lens out of the lineup and replace it with a 6,000 USD lens. I think Canon is gonna replace the 50D as well, with the 1DsIV

  • hope one of these will come next

    400 5,6 IS L
    200-400 5,6 IS L
    100-400 3,5-5,6 IS L II with a sharp 400mm end

  • Point taken.

    It’s easy to forget that most consumers are limited by what their wives will allow them to purchase.

  • Funny, as this was not one of the lenses removed recently from the Canon USA website.

    I own this lens, and its a great piece of equipment. It is the only push-pull lens currently in production, maybe they are revising it rid the product of the nickname “dust pump”.

  • I guess you haven’t tried hand holding a 400m zoom lens. The push-pull design makes it much easier to maintain a steady hold (one hand on the camera grip, the other one near the front of the lens) while zooming.

  • are you to dumb to read?

    the info is from canon germany!

    the koch website is only a proof that the info is correct.

  • I have used 100-400 on a number of occasions, its design is a typical “love it or hate it”, I personally dislike.

  • Even if this time the rumors about the 100-400 being discontinued are (finally!) actually true, Canon would never leave such a gaping hole in their line up. In particular since this lens (together with the two 70-200 f4 and maybe the 24-105) are actually “system seller” lenses, as there are little (any?) equivalent lenses in the line ups of other manufacturers that strike the balance between price and quality like these lenses do.

    So if the current version is discontinued, we will definitely see a successor, maybe there will be a minor gap where the “old” one will be no longer available in quantity and the new one is not yet available. But that would be all about it.

    So say hello to 100-400 4.5-5.6 IS II. And don’t forget to add 25% to the current model’s MSRP.
    I too have been holding back on buying the current model as I had always hoped for an update with improved IS. Lets just hope that it is announced early this year so that we have a reasonable price level near christmas.

  • Hope so for a 200-400 f/4.0 (or faster) like the Nikon. I have the 100-400 and is OK zoo lens.

  • No, not really. Limited by what common sense will allow them to purchase more likely. I don’t make money from my photos, so really, 6000 USD is, at this point in time, a tad much. Furthermore, imagine carrying that beast.

  • The Foto Koch website in itself proves next to nothing… could have been just a combination of web shop admin erratum and clueless Canon call center agent. For example, many people made the mistake to search for the 100-400 in the wrong category on the German Canon HP (where the 100-400 will not be found under “Zooms” but only in the category “Image stabilizer”.

  • Well, I’ve always wanted one but always been postponing it coz I had other lenses as a priority… I just hope it’s being updated with a fixed Aperture version, something like 100-400 F4.5 or something… I love the lens, but always hated the changing aperture… Just hope it’s not discontinued for good.

  • Yes, an while we are at it, I also think that Volkswagen should completely replace their Jetta with a Phaeton II. *rollseyes*

  • Reports about the sharpness of the 100-400 on the long end vary widely… from “very soft unless stopped down considerably” to “tack sharp wide open”. I guess the truth is somewhere in between. Or Canon QC is really as sloppy as many people say.

    Do you have the current 100-400 and can comment on its sharpness (or the lack thereof) based on personal experience?

  • It seems the myth about replacing the current variable wide-open aperture model with one with constant wide-open aperture will never die out. Even if it was “only” made f4.5 (many people keep on dreaming of an f4) it would still be heavy as hell and beyond the financial reach of mere mortals – you know, those people for which photography is not the way to make a living, but more of an already pretty expensive hobby requiring constant justification.
    And I doubt that even a lot of professionals actually own such expensive lenses, but that they are often property of their respective employers.

  • I agree, perhaps a significant number of people could actually afford lenses beyond 2000€, but most of these people are reasonable enough to not actually buy them, as they have different priorities. There are many more places to put that amount of money.

  • I had a similar experience last year May. A dutch retailer told me that the 100-400 had been discontinued. I stood beside a salesman as he called up Canon and was told that the 100-400 was no longer being made. Added to the fact that at that time the lens was out of stock at almost all retailers throughout the country, I was convinced a replacement was inbound.
    A month later it was back in stock everywhere..
    So I ended up buying it then, and am extremely happy with it. I happen to have a sharp copy, which helps. The push-pull design took some getting used to, but now i really like it (can keep your hand underneath the barrel at all times, even when zooming) and hope that any replacement also has this design.
    Still, wouldn’t mind an update, specifically to the IS as I have very shaky hands.

  • Please learn to read… and perhaps learn a little respect while you’re at it, posts such as these really are unnecessary.

  • As long as we are all dreaming, I would like to see a 200-500 f/4-5.6 IS. Or a 400mm f/4 prime (I would have bought this instead of the 300mm f/4).

    A 200-600 or 300-600 would be interesting too. :)

  • I think the 400 f/4 would be fantastic. Price it at $3000 and make it sharp at f/4 like the super teles and you’d have a lot of people lining up for it.

  • I have this lens and I do enjoy the push/pull design. Aesthetically its not as pretty as a lens that twists. Sometimes when getting a new twist lens I twist it the opposite way of what I want. With the push pull you always know.

    A new version of this lens will probably also mean its going to cost 200-300 more, minimum. :(

    Maybe the new version of this lens can be a 100-400mm f/3.5 IS II. That’d be kinda nice, I’d pay an extra $600 for that.

  • Or a 400mm f/4 prime (I would have bought this instead of the 300mm f/4)

    EF 400mm ff/4 DO IS USM

  • “Sometimes when getting a new twist lens I twist it the opposite way of what I want.”

    You are not buying Canon lenses.

    “Maybe the new version of this lens can be a 100-400mm f/3.5 IS II. That’d be kinda nice, I’d pay an extra $600 for that.”

    Lovely joke. Do you know what f-numbers actually mean?

    This lens at the long end has maximum aperture of f/5.6, you would like it to be f/3.5, that’s more than one stop of difference which means that the area of the front element of the lens would have to more than DOUBLE in size. Doubling in size means tripling (if not more) in volume and not just for the front element but for most other elements of the lens. That would add much more than $800 to its price. $800 could possibly pay for making it constant aperture at f/4.5.

  • I had a 5 year old copy and I posted a request of images from other people using the same setup on a well known forum.Some were soft, some were very sharp even using recent copies.My copy was soft, much softer than the Sigma 100-300 f4 that I had before it.I sold the 100-400 a few weeks ago.

  • Well, there are strong rumors that Nikon is coming out with a 100-500mm lens. Maybe Canon is replacing the 100-400 with an 200-500/f5.6L IS II?. I like that idea!.

  • I’ve owned one, and could not get used to hand holding it while pushing and pulling it to zoom.

    However, I’m sure that I would have mastered it if I really wanted to. I bought it as part of a entire set of equipment, and it did not fit with what I was photographing at the time so I sold it after a few weeks.

    I actually hope that Canon does not do away with all the push-pull zooms. Its good for photographers to have a choice that fits the way they want to work.

    Because the lens must extend such a long ways for the 4X zoom, a twist to zoom won’t be very graceful either.

  • i’d prefer a 70-400 like the sony and i think sigma?
    i could sell my 70-200 f4 and start carrying around 1 of these lens instead of 2!

  • This lens is due for an upgrade soon. It’s already fantastic optically in terms of color, contrast, and sharpness. However, the bokeh could be improved and the IS is outdated. The lens also does suck in a bit of dust with the design, but I never noticed any difference with image quality.

    I have a hard time finding use for it with my wedding and portrait photography work – but it’s a great travel and wildlife lens, and a lot of fun. Everyone (especially me!) needs a good fun lens. I sort of put this kind of purchase in with a macro lens. It won’t make me any more money as a professional, but it sure is enjoyable.

  • Any of these:
    100-400L II IS
    200-400L IS
    200-500L IS

    with constant f4 would be sweet, but heavy & expensive….
    so not likely going to happen.
    Constant f5.6 is doable, maybe split the difference, f4-5.6

    A 200-500L f4-5.6 IS would make me happy, and would fit in with the 70-200’s nicely.

  • A number of people have voiced their desires for the Nikkor 200-400 f/4 lens. But such a lens is extremely heavy and expensive. Surely, only a small group of people will want such a lens. Wondering if all these comments come from the same few people who complain like a broken record player.

  • Lovely joke. Do you know what f-numbers actually mean?

    Well, you have just made it clear to the rest of us, that you don’t.

    aperture = focal length / f-value

    400mm / 5.6 = 71.429mm (that’s the aperture of the current model)

    400 / 3.5 = 114.286mm (that would be the aperture of a 400mm with F3.5)

    That is huge, of course, and it would be prohibitively expensive, but it would not “DOUBLE in size”. So, are there any other remarks you would like to make?

  • First of all I wrote “the area of the front element of the lens would have to more than DOUBLE in size”. AREA.

    Secondly – let’s refresh some high school match. For the radius of 35.7mm the area (pi*r^2) is approximately 4007mm, for the radius of 57.1mm it is over 10258mm so it is more than 2.5 times bigger. This is really very simple math.

    Another way of looking at it – each stop halves or doubles the amount of available light so the corresponding lens area must either half or double. It’s the lens AREA (or the area of the front element anyway) that we are talking about.

    The concept of f-stop is one of the cornerstone of picture taking, please read something about it, just try Wikipedia as the first step.

  • The push/pull design allows the lens to be very compact when in your bag…therefore I which Canon to keep the push/pull design.

    But that doesn’t mean Canon can’t also come out with a 200-400 f/4 zoom that doesn’t push/pull.

  • The Nikon 200-400 f/4 is $6100 at BH with USA warranty, also it weights 7.2 lbs and is 14.1″ long.

    Canon 100-400 is $1610 USD at BH, weights 3 lbs, and 7.4″ long when it’s smallest length.

  • I would hope that the old rumors are true that the successor would become a third of a stop faster at the short end, from f/4.5 to f/4.0, and that it would get the latest 4-stop IS corrector unit. Those pining for a twist-zoom don’t realize that for that to happen, it’s length would have to be significantly longer than the current one is at 100mm. That’s the reason why the 35-350, 28-300, and 100-400 are all 1-touch push-pull zooms, to retain some semblance of compactness at its shortest FL.

  • I agree with you. A fun lens to use tho rarely get a great shot with it unless it’s landscape.

    The bokeh is awful when there’s distracting structure (like twigs or grass) in the zone just outside of the DoF, as is often the case shooting a resting bird.

    for fun, I put a 1.4x in between it and my 40D and managed to get some candids of a family of foxes playing a LONG way off. The focus was more miss than hit in the late evening light and the critters were still too far away to make a good crop but it was interesting to see how much reach (almost 900mm!) it had. Mine’s pretty decently sharp, at least on the 10MP crop body. It also makes taking a candid portrait from great distances possible.
    I’d be happy if it was renewed with better, quieter IS and please-please! better bokeh! out of focus twigs and grass look like coarse sandpaper!

  • I also wonder how practical it would be to make an IS system that could be good for 4-stops-worth on such a long lens?.. it would have to compensate for a LOT of potential displacement when at 400mm. I’m fairly impressed it’s capable of 2 stops worth right now. Well, the noises the present IS makes sound kinda odd but you know when it’s working.

  • i think michal is right on this one… thats correct math… the aperture doubles and thats equal an f stop… it was made that way, so from 4 to 5.6 the are doubles, from 4 to 2.8 the area doubles again…

    Thats why they defined f stops, to mantain ratios between doubling shutter speed or doubling area.

  • You guys should probably finish this argument over a nice game of Dungeons & Dragons.

    There’s nothing like pwning someone’s Fire Elf with your +5 Goblin when they tell you you don’t know what an F stop is.

    Awesome.

  • 4 stops are 4 stops, independent of focal length, at least in terms of displacement. Assume one pixel deviation would be nominally tolerable, now an IS unit always has to shift the image by up to 16 pixel to get 4 stops, tele lens or a retrofocus wide angle doesn’t matter once you are close enough to the rear end.

    Or just think of the 70-200/4IS, in conjunction with a TC2 you’ll get a 400mm with 4stop-IS! :)

  • The push-pull is a dust magnet and Canon are sick of taking them in for repair. Just get a 70-200 f/4 with the 2x extender and get on with your lives.

  • Yes, and at the same time you also get that lovely f8 maximum aperture, leaving you without AF on all but the 1 series bodies. Great suggestion really. And I haven’t even started about what 2x teleconverters tend to do to image quality. I am sometimes using the 70-200 f4 IS with an 1.4x converter, which visibly reduces contrast and even worse, it kills the bokeh.

  • why do you need a 400 5.6 IS when you can get a 300 f4 IS + 1.4x II to do the same thing at a cheaper price. oh and you know what, you can get it at present time. so your wish doesn’t make sense to me. just my $0.02

  • why..?
    ’cause it sensors comments..!
    what ever happened to the 1st ammendment..!
    this site banned my home IP..
    try to ban my business IP you tool..!

  • you seem to have used a myriad of lens there buddy..

    I do agree on you about the 2x and it’s effect on IQ..

    however, even I wouldn’t dare to use 1.4x on a 70-200 4.. that lens is performing sub par enough that adding converter would only add insult to injury..

    just my $0.02

  • “You really are an obnoxious tool aren’t you Michal?”

    Yeah, stick it to him! There’s nothing more obnoxious than someone who is right.

  • On the other hand, you can use the mental gymnastics that I use:

    1. Keep an eye out for the lens you covet and only buy it when you can get it at a deep discount and, if possible, with a rebate. In particular, when a foreign currency tanks against your own currency, there is a window of opportunity for ordering from that country before they adjust their prices. I’m in the Euro zone, so the USA in late 2007 and the UK in early 2008 had real bargains (not any more, though).

    2. Convince yourself that because you got it at a bargain price, that its second-hand value will be a significant proportion of its original cost.

    3. Repeat point 2 as necessary.

    4. Try to forget how much money you sank into a lens and just enjoy it.

    5. Every time your wife reminds you of point 4, refer her to points 2 and 3.

    I reckon that my EF 70-200mm f/2.8L IS has cost me about €300-400 for the past two years. There is considerably more money tied up in it, but I can get that back if I really need it.

    Please, do not try to tell me that it cost me more than that! I will just block my ears and refer myself to point 3.

  • BTW, if you are in Europe and order a Canon lens from the USA, it is worth getting the lens with the USA warranty, as Canon Europe will honour that warranty. Bodies are a different matter: B&H won’t even sell them to you because they say that Canon won’t allow it.

  • Nikon 80-400 VR is twist zoom and is shorter than canon 100-400. Sony 70-400 is just 5mm longer than Canon 100-400. Tokina 80-400 is 5cm shorter and 300g lighter than Canon.

  • Who cares? Do any of you really take pictures or are you that much of a newbie to still studying the basics ?

    I can’t even remember the name of what camera I was shooting last.

    It’s semantics; unless you’re Nikon engineers then who cares?

  • Sounds like you talk more about gear than you actually use it. “Sub-Par?” It’s one of the sharpest telephoto zooms out there..talk about adding insult to injury

  • A 70-200 f/4 with bad image quality? Are you sure it’s not just your one misbehaving? Even the non-IS edition isn’t exactly bad.
    Using the 2x TC is nasty though. Only some great whites can handle em, with serious side-effects though)
    A 1.4 should be all right, comparable to a 70-300 i’d say.

  • Have you ever used a 70-200 F/4L IS?? really?? Mine is sharper than my 85mm 1.8 PRIME even at F/4. It’s sharper than anything I’ve seen really even the 70-200 F/2.8L IS @ F/4… claiming it’s sub-par means you either had a bad copy which is not possible since this particular lens dont have a history of bad copies, or you really really need your eye sight checked…

  • You wouldn’t know a sharp copy if it spiked you in the arse. They are all pretty much on a par with each otehr you cretin.

  • I wish they would make a lens that is similar to the Sigma 120-300 2.8. I would gladly sell my Sigma 120-300 2.8 for a Canon 120-300 2.8

  • I have a 70-200mm f/2.8L IS USM (not me exactly but I’m the one using it most of the time).

    When I tried the f/4 version, I was surprised by it’s amazing sharpness and that’s the reason we’re going to sell the f/2.8L and buy the f/4 version.

    So I’m guessing you have a bad copy or you just complain about something you don’t use often.

    Hm, why not make a 200-500 f/2.8L IS USM? It’s gonna be heavy, big, about 40.000$. Mabye once :)

    I’ve used the 100-400 for a few days, I didn’t really like the push/pull zoom but I guess it’s something you can get used to. Let’s see if a new one really gets announced.

  • Hm… I was under the impression that this lens sold quite well. Why would Canon discontinue an elderly design that still sells? Must net them a lot of money.
    Of course, things might have changed during the last year…

  • Plastic Lenses?

    A workaround for going to f/4.5 or f/4 without the weight cumbersome could be the latest Canon patent with plastic lenses, but what could be the impact on the image quality … ?

  • I’d even settle for a 150-300 f/2.8. Better yet would be an f/2-2.8, since Canon camera bodies handle variable aperture lenses quite well. Even better would be a 200-500 or 250-500 f/2.8-4. Of course, all these lenses would have to handle 1.4x and 2x TCs extremely well.

  • haha, you’re hard core! i love it. the site just offers no new news, it’s just dpreview.com repackaged. i guess it’s a good idea to get click throughs from google ads, but otherwise it’s doing no real service.

    macrumors is legit, this site is not.

  • Hmmm I just read your post about my post Michal. No need to explode over what I wrote. I’m just very wishful about new lenses :). And yes you are right, some of that was meant as a playful joke, sorry you almost had an aneurysm reading it.

    I actually do own a few Canon lenses though. Although the 100-400L is fun, my favorite is the 70-200L f/2.8 IS and the 24-70.

    You’re very technically savvy with all this knowledge about f-stops, it’s impressive. I just know how the f-stop effects my photos :) (it can make it darker or brighter, more DOF or less).

    Could i see your online portfolio sometime Michal?

  • I have stopped buying lenses from B&H owing to them not including a warranty card with often v expensive glass. It really annoys me, ps I am in the UK so postage back is a hit.

  • I’m not a lens designer, but I don’t think it’s as simple as doubling the area of the front element in order to increase one f-stop performance (doubling the amount of light).

    The whole construction of the lens is important, otherwise the following 2.8 lenses would not have such different sized front elements:

    Canon 17-55 2.8 77mm
    Sigma 18-50 2.8 72mm
    Tamron 17-50 2.8 67mm
    Tamron 17-50 2.8VC 72mm
    Tokina 16-50 2.8 77mm

    And the following 50mm 1.4 would not be so drastically different:

    Canon 50mm 1.4 58mm
    Sigma 50mm 1.4 77mm

  • “I’m not a lens designer, but I don’t think it’s as simple as doubling the area of the front element in order to increase one f-stop performance (doubling the amount of light).”

    Well of course, the internal construction of the lens and its elements changes as well, but it starts with how much light can actually enter it.

  • Did you ever have the f/2.8 calibrated by Canon?. I would try that first. I’m very happy with mine wide open after Canon had a look at it.

  • The first amendment only applies to government actions regarding the censorship of speech, not the act of private individuals on a private forum. Neither you, nor anyone else here, has a first amendment right to post your opinions on this private forum. This is fundamentally a good thing, unless you want the government to come in and tell the owners of private forums what they can and cannot do.

    Also, he censored posts, not sensored them. Unless he took a picture of them with a digital camera or in some other way used a sensor to capture an image of the post. But if he did, then the post would still be here.

  • I think the $5900 price tag is the problem. A non-DO 400mm f/4 IS would be larger and bulkier, but it would likely be priced in the $1800-$2800 range, which mere mortals could more reasonably afford.

  • Like many other posters before me I am wondering about your comment regarding the 70-200 f4 IS. It is renowned for being among the best zoom lenses currently on the market. Never have seen so little complaints about a lens.

    Mine is plenty sharp at short to medium range, but unfortunately has a slight front focus at greater distances. Since this effect shows on both my bodies (different models), I assume its a lens calibration issue, though. I will send it to Canon to have it calibrated.

  • Without checking, I guess those sizes listed are the filter threads. That doesn’t directly indicate the size of the front element, and some lenses may be more generous on space than others. Bigger filters can help on wider angle lenses as the filter frame is less likely to obstruct the image.

    In general, for normal and longer focal length lenses, the clear front element size is the entrance pupil size used to calculate the f number.

  • it’s not just filter threads.

    For example, the front element of the Sigma 50mm 1.4 is almost twice the area of the Canon 50mm 1.4

    There are likely design reasons for making the front element larger than necessary. The area of the front element may just dictate the maximum possible aperture at a given focal length.

    Zooms seem to be more complicated. The 70-200 2.8 has a larger front element than the 200mm 2.8 prime (filter sizes 77mm and 67mm respectively). Michal’s calculation above would yield an aperture of 71.4 mm for both of these lenses. Clearly the 200mm 2.8 cannot have a 67 mm filter thread and a front element of 71.4mm.

  • “sorry you almost had an aneurysm reading it.”

    Didn’t even come close to having one, I have seen much worse online but thanks for your concern, if I had not have my nasolacrimal ducts surgically removed some time ago I’m sure there would be a tear rolling down my cheek right now.

    “Could i see your online portfolio sometime Michal?”

    Feel free, other than being obnoxious and pretentious (and strangely not mentioned “anal”) in situations when people voice loudly their ignorance I’m actually a nice person (as my 10 ex-wives can attest) – http://www.flickr.com/photos/michalrosa/

  • Were those lenses advertised as “USA” or “Imported” lenses on the B&H site? I bought a few lenses from B&H a couple of years ago and I got USA warranty cards with all of the “USA” ones. I went for the cheaper “Imported” option for the nifty-fifty, but I can’t remember if I got a warranty card with it or not (it might have been a “Japan” card). Canon (Ireland) honoured the USA warranties when I had to send lenses in to resolve AF problems.

    When I bought a 40D body from the UK in 2008, there was no warranty card in the box, but Canon didn’t complain when I sent it in with the lenses for the AF problems–three times. In the end, they sent me a 50D as a replacement (and repaired two of the lenses). The AF is much better, now.

  • Who cares about this. I’m still waiting for the 17-500mm f/2.0 IS L. I heard it’s not going to be white.

  • Hey,

    Thanks for the link, I saw Juza with 200-500 a few months ago. I also knew that Sigma had one, that’s why I said Canon should make one too.

    Thanks anyways ;).

  • Good gallery of images, I like the photo journalism stuff you’ve got going on.

    Its not so much ignorance, as much as I like to mess with people :), my intentions are to make people laugh, not get angry though. You should have seen the post I put on Fred Miranda. Lets just say that one made this lens at f/3.5 much more probable.

  • Ohhhhh now that’s a post I like to hear. I posted something similar to that on FM.com but they didn’t like the idea of a 14-800mm f/1.2 IS L with a total weight of 14oz and the size of my 17-40mm.

    Wouldn’t that make an awesome lens?

    14-800mm f/1.2 IS L at 14oz that takes 77mm filters and is sharper than Canon’s sharpest prime lens at the moment.

    I’d price this guy at $1400 to make it affordable too.

    (I know, its not even the first of April)

  • On the 200 f/2.8, I’ve looked it up and it is 72mm filter which is just enough.

    I haven’t managed to find good scale pictures of the Canon and Sigma 50mm f/1.4 lenses yet but I really can’t imagine the latter being double the front glass area. Remember only the visible glass area counts. It doesn’t matter how much plastic there is or where the filter threads are.

  • I remember reading the press release when that Sigma was released. IIRC, they made a point about using oversized optics to reduce vignetting and increase the “center sweet spot” size.

  • 1st amendment doesn’t apply to privately owned message boards, never mind the fact that this is a Canadian site and therefore isn’t subject to US law.

  • If it would be only 1400$, I’d sell everything right now in order to get it. If it could only be possible..Maybe in 100 years.

  • True. Given the 30-40% price increases over the last two years, let’s adjust that to $2500-3600. There is however too big a gap between the $1100-1300 300mm f/4-400mm f/5.6 class of tele primes and the “cheap” end of the super teles with the $4300 300mm f/2.8. They ought to offer something in between.

  • That’s would be the 14-800mm f/1.2 DO IS L lens I’d say.

    But why wouldn’t it be f/1.0 or f/0.8 ?

    It would need a new rock-solid tripod and a very advanced and accurate AF.

  • Neh in make believe land this lens is only 14oz no need for a crazy tripod. DO is light but I’ve never been super happy with the IQ.

    Yes lets revise the lens:

    14-1200mm f/0.8 IS L (white lens) 14 oz. and 5 inches in length.

    lets be realistic and raise the price to $2800.

    Ok I promise last time I revise the stats on the lens.

  • ||“Sometimes when getting a new twist lens
    ||I twist it the opposite way of what I want.”
    |You are not buying Canon lenses.

    Canon lenses zoom counter-intuitively for me too – that’s one thing that Nikon got right. By convention most things that turn in our culture do so clockwise from lower to higher.

  • This has turned into speculation about a replacement. How about a 100-350 f4 IS? With a 1.4 teleconverter that would be 140-(almost)500 f5.6 — nearly 800 efl on a crop body.

    That could be a rather handy configuration.

  • “Canon lenses zoom counter-intuitively for me too – that’s one thing that Nikon got right. By convention most things that turn in our culture do so clockwise from lower to higher.”

    Hogwash. Such “convention” applies to clocks and clock-like indicators but not to other apparatuses. When a screw is turned clockwise it actually gets smaller…

    In case of zoom lens it’s an arbitrary decision which way it should work and there is no right or wrong way about it.

  • I don’t think it would be a practical focal length, it mixes shortish telephoto with long telephoto and obviously sacrifices quality of the lens. I’d rather have two lenses such as 70-200 and say 200-400/500 or so.

  • I can’t imagine that Canon would reduce max tele on an update to the 100-400. They could however make an 70 or 80 to 400 like Sony do without increasing cost, size or weight. What I’d like to see is a 100-500 F4-F5.6, combined with improved IS.

    Going for F4.0 at full tele would make it much bigger and heavier, and not a replacement for the curren 100-400. Just look at Nikon’s 200-400 F4.0 which cost around US$ 6000 and weigh 7.2 lb

  • “4 stops are 4 stops, independent of focal length, at least in terms of displacement”.

    Not sure if you are correct, if a physically longer lens needs to be corrected for vibration the correcting optical elements (depending on their placement in the lens) have to shift more to correct for the vibration. I’m sure there is some latitude built into the system but it does not extend into infinity.

    “Or just think of the 70-200/4IS, in conjunction with a TC2 you’ll get a 400mm with 4stop-IS! :)”

    I only have 1.4x extender that I rarely use with my 70-200 2.8 but I really doubt you would get four stop-IS with your set up. Such system would be physically longer with the additional length of the TC and that surely would have to be taken into account when correcting for IS. As I said I have no personal experiences with such set up but I don’t think it would work as well as you think so.

  • “have to shift more to correct for the vibration”
    Only if you want to archive the same time for different focal lengths. But thats already factored in via the “focallength=1/shutterspeed”- rule of thumb.

    Things only get different at very long shutter speeds because other types of shake take their toll, and you’d need hybrid IS and a rotatable sensor to compensate.

    “As I said I have no personal experiences with such set up”
    I have. :)
    I’m quite comfortable with using a stop shorter exposure with the TC2 added, getting the same benefit from IS, regardless of using the lens as a 300/2,8 or 600/5,6, or the Nikkor 70-200/2,8 either native or as a 100-400IS-substitute.

  • That focal range is/was available for quite some time, but it only got more or less popular with cropped sensors where it works like a tele to supertele.
    If it takes the TCs without quality loss it would be a sensible choice, but I’m afraid they learned from the past.

  • 500/5.6 L IS…. don’t care if its a zoom or a prime as long as its razor sharp at 500…. 600/5.6 would be even better but that would be getting to expensive… I think they can do a top notch 500/5.6 L IS for around 2k

  • My popcorn’s almost all gone; looks like I’ll have to get some more.

    The thing I find somewhat amusing about this is that rumors about a replacement for this lens have been flying around for years. What reason does Canon have now that they didn’t earlier to replace it? Maybe Canon’s just not replaced it yet so that they can get all the speculating and ridiculous(ly amusing) commentary they can out of it.

    On a different note though, that same sort of behavior on Canon’s part also sort of bothers me. Admittedly, I’ve found some of Nikon’s recent products to be quite tempting. The only reason I haven’t migrated over to the dark side though (all their lenses are black) is because I have been threatened with death from several befriended photographers who also use Canon gear.

    …and to think that I’ve been dreaming of one day owning a Canon EF 70-300mm lens for three years now. Oh what fun it is to be an amateur railway photographer of fairly meager means in a cave (no, Osama bin Ladin isn’t my neighbor).

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