Why I’m Buying The R5C Instead Of The C50 (Or R6 Mark III)
I don't think Canon has made any claims about this being a BSI sensor...? It seems to be a resolution-bumped version of the R6 II's 24mp FSI sensor.
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Yet, I prefer getting a certification by an official organism over relying on vague marketing promises...We don't know that those other camera do not meet the required norms, we just know that they haven't been submitted for the rather expensive certification process.
Was in Kenya last month shooting in hides in the night as well as early morning and late afternoon and had my R5MII overheat on multiple occasions. I've actually had more problems with it overheating than my R5. Was shooting stills, no video. Was using mechanical shutter and not doing prolonged high speed shooting.I'm happy you mentioned the R5M2 overheating because at my job last weekend it overheated and needed a complete shut down TWICE! I'm very tired of the basic missing the marks by Canon. I was SO happy with Canon until the mirorless. My R5 completely and utterly fell apart. I wrote about it here: https://fstoppers.com/reviews/hey-canon-why-are-your-cameras-falling-apart-636447 . YEars later I get emails and DMs of people contacting me that they also have this issue. I was so put off that it took me quite awhile to jump back on and get the next camera. I got the R5M2 and now it's overheating. I think these are such BASIC functions. Why are we missing the mark. Every reveal is some dramatic YouTube 'end of the world earth shattering' announcement but I find myself with my LCDs being held together with rubber bands and my cameras overheating in 65-degree weather. I'm so disapointed in Canon honestly.
The Nikon 50 1.8 is more than just acceptable quality. It's a top quality prime lens.Huh? That was exactly my point. Canon don't make RF primes I want to buy. And the new 45 is yet another hard pass with it's crazy CAs.
Nikon 50mm 1.8S is the reference here. At least they can make acceptable quality for $500, instead of entry level garbage.
Huh? That was exactly my point. Canon don't make RF primes I want to buy. And the new 45 is yet another hard pass with it's crazy CAs.And When you think it‘s overpriced, just don’t buy it.
Nikon 50mm 1.8S is the reference here. At least they can make acceptable quality for $500, instead of entry level garbage.But to think, Canon will offer you an L prime below $1k MRSP is as far from reality as it was the last few years or even decades.
Is it a suprise the R5 is good in the cold? Just joshing you!There seems to be a lot of different experiences with the R52 in challenging environments. I've heard a lot of overheating stories for just photos, as well as the camera being inoperable in the cold, and not even extreme cold.
Josh had it in Mongolia and it was "useless". The R5 had no issues outside of batteries in the cold.
No idea.
Not releasing any new lenses (or camera bodies) for a system while continuing to manufacture and sell some of the lenses (and bodies) in that system is not the same thing as discontinuing those existing products and no longer making or selling them. Many, though apparently not you, were crying that their system had already been "abandoned" when Canon was still manufacturing and selling existing lenses (and bodies) in that system. Even now, many EF-M lenses (and bodies) are still being serviced when needed by Canon.
About your other message: you did reply to 5 of my messages, which were all on the same topic... but they were in different threads."Entry point for FF" at $2K+ does not equal "budget entry point for FF" and barely $1K.
When the 6D debuted at $2K+, there were plenty of $1K and under budget DSLRs.
When the RP debuted at $1.2K, there were fewer sub $1K and under budget DSLRs, and the floor was higher due to inflation in the intervening 8+ years.
Well, I don't think anybody expects a full line of RF-s lines that exactly duplicate their full frame counterparts.
It sucks. Life passes far too quickly.
But they did eventually abandon M and then EF(-S). In the same fashion there were a lot of people in denial about that fact even after Canon stopped releasing anything for those systems. Same with Sony users when Sony stopped making A cameras or 4/3 users when Olympus moved to micro4/3
And yet, there are cameras and lenses which are, for instance IP 53 certified, like OMs or Leica's IP 54.
Still better than relying on hollow "weather resistant" promises.
No, not even they should be submerged, but, at least, they meet an official norm unlike all Canons, Sonies, Fujis etc...
And as I have written elsewhere, I do not use the sensor's model to classify cameras, but I look at sensor size and at camera's relative position in Canon lineup at the time the camera is current. So to reiterate, for me the 6D (e.g.) was the entry point for FF at the time of its introduction
I feel like I have a stalker now
You could have replied to me once, it would have been enough. And I know I know I am guilty of the same now![]()
I don't understand why Canon made the ring different on every lens. My 28mm 2.8 is super smooth with nice resistance and same for the 24-50. But the 24-105 is easier to turn, feels not so nice.The one I like the most is that of the 28, because it's the hardest to turn, but I use them mostly on the 16mm f/2.8 and the 28-70mm f/2 L, because I use those two lenses for work.
Yes, it's smooth, with low dampening, it runs easier than Canon's smooth control rings.I was sure (never getting involved in them, as I said) that the VCM's aperture ring was with hard clicks, but thinking abut it it makes sense it's fluid, as is aimed to video; but then it gets pretty useless for photography, where hard clicks are better.
Most manufacturers are implementing very gentle clicks, unfortunately, that do not prevent accidental changes so, there's no real need to be envious, in my opinion.Premium lens manufacturers have switches for turning aperture rings between clicked and de-clicked, that's unfortunate Canon is not one of those premiums. And pretty sure also Chinese manufacturers have lenses with such system.
You know what, It's been years and I still don't have a clear preference because, while I'm not very enthusiastic about the smooth ring, I don't like the way the others click either. I often find myself "between clicks" and it's weird. As it is, the smooth ring gives me more confidence to use, because it's consistent.In fact I'm pretty pissed off that the control rings on ALL the RF lenses I have (16 STM, 28 STM, 50 STM and 28-70 STM) are de-clicked as they doubles-up as manual focus rings; they should have been all clicked
That doesn't mean they would be bigger if they were made exclusively with photography in mind, perhaps it would be the opposite. If you look at Sony's equivalent options (they just don't have a 20mm f/1.4), only the 85 is slightly bigger. The 24, 35 and 50 1.4 G-Masters are smaller than VCM lenses and use the same filter size.The VCM lenses have all been forced into the same form factor for gimbals & video. I cant imagine that comes without any compromise in their design
While it may be useless to you, it doesn't mean it's not useful for photography.Or prioritizing features like focus breathing correction which is useless for me.
Just imagine if a lens had loose elements while it's powered off, oh the drama...Wait a minute, we've been like that for decades with IS lenses.And dont get me started on the rattling focus motors
It shouldn't exist at all IMO, but I'll let you have that one.the aperture ring that doesnt work on an R5
I've used my 2 R5 II for long hours at temperatures of 35° celsius without any single overheating warning. Cameras exposed to full sun hanging from backpack straps on capture peak clips...Oh, they also were exposed to some heavy rain showers.My R5mkII has never overheated. And I've shot in over 100 degrees for hours. Rather than simply saying "It over heated", give us a little more context, such as what settings, mode, etc. Mine is in good shape and I could resell it as "like new" body condition. That's how well I take care of all my electronic devices. And they have been through the Amazon basin. Many other owners have been on safari and wild life expeditions, and theirs have no such "falling apart". I take what I often read on "fstoppers with a grain of salt. They have been historically "Canon bashers".
My R5mkII has never overheated. And I've shot in over 100 degrees for hours. Rather than simply saying "It over heated", give us a little more context, such as what settings, mode, etc. Mine is in good shape and I could resell it as "like new" body condition. That's how well I take care of all my electronic devices. And they have been through the Amazon basin. Many other owners have been on safari and wild life expeditions, and theirs have no such "falling apart". I take what I often read on "fstoppers with a grain of salt. They have been historically "Canon bashers".I'm happy you mentioned the R5M2 overheating because at my job last weekend it overheated and needed a complete shut down TWICE! I'm very tired of the basic missing the marks by Canon. I was SO happy with Canon until the mirorless. My R5 completely and utterly fell apart. I wrote about it here: https://fstoppers.com/reviews/hey-canon-why-are-your-cameras-falling-apart-636447 . YEars later I get emails and DMs of people contacting me that they also have this issue. I was so put off that it took me quite awhile to jump back on and get the next camera. I got the R5M2 and now it's overheating. I think these are such BASIC functions. Why are we missing the mark. Every reveal is some dramatic YouTube 'end of the world earth shattering' announcement but I find myself with my LCDs being held together with rubber bands and my cameras overheating in 65-degree weather. I'm so disapointed in Canon honestly.