Opinion: Love it or Hate it, Digital Correction is here to Stay
- By Klendothir
- Canon Lenses
- 213 Replies
As I mentioned, Canon's NnIP produces .CR3 files for further edit, that allows to avoid the TIFF "detour"DLO applies corrections that go beyond stretching and vignetting. The lens’ field curvature can be corrected; astigmatism and coma can be addressed; and both axial and spherical chromatic aberrations can be reduced. Various other lens imperfections due to material, light bending, diffusion in air gaps, etc. can be adjusted as Canon enables. The exact corrections depend on what Canon provides in the data and the age of the DLO interpreter (in-camera vs Mac/PC hosted software, camera model, etc.) so the effect varies between contexts, but essentially Canon engineers provide data about the lens’s design and DLO calculates how the image should be adjusted based on how the light does travel through the lens and therefore what should be presented in a more ideal situation. The raw file itself isn’t modified, insomuch as I am aware, but metadata is added to the raw file for DLO software to use, so while camera bodies are limited to JPEGs and (since models like the R5 and R6) HEICs, desktop systems can also produce TIFFs.
One downside for in-camera corrections is that it takes CPU power and time to do the work, which slows down how fast the HEIC or JPEG files can be produced. I use max DLO in my R6 and have never noticed an issue with animals running about and EF lenses with their limited AF drive in play, but I read that some people do notice this difference and don’t like it — but even then those people could just process the raws on a computer as part of a more advanced image processing workflow.
And yeah, as people mention Canon’s desktop DPP software is showing its age so there’s a bunch of grumbling about at least modernizing the software or passing the capability on to third parties. I just use it to get a DLO refined TIFF that I then edit somewhere else.
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