Mushrooms And Fungi Of Any Kind

"A small number of mushrooms are in the ‘edible and tasty’ category, and an even smaller number are in the ‘deadly if ingested’ category."
I agree with that but what is "tasty" for some is kind of "mediocre" or "not tasty" for others!
In most cases it actually deepens on how you prepare it: you don't make chicken, pork, beef e.t.c the same way, no?
Grifola frondosa (aka "hen-of-the-woods") has a flavor similar of some Amanitas (yes! there are edible Amanitas like the most known A. rubescens and even the highly prized A. cesarea) and some other mushrooms (like Leucopaxillus giganteus that is by far more meaty!) with the similar flavor. You may like or dislike it but it's just a different flavor!
I could be an exception but for example I don't like the flavor of any Truffles! Or may be I just haven't tried some prepared by a good chef?!
And a case from Sweden: I went out to look for Boletus edulis but instead found +/- 2 pounds of Cantharellis cibarius. Met a family with two small children and when they saw my basked they were like "where did you find these? We are looking for these!!!"
I gave them my C. cibarius because I'm not realy fan of it.
For my big surprize they gave me their collection of B. edulis!!! I asked few times "are you sure?!!!" but they were so happy with the Cantharelle!
It was more Boletus than I was expecting to find and lately gave half to a friend!
Because I can't resist going off topic, does anyone know the evolutionary advantages of various properties of mushrooms?
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The Best and Worst of 2025

Wait, are you saying that Canon’s digitally corrected lenses are already corrected in the raw file itself and digital optimizer isn’t needed? And therefore any third party editor gets the same benefit of Canon’s software corrections before their own third party corrections are applied? i.e., I could theoretically put the RF lens on a Nikon or Sony body with an adapter and get the same image for the same shooting situation like I could with an EF lens?
Answered by others already, I think. But I did enjoy watching The Nutcracker performed by the Boston Ballet while those answers were provided.

Is the RF performance equal or better without correction? Or did Canon just try harder with the software? Not being facetious, I don’t know the answer and you might.
It’s the lens optics. The EF 50/1.2 is the standard double Gauss design that’s been around almost as long as lenses, the RF 50/1.2 is a modern design that delivers much better performance.

The RF version has 15 elements (including 3 aspherical lenses and a UD lens) vs. 8 in the EF (with just one aspherical lens), and as a result the former is 400 g heavier and 40 mm longer…but optically far superior before the (almost unnecessary) digital corrections.

Screenshot 2025-12-23 at 11.45.47 PM.png

Uh, huh — I didn’t say that I don’t use corrective software, the opposite. I just prefer to start with better source material and apply software as an option and not a necessity for missing corner data, etc.
I get the preference. But ‘better source material’ isn’t free, the cost is usually size, weight, and actual cost (for example, the RF 50/1.2 lists for over $1000 more than the EF).

OTOH, the 10-20/4 is optically as good (after correction) as the EF 11-24/4, and the former is smaller, lighter and much cheaper…and it goes past 11 (RIP, Rob :cry:).

For personal work I’m OK with optional correction that I tend to do all the time anyhow. For lab image capture and processing by AI pipelines I’ll hope the labs stick with EF or third party for now.
We don’t capture images in the lab with MILC lenses, we use microscope objectives. Our automated cell-based high-throughout screening system for small molecule libraries captures ~64,500 images per day. Each of those images has digital corrections applied before being processed by ML-driven algorithms to quantify the effects of the compounds on the cells.
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Show your Bird Portraits

Only this from today! And for this one I was scolded: "you got so close to the bird!" - you scared it!!! Well, I was actually "zooming" back because the bird was coming closer and closer to me! That women passed in front of my lens and the bird was still there!!!
Some people are ignorant or just a morons?! Any way, only the bird from today...

I think it's hard to scare a bird that looks like it's covered with blood! I wouldn't want it coming closer to me! Nightmare before Christmas?
I hope there was a monkey nearby to give her some poop for Christmas, but nobody is this lucky. Maybe, she'll get drunk at a holiday party, fall down and knock some sense into her head.
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Show your Bird Portraits

Only this from today! And for this one I was scolded: "you got so close to the bird!" - you scared it!!! Well, I was actually "zooming" back because the bird was coming closer and closer to me! That women passed in front of my lens and the bird was still there!!!
Some people are ignorant or just a morons?! Any way, only the bird from today...DSC_6910.jpg
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Mushrooms And Fungi Of Any Kind

No idea about the specific mushroom, but the overwhelming majority of mushrooms fall into the category of ‘edible but not tasty and will probably cause some GI discomfort’. A small number of mushrooms are in the ‘edible and tasty’ category, and an even smaller number are in the ‘deadly if ingested’ category.

The hen-of-the-woods falls into the large edible but not tasty group.

View attachment 227204
"A small number of mushrooms are in the ‘edible and tasty’ category, and an even smaller number are in the ‘deadly if ingested’ category."
I agree with that but what is "tasty" for some is kind of "mediocre" or "not tasty" for others!
In most cases it actually deepens on how you prepare it: you don't make chicken, pork, beef e.t.c the same way, no?
Grifola frondosa (aka "hen-of-the-woods") has a flavor similar of some Amanitas (yes! there are edible Amanitas like the most known A. rubescens and even the highly prized A. cesarea) and some other mushrooms (like Leucopaxillus giganteus that is by far more meaty!) with the similar flavor. You may like or dislike it but it's just a different flavor!
I could be an exception but for example I don't like the flavor of any Truffles! Or may be I just haven't tried some prepared by a good chef?!
And a case from Sweden: I went out to look for Boletus edulis but instead found +/- 2 pounds of Cantharellis cibarius. Met a family with two small children and when they saw my basked they were like "where did you find these? We are looking for these!!!"
I gave them my C. cibarius because I'm not realy fan of it.
For my big surprize they gave me their collection of B. edulis!!! I asked few times "are you sure?!!!" but they were so happy with the Cantharelle!
It was more Boletus than I was expecting to find and lately gave half to a friend!
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Mushrooms And Fungi Of Any Kind

This is the first time I've seen this mushroom. They're very pretty with their white stripes. Are they edible?
I don't think the edibility is known but judging by some other features they should be in section Xanthodermatei. It means they should be +/- mildly to moderate toxic (as all others from that section of the genus). In the literature you may find that "some people can eat" specifically A. xanthodermus. I don't think it's about the person who eats it. I had an experience in Bulgaria when one of my colleagues came with a jar of marinated A. xanthodermus. She was insisting that "many people" of that place are collecting the mushrooms without ill effects. We (5-6 people) tried it and nothing happen (symptoms are coming rather fast with that kind of toxins). I think it's a case of where you are collecting such a mushrooms!
The bottom line: I wouldn't eat Agaricus of that section even in survival mode (huh - especially in that mode!)!!!!
And BTW that mushrooms were with metallic taste. No reason to collect them even if you know they are not toxic!
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EOS-M is Dead. So where’s my RF Equivalents?

Canons lazy, 'were not trying' direction with RFS is super unfortunate. My m5/m62 + 22f2 and 11-20 is still in service, and was hoping to replace them. both lenses simply DELIVER. So I agree with everything in this writeup. Somebody high up at canon really came to hate the M series, IMHO.

To this day I'm still amazed at the output from the 22f2 especially. The 22 is not super wide, but f2 flexibility, great build, and no hood needed. Superb iq. The 11-22 was used for my widescapes any chance i got. Too convinent, and 32p, sharp corners on the m62. Pure win.

The m1 served me well for years -I bought the m50 in 2019 and didn't like it much. But the build is phenomenal..compact, angular, solid. It went back in the box for 2 years. I bought the m62 to replace that (FOUR versions from canon refurb, 2 was DOA) , and learned about the shutter shock phenomenon that pretty much all reviewers skipped over. Totally random AF misses. And the bad internal battery issue, that the con tech told me they dont fix. The m50 came back otu of the box, and history was made :P .

That said, the s9 has otherwise ended my crop camera career. Don't need an evf, Im well trained on the original m1 bac screen only use case. It's small compared to the r5. It's fantastic.

I waiting for canon...and I'm glad thats over. Cheers to the EFM - good stuff.
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EOS-M is Dead. So where’s my RF Equivalents?

Meanwhile, Fujy sells a lot of compatcs with buttons and dials. And probably those looking again for compact cameras and using old models are not exactly looing for touch screens, Since a camera unlike a smartphone is designed for a single task, it's bette driven by a specific interface. Sure, the smartphone crowd has to learn something new - if this is a real barrier... mankind is doomed.
I just returned to Canon after 25+ years with EOS and a switch to Fuji for the past 4. I thought the switchback through carefully and slept on it for the past year.
Since I liked the Fuji color science, 40MP crop friendly + IBIS it really came down to ergonomics and my constant fight with the unintuitive menu system (BSNYC would kill me for that term). I was bumping dials and buttons left and right...it's a pretty crowded machine.
My macro suffered, there was too much to toy with and the subpar AF after being spoiled by Canon 3, 5 & 6 series bodies from the EOS 3 to the R6 was really the final straw.
I had no flow.

Canon in hand, flow returned :)
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The Best and Worst of 2025

Please explain the 2nd sentence. I do have a little background in molecular biology but the meaning escapes me.
Sure - it’s when missing data is guessed.

When reading in chemistry data like which genes were active in a cell in a tissue slice it’s common to have no value read. Could be for all sorts of reasons.

To get around that some people will fill in the blanks with (educated) guesses. It could be that many similar tissue slices are scanned and averages are made for each approximate cell location, or perhaps neighboring cells with values are used to determine what likely was going on.

But a guess is a guess, no matter how good. It’s still invented.

If everyone knows that and is appropriately cautious then all is well. If not, or the software using the data is unaware, then overall errors can be made. Not unlike the use or abuse of rounding, which is handy but can compound into an error.
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The Best and Worst of 2025

OMG. 🤦‍♂️ Uh, yeah… DPP or the camera applies the DLO data. Let me extract the rake from my face. And then get more coffee…
:LOL:

Yeah, it's probably just one line in Exif data, that DPP reads and applies accordingly, but the RAW image data is not really modified.


Interesting! Maybe they’re sharing now, at least partially!
Actually, I have to correct myself: the files from the R5 II do the same, but those from my original R6 do not.
Also, I updated Adobe Camera RAW today, and now it has profile for the 45mm, but I can still show the difference:

R6 III left vs R6 I right.jpg
R5 II on the left, my original R6 on the right. Both photographs are corrected for vignetting and distortion.
Canon is including lens profiles in the RAW file now or, at least, Adobe is able to read that information for newer cameras.

Prior to this update, the photographs from my R6 with the 45mm had no correction at all on ACR, while with the other cameras they had since day one.

I much prefer this approach, since Adobe profiles tend to overcorrect.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

I am looking forward to this rumoured sensor (if it turns out to be real). I have an R5 that’s kept up with all my demands. I earn a living shooting portraits, headshots, product, and interiors/boats. I have have a wildlife photography hobby.

For a secondary/backup body, the R7ii, with a prosumer (5/6 series) design would tick most of my boxes. For wildlife I’d have more pixels on subject. And, for everything else I control the light, so there’s no diminished signal in the S/N ratio. (I don’t often deliver files that need more than 20-24mp - it’s only a couple times a year a client actually needs high resolution).

I think I’d also like to see what I do with the alternative FOV provided by a crop body mounted to my FF lenses. For example, I have a big’ol Sigma art 85/1.4 that I use for headshots and portraits. I could see selling it and using my RF 50/1.2 on the rumoured R7ii, for something nearly the same. I don’t shoot the Sigma wide open - headshot need more DOF and I prefer a sharper portrait (most of the time).

This might also encourage me to upgrade my EF 16-35/4 to the RF 14-35/4, which I think would make a nice little, relatively light, and flexible walk around lens for an R7ii with a 5/6 series style body.

I just hope it has a very substantial buffer. My wildlife skills are not up to par and I lean heavily on a deep buffer to make up for my lack of timing…
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The Best and Worst of 2025

I’ll say again, DLO does nothing to RAW files :P
(in-camera, that is, of course)

(1) Effects are only applied to the JPEG file

The in-camera DLO function makes corrections in real time, but its effects are applied only onto JPEG files at the time of recording. To apply DLO to RAW files, you can either;

- Post-process your RAW files in-camera. You can apply DLO (if it wasn’t already enabled) or change the effect level, and the effects will be visible in the exported JPEG image.

- Use Canon’s free Digital Photo Professional (DPP) software to post-process your RAW files on the computer.
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The Best and Worst of 2025

the way, recently I’ve seen a difference. RAW files from the R6 Mark III have the lens profile built-in, as noted by Adobe Camera RAW (which does not have a profile for the RF 45mm yet), where the files appear with a profile loaded by default and it’s not an Adobe one. And it’s the camera, not the lens, as RAW files from the R5 II do not exhibit the same behaviour.
Interesting! Maybe they’re sharing now, at least partially!

And people really ignore how much profile corrections EF lenses had. I’ve shared examples in this forum a few weeks ago. While distortions were usually more corrected optically, vignetting levels were very similar to those of RF lenses.
Oh, totally. It’s why I do use them.

Taking this back to my original comments:
- yes I use the corrections
- I also prefer higher standards / effort for the physical side
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The Best and Worst of 2025

DLO does nothing to RAW files.
It does read the optimizer data and performs the adjustments. Third parties aren’t provided with instructions on how to parse the optimizer data and need to do their own math, which is often limited to apparent distortion, shading, etc. and less so the physics of the lens that Canon’s engineers have bothered to calculate.
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The Best and Worst of 2025

Wait, are you saying that Canon’s digitally corrected lenses are already corrected in the raw file itself and digital optimizer isn’t needed?
DLO does nothing to RAW files.

By the way, recently I’ve seen a difference. RAW files from the R6 Mark III have the lens profile built-in, as noted by Adobe Camera RAW (which does not have a profile for the RF 45mm yet), where the files appear with a profile loaded by default and it’s not an Adobe one. And it’s the camera, not the lens, as RAW files from the R5 II do not exhibit the same behaviour.
(EDIT: no, the R5 II reads the same way, it's my original R6 that does not)

Anyway, it has been stated by Canon that optical corrections imply sacrifices as well. If I’m not mistaken, they have clearly mentioned that this approach allows them to create sharper lenses.

And people really ignore how much profile corrections EF lenses had. I’ve shared examples in this forum a few weeks ago. While distortions were usually more corrected optically, vignetting levels were very similar to those of RF lenses.
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The Best and Worst of 2025

If you want to use Canon's Digital Lens Optimizer, then yes you need to take JPGs from the camera or use Canon's DPP for RAW conversions. But 3rd party RAW converters have profiles for RF lenses that require digital correction, and they work just fine. Personally, I view using Canon's DPP with the same affection that I view getting a Norovirus infection. I use DxO PhotoLab for RAW conversions, which is what I did for the aforementioned RF 14-35/4 vs. EF 11-24/4 comparison, though I also included camera JPGs along with DPP and Adobe RAW conversions for completeness.

It's not. I see no reason to use Canon's software to process Canon RAWs. DxO, Adobe, Affinity, CaptureOne, and a bunch of others seem to manage just fine (as they do with RAW files from Nikon, Sony, Fuji, etc.). IMO, DxO handles noise reduction much better than Canon's DPP, for example. No reason a software pipeline couldn't run demosaicing and image corrections if properly coded, just as 3rd party RAW converters do.
Wait, are you saying that Canon’s digitally corrected lenses are already corrected in the raw file itself and digital optimizer isn’t needed? And therefore any third party editor gets the same benefit of Canon’s software corrections before their own third party corrections are applied? i.e., I could theoretically put the RF lens on a Nikon or Sony body with an adapter and get the same image for the same shooting situation like I could with an EF lens?

If so, then I guess the lens really is hardware plus soft box in a self-contained box.

But my impression is Canon’s magic is more like digital lens optimizer in reality.

I have yet to use DxO or Capture One.

The film analogy was broader – it's about resistance to change. People (at the time, not now) argued that film was analog and pure while digital was 'fake' and 'computer trickery'. The only 'true' workflow was negative to print or slide film to projection. Your suggestion of scanning the developed film would not satisfy those folks, that's just more digital trickery. Interesting that you used that same word about digital
Ah. OK.

Also worth noting that RAW images from the camera are never 'good to go'. At a minimum, they require demosaicing / color interpolation.
Agreed.

The EF 50/1.2L has 1.5% barrel distortion (enough to be noticeable, almost as much as the 1.7% of the EF 14/2.8L II), strong axial CA and significant focus shift...it can produce lovely, dreamy images but as example of what can be achieved with pure performance based on physics it leaves much to be desired. OTOH, the RF 50/1.2L has a native 0.2% barrel distortion and requires no digital correction, it has very little axial CA (especially for an f/1.2 lens), no focus shift and is very sharp.
Is the RF performance equal or better without correction? Or did Canon just try harder with the software? Not being facetious, I don’t know the answer and you might.

Leaving that aside, for your 'pick any other L EF lens challenge, I pick the EF 17-40mm f/4L. Convince me that the physics-based optical corrections are doing the job there. Unless you like the fisheye-esque look, that lens desperately needs 'a little push' to correct the ~4% barrel distortion, as does the EF 11-24/4L.
Did I miss a new Canon RF 17-40 that avoids those issues without correction?

But in fairness the 16-35 f4 replaced it.

And in any event since I’m bringing up the 16-35 and I did say “any”… touché.

Sorry, I disagree with your conclusion that 'any other' L EF lenses is 'good to go' without some digital correction applied. Unless you're shooting in-camera JPGs or are happy with distorted images with visible chromatic aberration, most images benefit from digital correction even if they don't strictly require it.
Uh, huh — I didn’t say that I don’t use corrective software, the opposite. I just prefer to start with better source material and apply software as an option and not a necessity for missing corner data, etc.

I'm definitely results oriented. I can promise you that the 0.6 kg RF 10-20/4L that I pack for a trip will deliver significantly better flexibility and outcomes than the 1.2 kg EF 11-24/4L that I would often leave at home.
Haha! I’m certainly not going to argue against you being results oriented!

For personal work I’m OK with optional correction that I tend to do all the time anyhow. For lab image capture and processing by AI pipelines I’ll hope the labs stick with EF or third party for now.

So I’ll keep hitting the gym and lug around my EF beasts. 🐄🔭😜
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