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Canon RF 35mm f/1.8 Macro IS STM Version 2 Coming?

"All the designs have a 40mm image circle, which means there would be about 3.3mm of “stretching” to cover a full-frame image sensor. This is becoming the new normal for a lot of lens designs."

Just awful, imho.

Thankfully I have a great copy of the EF IS. Canon sent it to me busted AF..then they fixed it up NICELY. Its been fantastic ever since.

Hopefully there's some new L mount announcements coming up soon. Sigh.
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The Next Canon PowerShot is Coming This Year

It's as ugly as a stump fence.
Looks like an inmate carved it out of soap.
Oh, I didn't think it was that bad...
Screenshot 2026-06-02 at 9.21.04 AM.png

Maybe I was just used to it, since before that I had an Olympus C-960Z (1.3 MP sensor, 35-105mm equivalent).
Screenshot 2026-06-02 at 9.23.03 AM.png

...and before that I had an Olympus Stylus Epic Zoom 80 (film, 35-80mm actual).
Screenshot 2026-06-02 at 9.21.17 AM.png

the pictures it took look great.
Thanks, and for me that's always been the point. I've never really understood why the appearance of a tool they're using matters so much to some people. I dunno...maybe the dude with the tool belt and the too-low jeans that show way too much is magically transformed into a ruggedly handsome guy when he's framing a wall using this instead of a regular old hammer.

Screenshot 2026-06-02 at 9.29.58 AM.png

Hey, maybe that's how Clark Gable and Harrison Ford went from construction workers to actors? Somehow, I doubt it.
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Canon RF 35mm f/1.8 Macro IS STM Version 2 Coming?

If the image circle needs stretching, the lens probably needs to be wider than marketed, so the 31.43mm version with the length of 8cm could be the new 35 :-)
Nope, that’s not how it works. The forced distortion correction is ‘stretching’ to fill the corners, not cropping from a wider FoV.

The 31.4mm f/1.85 embodiment would likely be called a 32mm f/1.8. Recall there is an EF-M 32/1.4 lens.
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What’s Coming Next from Canon?

I do wonder how diffraction in practice seems to be less of an issue for higher mp sensors than the maths would indicate.

I like f16 for having deliberate diffraction spikes for light point sources at night for instance... especially with odd numbered aperture blades.
For underwater macro work with powerful strobes, f16-f18 is common for a single shot as nailing DoF focus when moving around is really hard.
For macro on land whether on a rail or stepped in-camera then f11 seems to be a common option which should still show diffraction theoretically but in practice is more than acceptable once stacked.

It's because in real life we're not photographing test charts in controlled environments and viewing things at 200% on huge monitors. We're shooting dynamic subjects and viewing them on smaller screens where supposed IQ loss isn't noticeable, especially since such photos won't have a 1:1 we can compare f8 to f14 with.

My example would be photographing aircraft in flight, specifically prop driven aircraft. To achieve prop blur you have to use a slow shutter speed, which requires at least one of 2 things: a smaller aperture and an ND filter. I've been using Manual with Auto ISO (capped at 1600 to avoid excessive noise), shutter speed 1/250 or 1/200, aperture fixed at f6.3 to avoid diffraction (on Sony APS-C f6.3 is f9.45), and a variable ND filter to cut light. I use a variable ND because light changes as aircraft pass in front of the sun. However, this is a PITA. Because I'm over-tasking myself by concentrating on tracking the planes, maintaining focus, and rotating the ND filter, quite often I end up with images that are way too underexposed and I get images with way too much noise to be keepers, or ones that are unrecoverably overexposed.. Surely my technique needs improvement, but I don't know if I ever will. What I think will work much better would be to use Shutter Priority (that's Tv to you Canon people), a fixed ND filter (probably ND8 for 3 stops), and just let the camera decide what aperture to use. It's entirely possible, likely probable, that the aperture would drop past the point where diffraction robs sharpness. Even if/when it does I'll probably get cleaner shots because I can keep my attention on tracking and focusing on the aircraft, much more important tasks than fiddling with an ND filter. I've yet to test this, and I'm anxious to, but summer in Tucson isn't the best time to hang about outside at the airport or AFB for hours on end.

Anyway, I've seen plenty of macro shots taken at equivalent F stops way beyond the point of diffraction by OM M4/3 users, like f11 to f16 (equivalent to f22-f32) and am constantly amazed at the detail that can be achieved, and whether the photos are technically diffraction limited is completely a moot point.
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Two Never Before Seen Lenses Coming from Canon This Year

If you happen to have an EF 1.4x TC, you can mount that behind the TS-E 17mm f/4 and have a very nice TS-E 24mm f/5.6. Even if you don't have an EF 1.4x TC, buying one along with the TS-E 17 is cheaper than buying both of the TS-E lenses.

I have both the TS-E 17 and 24 II, but when I want to travel lighter I will bring the 1.4x TC instead of the TS-E 24.
Efficient and practical indeed !
Thanks for the idea
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R5II, 1.3.0 and pre-shooting?

I haven't changed my previous practice. I use back button focus with AF-ON for full screen with full tracking, and * for centre point focus, with metering. A half press of the shutter is set to pre-continuous shooting and a full press for actuation of shutter. That way, I don't need an extra button and there no shifting of my finger from one button to another to switch between pre- and normal shooting. BBF used to be "mandatory" for DSLRs but is going out of fashion with mirrorless with its AI AF. However, when there are tricky focus problems like a dragonfly in flight against a background, you have more control using two button back focusing.
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