Show your Bird Portraits

Today my goal was to figure out what the last version of the LP 9 (particularly the DeepPRIME XD3) can actually do. First two photos of the Northern cardinal are at low ISO (there was no need for anything more of that). After that I went "nuts" experimenting (best illustrated in "Reptiles!!!). Honestly I'm very impressed - see Reptiles!

DSC_3484_DxO_DxO.jpgDSC_3497_DxO.jpgDSC_3512_DxO.jpgDSC_3585_DxO.jpgDSC_3593_DxO.jpg
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Sigma 60-600 Equivalent

With Canon releasing an updated version of the Cine-Servo 50-1000 I thought I should bring this up again. I don't for the life of me understand why there would not be a market for a decent, modern, native glass lens that has something like a 50-500mm zoom range, built in Drop-in filter slot, and built in 1.4x tele-extender. It would not have to be fast, f/6.3 or so would be enough at the tele end, and not really have to be very light. It could sell for $7k or even anything up to almost $10k and people would really use it quite a bit for wildlife video. There really isn't anything that fits this niche now. Most people that don't have access to the $70k cine lenses use something like the Sigma 60-600 just because there really isn't anything in between.
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The Canon EOS R6 V and RF 20-50mm f/4L IS USM PZ are Coming May 13

In defense of rocker zoom switches, among my excess of equipment, I own a Canon Vixia HFG60 camcorder. (I think Neuro owns one also.) The zoom is controlled by an onboard rocker switch that is extremely difficult to use well. That problem disappeared when I started using a Manfrotto LANC Controller with it's own superb rocker switch. The controller also has a dial which controls the speed of the zoom throughout the rocker switch's range. With that controller it is possible to have reliably controlled zooms from glacially slow to lightning fast.
Yes, I have an HF G60. I bought it after the G70 launched, and picked the older version for the larger sensor. I suspect Canon stopped using that in the Vixia line because it was 'too close' to the XA professional cameras. To me, it seems like the G60 is most of an XA camcorder except the XLR handle. The other reason is that I was replacing a Vixia HF M41 for which I had the mini-hotshoe shotgun mic, and for some reason Canon dropped the mini-hotshoe from the G70 (even though all the G-series camcorders before had it).

The rocker on the camcorder is not ideal, I agree. I was unaware of the Manfrotto LANC controller, thanks much for the mention – I have the MVR901EPLA in my cart for my next order. I already use a Manfrotto 608 Nitrotech fluid head, so it's perfect.

This raises a few questions. Do any MILC hybrid cameras have a LANC input? Does it seem likely that any will have one? Does anybody care whether they do or not?
The C50 and C80 have a LANC input. The R50 V has a 2.5mm jack but it's for the E3 remote trigger and I doubt it would work with a LANC controller.
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The Canon EOS R6 V and RF 20-50mm f/4L IS USM PZ are Coming May 13

It’s fair to say then that the R8II is likely to also share the same 32.5mp sensor with IBIS
If the R8ii sticks with the current form factor and hence a LP-E17 battery, I would struggle to see how they can implement IBIS. As it is, the R8 already has a relatively low CIPA rating of 150-220 (standard to power-saving modes using EVF). Adding IBIS would reduce that further, let alone having overheating occuring (much) earlier. These might make the camera potentially rather frustrating to use.
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Canon Shows off RF 500mm F5.6 L IS in Latest Patent

There was still a cult of the EF 400 f/5.6 L when the EF 100-400 II came out. I suppose the built-in lens hood and kudos of owning a prime. made up for the 3.5m close focus, lack of IS and being less sharp even on Canon's own MTF charts.
It was a fraction of the price, so for kids and bird curious folk it was a palatable entry. Canon had long since clawed back the R&D costs and it didn't kill them to keep this one on tap as a gateway drug to more serious L products.
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Canon Shows off RF 500mm F5.6 L IS in Latest Patent

Honestly, if the 300-600 f/5.6 L is either never happening or $12,000 USD, I would be happy to have this lens instead. Does anyone have an expected price? I'd imagine at least $5-6k, but that's a lot more forgiving than $11k+
The Sigma L and E 500mm 5.6 lists for $4,400 CAD and is often on sale for $3,999 CAD. Canon would probably add a premium if the lens were an L, but if the lens is a silver ring like the 200-800 I think they could be very competitive.
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Canon Shows off RF 500mm F5.6 L IS in Latest Patent

It's a slippery slope. [...]
So true! Once I stopped being a grad student I first built out my zoom trinity, and then worked on my people prime trinity, and then some esoteric stuff; plus there's a few things I inherited. But even in the mid-range there's always something else to narrow in on a case. (I don't have a 35mm, but I want one...)

My bird shots are all casual and so usually opportunistic and therefore not my top captures by any stretch — but they are fun! Our acreage includes a few ponds in conifer forests at some height in the mountains, and thus eagles frequent them. Plus we have animals like ducks, and eagles like ducks. The ducks are safe in large ranges with netting, but the eagles do like to watch the live show. Anyhow, I was headed across a fallow field and saw this young eagle splashing about in a puddle following the rain. 300mm f4 IS + 2x II at ISO 1600, f/8 (so lens DOF at f/4 magnified x2), 1/2000s — taken as hastily as I could quietly yank the parts from my backpack, assemble, then shoot. Probably at a range of 200 feet. I think the focus ended up on the wing. Still, it makes a nice print for the barn.

farm_eagle.jpg

I think I'll always keep the 300, and it works very well with the 1.4. If I had a 500 5.6 and an RF 1.4 to go with it I'd make some regular excuses to travel up and down the coast with this kind of photography in mind.

Edit: P.S. — I love your bird shots! That hawk, wow!
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RF 24-105 f4-7.1 vs RF 24-70 f2.8 in daylight

I thought I understood the sunny 16 rule, but apparently not. My understanding is if the ISO is 100 then the shutter speed should be 1/100, not 1/6,400. I’m new to this, so I need more help understanding this.
The sunny 16 rule is that at iso 100 you need 1/100s at f/16. So, at f/11 you need 1/200s. f/8 1/400s etc etc to 1/3200s at f/2.8. (Not 1/6400s).
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The Canon EOS R6 V and RF 20-50mm f/4L IS USM PZ are Coming May 13

I believe the R7ii is slated for late May/early June though I still feel a November release is more likely.
May/June is based on the assumption that the DS126933 FCC filing refers to the R7 Mark II. It's safe to assume now that it does not. All the "leaks" (glorified rumors) from the past few months are crumbling in front of your eyes.
It's completely possible that Canon announces it a month after the R6V, after all they target two very different markets so they wouldn't interfere with one another, and the R7II could be shipped out by mid-summer for birders, but there's nothing to back that release window.

I wouldn't get my hopes too high up for the R7 Mark II. Back in May 2025 the R6 Mark III was rumored to have a 24 MP stacked BSI-CMOS sensor with a DIGIC Accelerator and a faster readout than the R5 Mark II. We got none of that. It's safer to assume we'll get a refreshed sensor (possibly BSI) with faster readout without hurting dynamic range. Just enough to address, at least partly, the biggest issues with the R7 like the rolling shutter and AF performance.
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The Canon EOS R6 V and RF 20-50mm f/4L IS USM PZ are Coming May 13

In defense of rocker zoom switches, among my excess of equipment, I own a Canon Vixia HFG60 camcorder. (I think Neuro owns one also.) The zoom is controlled by an onboard rocker switch that is extremely difficult to use well. That problem disappeared when I started using a Manfrotto LANC Controller with it's own superb rocker switch. The controller also has a dial which controls the speed of the zoom throughout the rocker switch's range. With that controller it is possible to have reliably controlled zooms from glacially slow to lightning fast.

This raises a few questions. Do any MILC hybrid cameras have a LANC input? Does it seem likely that any will have one? Does anybody care whether they do or not?
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Show your Bird Portraits

R5MkII and 200-800 @ 800

1. I'm certain that with monopod-required great whites I could do better, but for my needs the 200-800 + R5MKII enabled acquisitions of these shots that in a way that works for me. Specifically, the sensor resolution, the IS in the lens and the R5MkII...and the reach of the lens--these images were cropped but not enlarged via AI software. Well done Canon. Well done.

2. I believe it is iSV that resides in Hawaii, and supplies images of birds that are so unlike most anything I see here in the midwest USA (I am not a real birder). But in April of each year, the breeding American Goldfinches (especially the males) get...GOLD! I hope to return to Kauai later this year...but for now here is about as much color that I see. (EDIT: save male cardinals, bluebirds and blue jays).

K41A8013 picasa fix-topaz2-denoise-sharpen - Copy.JPGK41A8226 picasa crop-topaz2-denoise ps fix copy 2 - Copy.JPG
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The Canon EOS R6 V and RF 20-50mm f/4L IS USM PZ are Coming May 13

It’s fair to say then that the R8II is likely to also share the same 32.5mp sensor with IBIS
I´m struggling with that assumption. As posted in a different thread:
Canon could easily reuse the 24mp sensor for the r8ii and use it for further market segmentation with a 24 - 33 - 45 mp line up. I´d actually expect them to do just that.
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Show your Bird Portraits

R5MkII and 200-800 @ 800

Many years ago (and for decades), I admired the photography within the US-based magazine Sports Illustrated.

Their cover photographs, in particular, were often stunningly beautiful.

I remember wondering why photos taken at NFL (American football) games in which there was snow on the ground looked...so wonderful!

Now I surmise that reflected light from the snow-covered turf enables the facial details that you often don't get to see in football games.

I think the same thing happens in our birdbath (if the sky is right, reflections from the water (EDIT: and the white color of the bottom of the bath) are enabled, at least for the undersides of the birds).

Northern Mockingbird

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K41A5995 picasa crop-topaz2-denoise - Copy.JPG
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The Canon EOS R6 V and RF 20-50mm f/4L IS USM PZ are Coming May 13

The 24-105/2.8L and newer 70-200/2.8L are Z lenses, not PZ lenses. AFAIK, there is only one Canon PZ lens to date (not counting the Cine Servo zoom lenses). The 'Z' lenses require the PZ-E2 accessory for motorized zoom, otherwise they are regular zoom lenses with a regular, mechanical zoom ring. As you might expect from the '2' there was a PZ-E1 that provided power zoom capability specifically for the EF-S 18-135mm f/3.5-5.6 IS USM lens.

Have a look at the only other PZ lens, the RF-S 14-30mm F4-6.3 IS STM PZ. PZ means the zoom motor is inside the lens, not in a separate accessory. The zoom ring has no manual function. Turning it one way or the other just activates the built-in zoom motor (in a force-sensitive way so the zoom can be driven at different speeds). Personally, I would not want a zoom lens with only a motorized zoom function for photography. YMMV.

View attachment 229041
OOOPS, I was mistaken...
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