Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

Inserted, unlabeled, into a discussion about using an APS-C sensor to get more reach from a lens - and prefaced by mocking those who believe in the magic of a crop sensor - no one would assume it was a smartphone photo unless they were familiar with you having done that kind of thing in the past. As a relative newcomer to this forum, I didn't know I was dealing with someone as deceptive as you, and was entitled to take your post at face value. Once again, you try to evade responsibility for a deliberate deception by blaming those who didn't see through it.

Please stop trying to justify your actions by blaming those who criticize them. What's appropriate would be an apology from you - but I'm not holding my breath waiting for one, since an apology from you would be totally out of character.

At this point, I'd settle for you shutting up about this dispute.
I think you are the only one who saw those images and thought they represented something they don’t. And now you won’t stop going on and on about it in order to create the appearance that Neuro was wrong in this debate or was trying to mislead. When in fact, you stated some ridiculous and unfactual things yourself and can’t stand to be corrected.

Maybe sometimes Neuro uses a bit harsher wording, but he has a lot of knowledge and always bases his comments on facts and, as in this topic, usually also provides sources to support his arguments.

I think Neuro’s presence is a big benefit to this site, especially when debating and confronting members who make false claims or present their opinions and wisfull thinking as facts.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

I'm done posting here. You folks are not worth the effort, since you've clearly circled the wagons and left me out.

Where's Mel Brooks when we need him?

When you take your fingers out of your ears and speak up, I'll come back.
Please stop blaming others and playing the victim: you’ve shut yourself out by refusing to admit that you are wrong and refusing to accept the detailed explanations, by multiple members, of the basic concepts and theory.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

I'm done posting here. You folks are not worth the effort, since you've clearly circled the wagons and left me out.

Where's Mel Brooks when we need him?

When you take your fingers out of your ears and speak up, I'll come back.
Now you know how Franz Liebkind felt. We have a Maximilian posting (not Bialystsock, fortunately) and we need more of the cast.
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EOS-M is Dead. So where’s my RF Equivalents?

I tried to get this done, but so early in the process that Sigma Japan had not yet sent the necessary parts to Sigma USA. Sigma sent me replacement lenses instead. I hope that Sigma didn't just throw away the lenses that I sent them. They were good lenses, just in the wrong mount.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

Once again, it could be explained by the mega pixels, processing, and compression. None of those things are necessary connected with sensor size, but the relationship between focal length, sensor size and f-stop (equivalency).
That's my interpretation on Earth 2. I need @riker to talk to Data and Gordy about putting us in the right places!
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

I continue to be astonished that no one here is agreeing with me. I appear to be visiting Earth 2.
You're in the wrong, and you expect people to agree with you? Anyway, since your statement that you'd settle for an end to the dispute you've now made four more posts contributing to it. Hypocrite.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

Inserted, unlabeled, into a discussion about using an APS-C sensor to get more reach from a lens - and prefaced by mocking those who believe in the magic of a crop sensor - no one would assume it was a smartphone photo unless they were familiar with you having done that kind of thing in the past.
The smudging from AI-driven noise reduction by the iPhone is very evident to anyone who knows what to look for. I guess now you know what to look for, as well.

As a relative newcomer to this forum, I didn't know I was dealing with someone as deceptive as you, and was entitled to take your post at face value. Once again, you try to evade responsibility for a deliberate deception by blaming those who didn't see through it.
Again, no. You were deceived by your own ASSumptions about what I posted. I was not attempting to deceive anyone, for example by claiming that I was comparing FF and APS-C. I use the term 'smaller sensor' and that was accurate. I find your characterization of me as being deliberately deceptive to be offensive. I strive to always post factual information, and when posting my own opinions I indicate them as such. I do make mistakes, and when those are pointed out I am grateful for the correction because it often means I have learned something new (though I'm certainly guilty of the occasional typographical or copy/paste error).

Please stop trying to justify your actions by blaming those who criticize them. What's appropriate would be an apology from you - but I'm not holding my breath waiting for one, since an apology from you would be totally out of character.
I apologize when I am incorrect. In this case, I am not.

At this point, I'd settle for you shutting up about this dispute.
The real issue here is that you are triggered by factual information about areas where APS-C sensors are inferior to FF. The 'dispute' did not start over the iPhone/R3 comparison images, your first response to me in this thread was about the effect of sensor size on DoF, and that reply was full of misinformation. Let's review that first response:

Leave the camera in the same place and let the framing change because of the smaller sensor and the depth of field and background blur are unchanged.
That is false. Are you going to admit that you were wrong...and apologize for it?

Telling folks just getting into photography, and are primarily concerned with whether the lens/camera combination they're looking at can capture enough light in low light situations that the f/2.8 lens they're looking at is really an f/4 lens is totally misleading to the ordinary photographer, and is primarily designed to steer them to buy more expensive full-frame gear.
Does 'the ordinary photographer' not care about noise in their images? Maybe you don't, that's fine. I suspect most photographers, especially those using ILCs, do care about noise in their images. The fact is that image noise is inversely proportional to sensor size.

If a blurred background is the paramount virtue you aim for in photography, go for it - but you're not talking the language of most photographers.
Do you speak for 'most photographers'? Wedding and portrait photographers outnumber most other genres, and for them a blurred background is very commonly used. The same is often true for wildlife, macro, and other genres, and the reason is that when a photograph has a key subject, there is often a desire to separate that subject from the background. As I pointed out in my previous reply, smartphones are the most popular camera type in the world (by far!) and they all now offer a 'portrait mode' that uses AI/ML to identify the subject and blur the background.

So, that question was rhetorical. You were wrong there, too...are you going to admit that and apologize for it?

At this point, I'd settle for you shutting up about this dispute.
You are free to do so by choosing to not respond to my posts. You may want to at least refrain from arguments over technical matters, you are clearly out of your depth (pun intended) in that arena. Not just the above corrections, there are several other posts in this thread where you've exposed your lack of technical knowledge (e.g., your statement that, "..an APS-C R5 shot has shot noise comparable to an R7" when you mean 'noise in the shot' and not shot noise, which has a specific definition and is a one component of image noise that is independent of the ISO setting).
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

Some people say, "we see what we want to see."
What in your opinion makes it garbage?
Did you double-click on it? Apparently not - maybe because you don't want to see what I'm saying. It's a grainy low resolution image that no one here would boast of having taken. Presenting that low resolution smartphone image as implicitly an APS-C image (from the context and its own prefacing words) to compare to the right-hand image, which we now know was taken with an R3 and an L lens, was unworthy of anyone engaged in honest discourse.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

In my universe, we were talking about Equivalency and how the depth of field (among other things) is affected. If your interpretation was it's terrible that's on you. Some people would say the left photo is preferable because more is in focus. As I attempted to explain before they contrast and artifacts can be attributed to the sensors dynamic rage, MP count and processing. Several of the people you seem to be upset with have a variety of cameras with an array of sensor sizes. I can admit I'm not the most conservative person with my spending habits, but even so, I wouldn't have bought an R7 or an S25 ultra if I thought the image quality was poor.
If Neuro said something I disagree, think is dishonest or whatever with, I'll ask him, but probably not in an insulting way (the redneck in me is going to come out and say, "mess with the bull and you get the horns").
I don't know what else to say other than sorry for offending you with my crazy sense of reality. I'll go see a therapist soon.
Click twice on the comparison image in post #38 and tell me that the left image, seen large, is anything but garbage - so bad that neuro claims that it was so obiously a smartphone photo that it wasn't necessary to say it was. No one in this universe would say the left photo is preferable.

My point throughout is that post was libel of APS-C imagery, calling it garbage by implication, and doesn't belong in an APS-C anticipation thread.

Neither neuro nor I were talking about depth of field in connection with that photo comparison. (He talked about effective focal length.)

This appears to be your attempt to rescue his dishonest post. It doesn't work.

If this forum gave us the ability to block abusive posters, I'd be using it on neuro. You hangers-on - keep going. I'm not that offended by you all yet, but it won't be long before I'm simply out of here, having lost patience with a group unwilling to stand up to a liar, preferring to attack those who call a liar out.
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Canon RF 45mm f/1.2 STM Reviewed by Opticallimits

Optical limits is one of Richard's favourite sites
Summary:
The Good
Very sharp at medium aperture settings
f/1.2 on a budget

The Bad
Blurry corners from f/1.2 to f/2
Excessive axial color fringing at f/1.2
Very pronounced focus shift
Wavy field curvature
Miserable corner bokeh in certain scenes
Overpriced for what it is

1.5/5 stars, Avoid!

I'll buy 10!~
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

I didn't know I had wandered into a private clubhouse. Keep it up, folks, and you'll find yourselves alone here.

I didn't say a word abouf f/stop in my criticism of neuro's post - I criticized it for implying that APS-C images were terrible.

PS No you're not here for anyone but neuro and neuro's friends. Honest discussion is only allowed, it appears, if it doesn't call out dishonest posts as such.
In my universe, we were talking about Equivalency and how the depth of field (among other things) is affected. If your interpretation was it's terrible that's on you. Some people would say the left photo is preferable because more is in focus. As I attempted to explain before they contrast and artifacts can be attributed to the sensors dynamic rage, MP count and processing. Several of the people you seem to be upset with have a variety of cameras with an array of sensor sizes. I can admit I'm not the most conservative person with my spending habits, but even so, I wouldn't have bought an R7 or an S25 ultra if I thought the image quality was poor.
If Neuro said something I disagree, think is dishonest or whatever with, I'll ask him, but probably not in an insulting way (the redneck in me is going to come out and say, "mess with the bull and you get the horns").
I don't know what else to say other than sorry for offending you with my crazy sense of reality. I'll go see a therapist soon.
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Canon RF 45mm f/1.2 STM Reviewed by Opticallimits

Christopher Frost on YouTube discovered a pretty significant focus shift when stopping down.
Possibly copy variation, but worth pointing out.
Bryan (TDP) mentions it in his review, though he suggests it’s mild:
This lens seems to exhibit a slight focus shift (caused by residual spherical aberration, RSA), with the plane of sharp focus moving slightly backward as the aperture is narrowed. The greatest impact is around f/2.8, where the focused-on subject sometimes appears slightly softer.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

*IF* f/stop isn't important between apsc and full frame, then why would it mater if it's the iphone's 2.8 lens or the r7 or R1? I believe the point was that it's it's easier to see the depth of field changes between the more extreme difference in sensor sizes. Sometimes it's hard to admit we're wrong, but I'm here for you ;)
I didn't know I had wandered into a private clubhouse. Keep it up, folks, and you'll find yourselves alone here.

I didn't say a word abouf f/stop in my criticism of neuro's post - I criticized it for implying that APS-C images were terrible.

PS No you're not here for anyone but neuro and neuro's friends. Honest discussion is only allowed, it appears, if it doesn't call out dishonest posts as such.
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Mushrooms And Fungi Of Any Kind

This is the first time I've seen this mushroom. They're very pretty with their white stripes. Are they edible?
No idea about the specific mushroom, but the overwhelming majority of mushrooms fall into the category of ‘edible but not tasty and will probably cause some GI discomfort’. A small number of mushrooms are in the ‘edible and tasty’ category, and an even smaller number are in the ‘deadly if ingested’ category.

The hen-of-the-woods falls into the large edible but not tasty group.

IMG_0967.jpeg
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

Inserted, unlabeled, into a discussion about using an APS-C sensor to get more reach from a lens - and prefaced by mocking those who believe in the magic of a crop sensor - no one would assume it was a smartphone photo unless they were familiar with you having done that kind of thing in the past. As a relative newcomer to this forum, I didn't know I was dealing with someone as deceptive as you, and was entitled to take your post at face value. Once again, you try to evade responsibility for a deliberate deception by blaming those who didn't see through it.

Please stop trying to justify your actions by blaming those who criticize them. What's appropriate would be an apology from you - but I'm not holding my breath waiting for one, since an apology from you would be totally out of character.

At this point, I'd settle for you shutting up about this dispute.
*IF* f/stop isn't important between apsc and full frame, then why would it mater if it's the iphone's 2.8 lens or the r7 or R1? I believe the point was that it's it's easier to see the depth of field changes between the more extreme difference in sensor sizes. Sometimes it's hard to admit we're wrong, but I'm here for you ;)
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

Indeed. You get more depth of field, when you use the same framing as on a full-frame camera. Or you get the same DOF but with a larger effective magnification.
Technically, if you keep the subject distance the same between FF and APS-C, the field of view is smaller with APS-C and the depth of field is slightly shallower at the same aperture setting. The ‘deeper DoF with crop’ is entirely due to increasing the subject distance to match framing. The magnitude of the effect of increasing distance on DoF is greater than that of the opposing effect of a smaller sensor.

The scenario of keeping the distance the same is arguably more common with macro photography, because the minimum focus distance (which delivers the maximum magnification for the lens) is an intrinsic property of the lens.
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