The Best and Worst of 2025
- By m4ndr4ke
- Industry News
- 170 Replies
Oh, just so I make myself clear: I didn't mean to refer to the loss of detail due to image stretching that occurs on software-corrected lenses, as that is obvious.…and, potentially, peak sharpness.
I actually meant the opposite: the more optical corrections a lens includes, via the addition of extra elements, the more detail is prone to be lost.
Software vignetting corrections sometimes bother me, specially as Adobe tends to over-correct them, but they're not new and were present on EF lenses already.
A few examples for vignetting:
Canon EF 11-24mm f/4L USM Lens Vignetting
Review vignetting (peripheral shading) test results with f-stop contours for the Canon EF 11-24mm f/4L USM Lens. Compare the results from this lens with other lenses.
Canon EF 24mm f/1.4L II USM Lens Vignetting
Review vignetting (peripheral shading) test results with f-stop contours for the Canon EF 24mm f/1.4L II USM Lens. Compare the results from this lens with other lenses.
Canon EF 35mm f/1.4L II USM Lens Vignetting
Review vignetting (peripheral shading) test results with f-stop contours for the Canon EF 35mm f/1.4L II USM Lens. Compare the results from this lens with other lenses.
Canon EF 35mm f/2 IS USM Lens Vignetting
Review vignetting (peripheral shading) test results with f-stop contours for the Canon EF 35mm f/2 IS USM Lens. Compare the results from this lens with other lenses.
Canon EF 50mm f/1.2L USM Lens Vignetting
Review vignetting (peripheral shading) test results with f-stop contours for the Canon EF 50mm f/1.2L USM Lens. Compare the results from this lens with other lenses.
Canon EF 50mm f/1.2L USM Lens Vignetting
Review vignetting (peripheral shading) test results with f-stop contours for the Canon EF 50mm f/1.2L USM Lens. Compare the results from this lens with other lenses.
As for software distortion corrections....I'm currently at the point where as long as I don't notice image degradation, I'll look the other way, because in my line of work real usefulness is having a lens that delivers results, not one that takes a perfect image of the wrong composition.
Of course, such thinking may not be suitable for all genres of photography.
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