Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

The total amount light is relevant in this way. If you illuminate for example a FF image of 36mmx24mm or a APS-C of 22.5x15mm or a 2/3" of 8.6mmx6.6mm, with the same f-number and exposure time, you will see a S/N over each sensor proportional to the square root of the total number of photons hitting the surface area of the sensor in that exposure time. So, for those 3, the S/N will be in the ratio 1.6:1:0.4 calculated from their relative areas. Then, when you look at the image after enlarging them all to the same size, the S/N in each will have been proportional to the total amount of light gathered across the whole sensor, 1.6:1:0.4.
I salute your continued technical replies, which will hopefully help bystanders, but I am put in mind of that analogy of playing chess with a pigeon.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

The factual information I was asking for was provided, not by a reply to my request but elliptically in another post, by means of a link to that pair of photos of violinists that mentioned offhandedly that an iPhone shot was used. Thus, the pair of photos designed to prove that full frame was superior to APS-C turned out to be a fraud: a comparison of who-knows-what to an iPhone shot.

The textual insistence on full-frame came in the form of arguing about "equivalence" of lenses that insists that lenses on APS-C bodies lose a stop of exposure, turning an f/2.8 lens into an f/4 lens - the implication being that if you want to be able to take shots in low light you need a full-frame body, with the pairing of violinist shots being the coup d'grace - "See how terrible your little camera's picture is compared to my full-frame rig?"

That's why my conclusion is, as they shout on the floor of the House of Commons - "Shame!"
I don't have a dog in this fight but I observe that you have been given ample evidence and explanations of the technical issues involved, with various suitable caveats, but have rejected them and been at least as rude as you perceive others to have been. Nobody has insisted - or even really insinuated - that smaller formats aren't fine for many people or uses. But you seem to want to believe that larger sensors have no objective advantages, which is contrary to the evidence presented. Quibbling over neuro's image (which was clearly meant to humorously demonstrate that larger sensors have advantages in some situations) isn't making you seem as clever as you seem to believe.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

Total amount of light gathered is relevant to what? Exposure and signal to noise ratio both depend only on the intensity of light hitting each photosite and the exposure time. What does total amount of light gathered across the whole sensor affect? Answer: Nothing, unless you're trying to use your camera to sunbathe.
The total amount light is relevant in this way. If you illuminate for example a FF image of 36mmx24mm or a APS-C of 22.5x15mm or a 2/3" of 8.6mmx6.6mm, with the same f-number and exposure time, you will see a S/N over each sensor proportional to the square root of the total number of photons hitting the surface area of the sensor in that exposure time. So, for those 3, the S/N will be in the ratio 1.6:1:0.4 calculated from their relative areas. Then, when you look at the image after enlarging them all to the same size, the S/N in each will have been proportional to the total amount of light gathered across the whole sensor, 1.6:1:0.4.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

You first.

Where?
The factual information I was asking for was provided, not by a reply to my request but elliptically in another post, by means of a link to that pair of photos of violinists that mentioned offhandedly that an iPhone shot was used. Thus, the pair of photos designed to prove that full frame was superior to APS-C turned out to be a fraud: a comparison of who-knows-what to an iPhone shot.

The textual insistence on full-frame came in the form of arguing about "equivalence" of lenses that insists that lenses on APS-C bodies lose a stop of exposure, turning an f/2.8 lens into an f/4 lens - the implication being that if you want to be able to take shots in low light you need a full-frame body, with the pairing of violinist shots being the coup d'grace - "See how terrible your little camera's picture is compared to my full-frame rig?"

That's why my conclusion is, as they shout on the floor of the House of Commons - "Shame!"
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Show your Bird Portraits

Yes, Texel is a bird photographers paradise during the breading season, with lots of birds and accessible locations. And are there dragonflies as well. Let me know if you need more information.
Yes please. We haven't travelled much recently and a trip to Holland birdwatching would be fun. I learned my bird photography from nedpix.nl where the mods pulled you apart if you ddn't meet their standards!
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

There are 2 aspects to light/exposure/noise that might be important to photographers. And are often confused. Your f-ratio measures the intensity of light in a given area, but his is not the total amount of light gathered. Since exposure is intensity, it does not change if sensor size is different. This is why an exposure of f/2.8 is the same regardless of sensor size. But light gathered is a different measurement and is tied into how much noise (S/N ratio). How much light is gathered depends on the size of the entrance pupil - not the f-ratio. For example:

Using a 300mm lens on your FF camera at f/4=75mm entrance pupil (300/4=75mm)
To get the same field of view on your Canon crop camera, your focal length is approx. 187.5 (300/1.6). Your 187.5 focal length divided by your f/4 f-ratio=approx. 47mm entrance pupil. Smaller entrance pupil means less light gathered by the sensor, even though your f-ratio is the same.
To get an equal amount of light on the Canon crop sensor, you need to get the same size entrance pupil, which is 75mm.
187.5mm focal length divided by 75mm entrance pupil = f/2.5 f-ratio.

If you go to the Clarkvision website, you will see there are actually a few other factors, but I think this gives you a good starting pint about exposure versus light gathering/noise. I think once you get these basics, you can make an informed decision as to what sensor size camera you might want, what lenses you will want, and how they deal with equivalence when it comes to both exposure and light gathering/noise. So this way you can steer yourself to whatever gear you want.
Total amount of light gathered is relevant to what? Exposure and signal to noise ratio both depend only on the intensity of light hitting each photosite and the exposure time. What does total amount of light gathered across the whole sensor affect? Answer: Nothing, unless you're trying to use your camera to sunbathe.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

Not if you consider the human race to be a highly social species where social dominance matter.
Your reply is worse than ridiculous:
1. You insult people who are transgender (+/- 1% of the population of the USA).
2. You insult @neuroanatomist.
3. As @AlanF has pointed out: your analogy is completely irrelevant to the subject.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

No. But, if you ever find your way out of the circle of confusion that you are clearly trapped within, perhaps then you'll understand. That highlighted bit is a hint, you may want to google that (or not, if you'd prefer to continue in your mistaken belief that you fully understand what factors determine DoF).


You can frame how you want and set the DoF based on your artistic choice (within the limits of your lens). Artistic choice matters when comparing what one likes best. It's irrelevant when discussing equivalence.


I'm sorry that you find factual information misleading. I prefer to educate people about the facts, not suggest that they ignore them...or worse, present them with misinformation. Granted, the latter is all too common these days but I choose to be part of the solution rather than part of the problem.


Sure, sure. I mean, smartphones don't even offer Portrait Mode because no one wants a blurred background.


And those are for most photographers, those of us using ILCs are a small minority of people out there taking pictures.


If you post correct information, I'd be happy to thank you and move on. But if you continue to post misinformation and make asinine statements, I will continue to set the record straight.
I'm still waiting for you to disclose what gear and settings were used for your two side-by-side pictures of violinists designed to suggest, when you click on it to enlarge it, that APS-C gear is terrible. Your silence on the subject is deafening.

UPDATE: I now see that you admitted last night (by the link in post #101 in this thread) that the terrible shot on the left in that pairing is a crop of a shot from an iPhone. Not relevant at all to this forum, much less this thread. Shame on you!

Factual information, please. Not snark. I'm not posting shots taken with a phone but with APS-C Canons. You're the one caught in a circle of confusion, insisting that nothing but a full-frame camera is worth considering - a totally out-of-bounds bit of snobbery in a thread about a hoped-for APS-C model.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

I don't disagree with this, but I still fail to understand its relevance to anything that came before.
I don't think anyone but Bob can truly understand it and that's ok along with whichever pronouns Bob wishes to be called and whatever laws of optical physics they, he, or she wants to ignore. I'm going to go pretend I can levitate because I don't want to admit gravity applies to me when using a Harryfilm camera!
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

Consider the number of heated arguments that occur on this web site over trivial issues. In Neuro's previous account, he had over 30,000 postings. I'd bet money that at least 10,000 included some unnecessary snipe at another poster.
I don't disagree with this, but I still fail to understand its relevance to anything that came before.
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

came here to say this... my X-T5 is frustrating to use w/ the 40mp sensor. it requires you to be in try hard mode in terms of lens selection, technique, etc. any mistake you make on any level will show quite easily. diffraction sets in super early too which limits how far you can stop down, more so than on other cameras. i'm a perfectionist so its hard to have fun with the X-T5.
Mistakes won't show more easily on higher MP sensors if you view the image at the same magnification. It's only if you insist on viewing at 100% or cropping more on the higher pixel sensor that eg diffraction or camera shake will be more clearly resolved.
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The Best and Worst of 2025

After having compared the EF and the RF 100 macros, I didn't hesitate one single second and put the EF on sale. This was already my 3rd. EF version, the first ones were even inferior , and it was still far inferior to the RF for landscapes. Don't you please tell me macros aren't for landscapes too, many use them in a more universal way, unless you want to always carry 2 100mm lenses.
The RF is just a full class above the EF. You don't want SA control? Don't use it, I do.
My 2 centimes of an Euro. :)
I don't consider any prime lens to be remotely "universal." I made a trip to the local zoo recently with a Black Rapid double harness, an R6-2 with an adapted 100 Macro on one hip and a 16-300 Sigma on an R7 on the other. I've used an adapted EF24-105 f/4 in the past instead of the 16-300 but the extra reach proved handy for animals at unpredictable distances.
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Show your Bird Portraits

The Gray-breasted Mountain-Toucan inhabits the high Andean cloud forest from Colombia to Peru. I photographed this individual while birding at Hacienda El Bosque, Colombia, November, 2025. I particularly like this image because of the imminent action and because it displays all aspects of this species' plumage.

R5 RF200-800mm

View attachment 227142
Outstanding photo! None of RGB components should complain :)
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Canon EOS R7 Mark II to Have Stacked 40MP Sensor?

I think a camera of this spec would probably also need a decent range of dedicated glass to be fully attractive.
came here to say this... my X-T5 is frustrating to use w/ the 40mp sensor. it requires you to be in try hard mode in terms of lens selection, technique, etc. any mistake you make on any level will show quite easily. diffraction sets in super early too which limits how far you can stop down, more so than on other cameras. i'm a perfectionist so its hard to have fun with the X-T5.

So Canon will need to offer some really high end primes for the 40mp sensor if they come out with one. pretty much no zoom would be worthy, other than likely the 70-200 2.8Z. I can't really see Canon offering any RF-S L primes to counter Fujifilm's dedicated LM primes... mostly cause Canon has never shown any interest in making any truly high spec aps-c primes... other than maybe the EF-M 32 1.4
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The Best and Worst of 2025

No honourable mention to Sigma as a whole this year? They are cooking on all fronts.
Considering the number of Sigma lenses I've purchased in the last two years, I'd have to agree. Now if they would just introduce a 50 to 135-140 APS-C lens, I'd buy it. A 120-300 f/2.8 Sport lens would be nice as well but only if they can make it in RF mount.
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Show your Bird Portraits

Purple sandpiper (Calidris maritima) feeding:
View attachment 227186

Sanderlings (Calidris alba) taking a stroll along the floodline:
View attachment 227187

Both taken this morning on the beach of the Dutch island Texel, R5 MK II + EF 600mm f4 II + 1.4 extender.


Very nice shots, Pieter. I really like the first one. Well done.
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Show your Bird Portraits

From today: checked if the "strange Waxbills" are still there. They were and actually I did see one more partially leucistic Waxbill - totally different pattern of the white feathers from that on the photo! Didn't succeed with taking image...
Also Yellow-fronted Canary...

View attachment 227179View attachment 227180View attachment 227181View attachment 227182View attachment 227183

Very nice series, ISv. My favorites are the second and last ones.
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