Thanks for your answer.

Weight played a factor, so I narrowed it down to my 1DX, 600mm f4 + tripod, 35mm f1.4, 14mm 2.8, 70-200mm 1.4/2x extenders and bringing a charger and extra battery. I hope it all fits. I tried to wrap my 600 in bubblewrap this morning and it no longer fit in my bag. One way or another I am getting it there! Wish me luck, I leave tomorrow morning!

Fyi: This Magic Lantern dual_iso module doesn't only work on 5d3 anymore, but in the latest build on:

* 500d, 550d, 600d, 700d
* 50d, 60d
* 7d
* 5d2, 5d3

I just tried it on my 60d and I'd suggest for everyone to give it a try, there are hardly any artifacts at all in the latest release and it will make you realize how much of a difference it makes if 2-3 stops of dr are conjured out of thin air - I'm more convinced than ever that at least to me dr on my 60d's sensor is a limiting factor.

Hmm A masterful job and a unique look. Camo is sort of old looking already.

You can easily sew it on a machine. I redid my 200 1.8 so that it is in just 2 pieces as they got the seams misaligned

Thanks for the video!

Can you compare the high ISO video performance of the two cameras (from 1600 to 12800) ?

Anybody got experience with this brand? I've used one and found it seems it loses more light than Hoya HD. Aside from that, I didn't notice any color cast so far.

SwissBear said:

Or the new sigma 18-35 f/1.8 DC for crop sensors.

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Yes, that is the lens that made me ask the question. I have not handled the 16-35L. but the Sigma felt nice, that is why I was dreaming for an EF-S 17-55 of that type.

Ever think it could be your camera that is causing this 'bad marriage'? I'm just saying that when people talk about 'bad lenses' they conveniently ignore the fact that the camera also plays a very BIG part in the focusing equation...

Just like Noah, I have "two of each" and many a time one of my lenses works perfectly well (or only needs a little AF microadjustment) on body A but can't be made to work (i.e. achieve sharp images) on body B.

Did you try this lens on another camera? If you did, I missed it in the many replies and posts, if you didn't it might be worth your while to try it.

Good luck!

:'( BOO HOO HOO :'(

No Pulitzer for you I'm afraid!

The OP is a prime candidate for a 70D! Staying with a crop body means there is no need to change shooting styles when going to FF from APS-C.

There's something mighty disturbing about pictures of planes with the propellers frozen like that. I feel like the next picture is going to show it with the nose stuck in the ground.

But seriously, nice pics.

Pi said:

Joe M said:

But if Canon gave me all of that today, what would they sell me in a couple of years?

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Well, the flip side is: if they do not give you what you want, what would they sell you today? In my case, nothing. I did not upgrade because I was not excited enough.

Click to expand...

Touche.
That is the delicate balance Canon (and I suppose all manufacturers do this dance) has to juggle. If the update is too great, everyone buys it but then the next model will have nothing to beat it with. If the update is too small, there is something left for the next but Canon risks no one buying this one in numbers that are profitable.

I can't praise A.J. Johnstones in Glasgow highly enough. They have done four repairs for me now (1 warranty, 3 accidental damage or faults, on 50mm 135mm Sigma 18-50 and 7D) in each case they've stuck to their (reasonable) estimates and schedule, and they've given me a bag bag with the duff parts and told me in laymans terms what was wrong.

jrista said:

Agreed, it is very sharp, but doesn't exhibit much in the way of aliasing. Quite a bit sharper than the 7D, too.

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Everything on the left of the 32 mark is aliasing (the converging lines on the top). Other sensors do that, too, to a different extent.

I bought a Holga Pin Hole lens a while back. It is very cheap and a lot of fun, though it does vignette on FF sensors. They are available on Flea Bay.

Apop said:

mackguyver said:

tcmatthews said:

Lens are why I bough Canon. So this in not much of a surprise. Not to mention in many cases the Canon Lens is also Cheaper than the Nikon lens it out performs.

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+2 and nice to see the OP starting a Canon love thread

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A lot of people seem only fixated on sensor performance.
Individual skill is hard to discuss, but there are other components responsible for a picture , like a lens

People usually focus on what they are missing in their gear( or on nikon/canon side)
And sometimes forget there are a lot of really good things already there.

If canon gets better sensors the coming years , I can see some trolls switch brands to make fun of nikons outdated lens designs and lack of sharpness.

Either way two competitive brands ensures we keep getting better gear at a fast pace ! , whether it is sensor performance, overall functionalities ( think wifi , gps , maybe 4k/raw video will be standard within a considerate amount of time) , lenses , or other related stuff (flashes / tc's )

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I agree and competition is a great thing!

Here's one from left field: EF 100-300 f/5.6 L ....right around $300 used. It was my first L lens (for my 10D) and I still have it today. In fact I think I am the only one on the planet that still has one and still likes it. ??? I don't use it as much since getting the EF 70-300mm L IS L (a fabulous tele-zoom), but it's a terrific lens for the money if you can tolerate a fixed f/5.6 aperture and push-pull zoom design. Precursor to the EF 100-400mm IS L, it comes from the era of the vaunted Magic Drainpipe (EF 80-200mm 2.8 L) and has similar image characteristics: great color, great contrast and clarity and saturation... and just like the Drainpipe — it's BLACK! But the real clincher: it only weighs 695 grams! About the same as the EF 24-105mm f/4.0 L.

But if you want to spend 4X for the same range, get the EF 70-300 L IS. Modern, sharp, lighter than the 2.8 zooms and packs really well. Also, the EF 70-200 f/4 L (non-IS) for the money is really hard to beat, but I got rid of mine after getting the 70-300L.

—chas

A year or two ago I bought a Canon 7D from a local camera shop... nikon bag as well... Nikon is pulling out all the stops in their advertising.

This is not a case of Canon announcing intentions, it is a case of letting us know what has already happened...

Canon Indoor Security Camera
Model Number: VB-M600D

Keep tabs on any indoor space with the high-quality Canon VB-M600D Network Camera. Easy to install, this security camera performs well in low light environments and can be set to tilt, rotate, zoom, and focus from a remote location. Monitor video with efficiency with on-board analytics including moving object, and abandoned object detection.
More Information
•ONVIF version 1.02 conformant


•Exceptional low light performance


•Equipped with Canon's unique Easy Setup PTRZ Tool which allows the Pan, Tilt, Rotation, Zoom and Focus to be set from a remote location after installation


•The 101-degree wide-angle lens maximizes low-light performance allowing it to provide colour video down to .03 Lux and black and white video down to 0.001 Lux


•Sophisticated on-board video analytics, including moving object detection, removed object detection and abandoned object detection


•1.3 Megapixel CMOS sensor provides images with four times the detail of a VGA security camera


•Can be streamed with low bandwidth utilization and disk space usage thanks to the H.264 Codec

East Wind Photography said:

Jim O said:

Viggo said:

rmrc said:

Hi Viggo,

When shootin portraits i only use single point autofocus and i have no problems, even with my 85 1.2. With my kid running all over the place, i use case 1 and try to keep the focus point on his eyes and everything is fine to. Have you tried to microadjust your lens???? This may be the problem...

Click to expand...

Hi thanks, yeah, it's been calibrated by Reikan Focal. And I do get most shots in focus, andeven miss by 2 cm the shot is useless.

I have tried googling about inconsistencies in AF with the 200mm f2.0 and 100% of the hits I find is the opposite, NO inconsistency, incredible accuracy etc etc. And I'm very used to the 1dx, and I had MUCH better hitrate with my 70-200 mk2, so I'm starting to think that there might be something off with my lens...

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That's an expensive item to be just a paperweight. Don't think twice. Send it in to Canon for evaluation. Or exchange as defective if it's still in the exchange period.

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Mkii lenses incorporate closed loop AF which the 5d3 and 1dx utilize. Older lenses do not. I have the same issue and the 70-200 nails AF every time.

For f2 lense you may want to enable only cross type AF points. Default is to use them all. I've had better AF luck that way but typically on fast moving objects such as birds.

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I can use the double-crosstype center and have the same sharpness and precision as the furthest outer one, I guess that is a good thing to begin with. I wish they did that firmware for the 200 as they did for the new mkII 300 through 600.

@dgatwood -- you are correct, good catches.

I was thinking of full native kernel support and ignored the FUSE user mode support (would allow read and write, but not format as I understand it). I had also missed this summer's leaked/released Samsung native kernel exFAT module kerfuffle (Thanks!). I doubt the lawyers are out of a job yet on that plus I suspect it is a little too soon to see it in a major Linux distribution. I smacked into this issue recently as an Ubuntu 12.0.4 LTS user trying to use a 64GB SDXC card and wanted to alert others of a possible, even likely issue. Had not considered the PTP option -- I have been using card readers.

As for the comment regarding SDXC re-formatted to FAT32, that was influenced by the Amazon.com listings for the SanDisk microSDXC UHS-I 64GB cards which state "Compatible with microSDXC UHS-I enabled devices; Reformat into file system other than exFAT may cause instability". I have since briefly checked the SanDisk website and did not see a similar caution. Like you, I think one would probably not encounter a problem, but it is outside the SDXC spec and I would also try to stick with exFAT and deal with it in other ways.

Time to look into FUSE exFAT, PTP, and gPhoto!

Greg

I request a copy of asteroids. I would actually play that.

cayenne said:

Hi folks,

I would like to pay with HDR, but not sure where to start.

For instance, how do you set the camera to do this? I found how to set it to shoot HDR, it brackets 3 images and spits out a jpg. Is there a way to do this without it spitting out the jpg it puts together?

How do ya'll set the camera to take your HDR series of images? Any links to a tutorial on this for the Canon 5D3?

Also, for PP....do most of ya'll use Photomatix? Anyone use the open source Luminance (http://qtpfsgui.sourceforge.net/) program I've found.

Or, so most of you do it with Photoshop or GIMP? I'd seen one youtube video that seemed to get the most out of an HDR shot...using Photoshop where they could use masks to paint in/out the best parts of each images exposure with layers.

I don't know how to use layers much yet, but sure did look interesting. Anyone know of any good links to tutorials on trying this?

Anyway, just wanting to find solid info on how most of you shoot your bracketed exposures...and your workflows for processing using plugins or real image manipulator applications....

Thanks in advance,

cayenne

Click to expand...

see this thread and also post #34 in it especially:
http://www.canonrumors.com/forum/index.php?topic=11859.30

Viggo said:

This could be interesting...

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Haaaarrrgnnnn - great idea, but another Nikon/Sony patent that Canon most likely won't license :-(

Hi Guy's

Purchased the standard 67mm Lee adaptor ring. It's metal like my 77mm wide angle ring, works fine when used with Lee's 100mm filters/holder.