meh, sorry, i didn't like the 45mm f1.2 - it's a very specialized lens that you have to like the look out of the lens. if you don't, then it's dead to you. Not everyone wants a lens with that yes, it's a f/1.2, but it's a f/1.2 because they are allowing a literal dump truck of aberrations to exist.
And the Sony 50-150 is a lens that has never been done before, and it's optically, mechanically, everything, excellent.
if the 50-150 didn't make the cut as the best, then there's tons of others I would choose over the 45mm even if I had to take into account "bang for buck" - ie: the Sigma 200/2, or the freakishly incredible Sony 100mm Macro. there's just way too many amazing lenses out there this year, that in my mind would be above the 45mm.
I do like Canon making bang for the buck lenses that will have their followings - much like the EF mount, so it's all a good thing. as long as they fire the dude that decided the 75-300 was a good idea.
Well clearly you don't know what "literal" meansmeh, sorry, i didn't like the 45mm f1.2 - it's a very specialized lens that you have to like the look out of the lens. if you don't, then it's dead to you. Not everyone wants a lens with that yes, it's a f/1.2, but it's a f/1.2 because they are allowing a literal dump truck of aberrations to exist.(https://en.wikipedia.org/wiki/Literal_and_figurative_language) but calling the RF 45mm a very specialised lens is bizarre: I spent most of Xmas Day taking family photos with it and it performed brilliantly and I found it very versatile as you'd expect with 45mm. It does have some minor flaws but they make barely any difference to the results in normal usage.
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