Question. For auditorium events / lighting.
I have the RF 24-240 f/4-6.3.
Is a constant f/4 (on the new 70-200) enough of a benefit at the long end to justify adding it? Losing 40 mm and only gaining 1.3 stops at 200mm.
Or keep saving for the 2.8 and enjoy the current lens.
From my personal experience, I was in a similar boat 10 years ago and got the f4 version. To make a long story short, I ended up trading up to the 2.8 as soon as I could afford to do so.
It is my experience that the difference between f4 and f2.8 in moderate to dim lighting can be very noticeable, and even substantial in some cases. Say at f6.3 you’re at ISO 12,800. F4 is 1.3 stop difference = ISO 5,000. F2.8 is another stop = ISO 2,500. Considering that IQ on many camera sensors deteriorates considerably past 3200, this could affect print size, cropping power, etc. The 2.8 lens would allow for a much better shot than either the f4 or 6.3. But in good light you’ll see far less of a difference...
I suppose final results will ultimately depend on the camera body you’re shooting with.
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