One of the secrets in producing a film-like image from digital is to start with a basic RAW file before a contrast profile is added.
I’m really not convinced that I can produce a better “quality” B&W image from B&W film (including MF) than I can from digital, other than the fact that with negative film we’re exposing for the shadows, and have (generally) huge highlight latitude, whereas in digital we are exposing to protect the highlights, which normally leads to a file that’s more closed down than a correctly exposed negative.
Ironically colour negative film is different, because of the above, but also the colour information that’s in negative film, when scanned well, with each pixel being scanned red, blue and green (unlike Bayer Array), does give more colour information, and this is very apparent in medium format.