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Thanks, I'll give it a go! I've tried it before but wasn't really pleased with the results but I will spend some more time with it. That said I still think Canon (with waaaay more colorist knowledge than most end users) should put something really eye-pleasing and retro together for such a...

JPEG for this type of camera

If Canon is releasing this then I hope they are working on their color character. The Canon color signature has been quite dull (but probably technically accurate) lately. One of the main reasons the Fujifilm is selling so well in the retro-department is its glorious film simulations and...

After trying some of the RF lenses I have noticed that the contrast is WAY way to high for my taste. In this case the RF 50/1.8. Blacks are almost completely crushed and highlights are too hot. I understand that the purpose is to have ready JPEGs but it really makes them look harsh and...

Why not both. One aimed at stills and one hybrid. That said I hope Canon goes for 60 and spend a frikkin fortune on the CFA and resist the temptation to deliver clean images at ISO 5 million. I want those old color and hues from the 1Ds MarkIII. Give me a daylight camera :-)

This one is going to be expeeeeensive!

CR mentions that it will be announced tonight. I thought it was tomorrow? Or is it a midnight thing?

This thing is going to sell like craaaazy...and the needed migration to RF is guaranteed. Smart move Canon!

Holy crap that is something!

Go nuts :-) Just preparing you for a potential disappointment, that's all

Just a week before the official release, CR2 rumour of EOS R listed this for $1990. - EOS R body •28MP full frame sensor •Dual Pixel Auto Focus •IBIS (In Body Image Stabilisation) •10fps shooting •4k@30fps •1080p@60fps Just sayin...

This is the pro model and Canon has more or less mentioned that it is in the making.

get another one...

No they didn't

2.0 yes. I was referring to the patent of a 28-70/2.2-2.8

right, but my point was the 28mm at the wide end and how far one is willing to go to sacrifice the conventional 24mm

OK, I don't see the point of the patent for the reasons I wrote…

I'm sorry but I don't see the point of this lens. 28-70 is a comprimise on the wide end, but if you get 2.0 all the way through then I think many can live with that. I mean...that lens is sexy. But 2.2 - 2.8? Nah... then I would prefer 24mm wide and 2.8

I see this as plausible. It is in the midrange that the market is whining about DR, 4K video and IBIS. Not that Pros wouldn´t need it but we are not chasing specs like that. If Sony has a great sensor on the shelves and Canon can guarantee a certain volume, I am sure they´ll get a good offer and...

18-50/1.8