Creative post-processing – before & after

Jul 21, 2010
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I thought it might be fun to start a thread on creatively post-processed images, shots that are clearly 'photoshopped'. The idea is to at least show the before and after versions, and if you're willing to share the details, an outline of the processing steps to go from the original to the final image.

I'll start the thread off with a few examples, with the processing details for some of them...



This is Boston Light, on Little Brewster Island in the Boston harbor. The only way to get to shots of the lighthouse in 'good light' (sunrise, sunset) is to have your own boat; the tours go out in the middle of the day. This shot was taken from the tour boat on the return trip, at about 4pm on a hot summer day (~90 °F) with a hazy sky - not particularly good light.

9819295435_df9c2e1f69_c.jpg

EOS 1D X, EF 70-300mm f/4-5.6L IS USM @ 300mm, 1/250 s, f/16, ISO 100

In CS6:
  • Duplicated image in new layer
  • Filter Gallery > Glowing Edges (width 5, brightness 10, smoothness 6)
  • Blended layer as Vivid Light (100% opacity, 50% fill)
  • Magic wand selection of sky (tolerance = 20, anti-alias and contiguous)
  • Filter menu > Blur > Gaussian blur (radius = 20.0)
  • Cropped image (remove about half of water at bottom and and a bit of sky at top)
  • Saved as JPG
In the LensFlares app for Mac OS X:
  • Added Polaris flare (decrease brightness by ~50%, increase scale by ~50% and adjust rotation)
  • Added Gamma Rays flare (decrease brightness by ~80%, adjust aspect ratio ~50% rightward)

Here's the result:
 
Jul 21, 2010
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I've seen a few 'tiny planet' images, and a bit of Googling showed that it only took a few steps to create one, the challenge is finding the right source image. I wanted to try something a little different, turned out to be a fair bit of work.

I started with two panorama shots of Boston, from the north bank of the Charles River by the MIT campus. They were taken from the exact same spot, one at night and one during the following day. Each was a 10-shot pano at 70mm in portriat orientation (1D X, 24-70L II), although I cropped them to ~7 shots worth for this, so I could pick ends where the buildings lined up nicely. There were a few boats floating in the foreground, and I cloned those out (including the masts among the buildings). Then I converted both night and day panos into tiny planets, cleaned up the seams, pasted the day planet over the night planet, and applied a gradient layer mask.

Here are a couple of the pano source images and the two assembled pano shots:
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This is the result:

"A Day on Planet Boston"
 
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Jul 21, 2010
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This was a pretty simple one, starting with a couple shots from close to home, taken on a cold morning just after a snowstorm. I used the 1D X + 70-300mm f/4-5.6L IS USM, with one shot near the wide end and the other near the tele end.

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In CS6, I warmed the images up a bit, then selected successively smaller sections of the images starting with two from the wider shot then the rest from the longer shot, then overlaid them in layers with an Outer Glow effect (black, 75% opacity, softer), to create this:

"Fractals"
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Jul 21, 2010
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Another fairly simple one, combining an image 'Little Venice' in Colmar, France taken in August of last year with a shot of the supermoon eclipse taken following month from my back yard. Darkened the sky of the first shot, then layered on the moon twice, with second shot inverted for a reflection, then masked out the appropriate areas to blend the images.

"La Petite Venise"

EOS 1D X, TS-E 24mm f/3.5L II, 2.5 s, f/11, ISO 100

"Blood Moon"

EOS 1D X, EF 600mm f/4L IS II + EF 2x III Extender, 0.5 s, f/8, ISO 6400

"Blood Moon over Little Venice"
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Jul 21, 2010
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I ran across an image in my library of a common merganser coming in for a landing at the mouth of the Merrimack River, and decided to have a play with it.

pMXCZZnBmXlD1HAVUq1r2kvopRV9WO02wxnu5LKaQVgJejOPcXRuVFzrUU7kgKvmETf7v2yMV2Bl64xMPFa2NYfBGBzaYICDS-HJVMmHsuBJbf3Q_WEeDG5BWK3gasT9JV6iaFdSsr3xeszcAuXySQr2fYYDWBF3icgc1fJs4bsBhSCWLIcuRIgMAwOxygvUou4fcuAP-h0nr4LVoqzjMUnwAvMbqgVLXIwXTvHat9JIcAQXR7ppjkqEp7BiTcdTPuQFhjmWdRIp5vBmUP9PKyPRZw2UZhUb4O182tK20UDYXkldaDS19oJO2BvHtYQn68l8FtLqL9X0iVwQ_HrE16j7jh1HUREnzT0lrC8UV2YJWDGbNIQBGxj9cvZf1smCjk0DQFanLI0K-79ghuwP1uZVvmILtPtmFjsSARutlmeBKwaFZU3g3wAs9DLNsdPmzt70CsHQ9zvHGSnoO_iTabRitMVW2Wm7tP9U9yGiWXCK6XtY4i_8brifS7lFe2tr1kKIYnENVd-IIfsaEew_Z29BYGAoTVER-UMZ5qxD95jcZ5FQKTrPnL7GLaltqkIwdhtJ-5jZp6yjOprqsopMKchB6krXiYZb1jaedJPDcsOsD7I=w700-h280-no

EOS 1D X, EF 600mm f/4L IS II + EF 2x III Extender, 1/500 s s, f/8, ISO 1600

Did some stretching and twirling of the water in PS, then blended the bird back in:

"Surfing Merganser"
 
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Jan 29, 2011
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Here's one of mine.

It isn't finished yet but is close enough.

The edit consists of 164 different images with the 'best' bits taken from each using a variety of blending modes, masks, and further masks on groups. There are only half a dozen curves and hue saturation layers in amongst it all and the rest is very basic just repetitive.

The image was shot with a 1Ds MkIII and 11-24 @ 11mm f9 for 10 seconds at 100iso. I used one 600-EX-RT and an ST-E3-RT along with an iPhone and CamRanger. The pool doesn't have working lights so that was faked with a blue gel.
 

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