Visualising focal length perception.

[CJRodgers]

I hope the title of this thread isn't misleading. I only use primes, I dont know why, I just like them. Im trying to understand how focal perception effects photos.

For shooting small groups, and if space wasn't an issue, is the best reason to use the widest lens possible before distortion factors show up, because it gives the most sense of depth to the photo?

Imagine the worlds best telephoto lens, that would allow me to photograph a group of 6 people or so from the other end of a football pitch and crop in, still retaining amazing sharpenss. It would still look weird because everything would look so compressed and there would be no depth to the photo right? Or would this scenario infact depend upon how close they were stood to a backround.

Is this a suitable way to visualise this focal length perception or am I missing something? What would you suggest to be the longest focal length to be used for group photos, space permitting?

 

[Mt Spokane Photography]

For a FF body, around 50mm gives the best perception. On a crop body, about 30mm is equivalent.
If you are back far enough to get a group in the image, say 20 ft, the depth of field is going to be very deep.
http://www.dofmaster.com/doftable.html

Examples: for a distance of 20 feet:
Canon 5D MK III 50mm f/4: In focus from 15' 6" to 28' 2"
Canon 7D 28mm f/4: Iin focus from 12' 7" to 48" 7"

 

[sandymandy]

50mm gives u the most "natural" appearance that you also get when u are using ur eyes. The "wideness" and "compression" look (nearly) like everything is seen with ur eyes.
Anything wider or closer looks less "natural" to ur eyes cuz ur used to see the things like u see them since u were born and a 50mm lens is the closest u can get to that.

Best is to just try out different focal lengths, perhaps take a portrait of someone in the same spot but with various lenses. Wider lenses give some kind of weird feeling cuz distortion comes in and with tele lenses compression comes in. Actually theres also distortion when using ur eyeballs (theyre round after all) but you wont notice it. The brain image processor is waaaay better than any camera sensor. On a camera u just start to notice the effects a lot more. Not much with a 50mm lens...

YES im a parrot repeating myself rrrraaaarrr

 

[TommyLee]

I saw this collection of faces...
I saved it because the person that did this ...did it right - IMO
I would give credit if I had the link...

this shot(s) explains a lot...

-----------------------

 

[TommyLee]

plus these four.. from ...I believe the same post...
wish I had the link to the discussion... good points there


they really tell the story with these - IMO
sometimes...a picture is worth a thousand words....

I try to see...and think like this when I have my 14mm, 35mm and 135mm with me..

 

[Loswr]

they really tell the story with these - IMO

The story of the first image: Model or Marionette?

 

[vlad]

I saw this collection of faces...
I saved it because the person that did this ...did it right - IMO

That's great, very telling. Goes to show that there is no "best" focal length. You learn the characteristics of wide vs. tele and then use the range for different artistic effect. 50mm is often claimed as the most natural, but since we are working in a visual medium, sometimes we want an interpretation different from "normal". A classical portrait is usually more compressed than what we would see normally, whereas a wide angle shot can give a better sense of environment and "being there". And as much as I love my 50, I'm not going to claim that it represents how I actually see things, since for better or worse I don't see things through a rectangular frame

 

[sagittariansrock]

I think it also illustrates that above a certain focal length, the effect of compression doesn't change much (the angle subtended by an image decreases disproportionately more than the increase in focal length and levels off).

I think the perception of depth depends on the distance to the subject. If multiple subjects are closer together, relative to the distance from the camera, you will not perceive depth. It is indirectly affected by the focal length since one needs telephotos to shoot distant subjects with any clarity. However, if you shot larger objects at a distance with a wide angle lens- you will still not perceive depth.

 

[Loswr]

I think the perception of depth depends on the distance to the subject.

Exactly. In fact, perspective depends solely on distance to subject, and is independent of focal length. But for the same framing, distance to subject changes must change focal length, so perspective changes.

 

[CJRodgers]

Thanks everyone, this was exactly the discussion I was hoping for. Im also trying to analyse alot of images, trying to figure out how they were created. This helps alot.

 

[M.ST]

The wires over the model head are a no go in photography. Bad composition.

 

[CJRodgers]

Do you think 24mm is too wide for enviornmental portraits like this? I quite fancy the 24mm prime.

http://blog.kubotaimagetools.com/?tag=authorcraig&page=2

not really the first one, although that is kinda cool how couple dont look too weirdly distored.

 

[CJRodgers]

Some more examples here i think

http://stl-photography.com/blog/category/weddings/

http://www.creativelive.com/courses/wedding-photography-business-boot-camp-sal-cincotta
photo with the car infront of building... what focal length would this be?

 

[sandymandy]

The wires over the model head are a no go in photography. Bad composition.

Perhaps it was included to show how wide "wide angle" really is?

 

[rpt]

The wires over the model head are a no go in photography. Bad composition.

Wires? You are looking at the wires?

Dude! Surely you can do better!

 

[RLPhoto]

The wires over the model head are a no go in photography. Bad composition.

Wires? You are looking at the wires?

Dude! Surely you can do better!

Well, It would be better w/o the wires. Block them out with your thumb and it looks better to me. Nothing some PS can't fix. :