paulrossjones said:wockawocka said:AND IT NEEDS TO BE CHEAPER THAN THE 1DX OTHERWISE WE MAY AS WELL USE MEDIUM FORMAT DIGITAL
you obviously don't have a medium format! they are a pain in the ass to use, so far behind in technology. price isn't everything, i want it to do the best job it can, price isn't the most important factor for a big chunk of the market.
what i need as an advertising photographer is more speed, more iso and lots of megapixels. my p65+ has enough pixels, it just cant be used in many situations. if canon can release a decent high megapixel camera that can do iso 800 at 3-5 fps, they will own the high end of the market.
paul
LetTheRightLensIn said:MrFotoFool said:If they had made a duplicate version with no video, I would have bought that instead even if it was the same price.
Why??? How does having it hurt you? At the very least you'd be a fool since you'd pay the same for something that would have less retail value and yet behave EXACTLY the same in hand for you.
Why do so many still photographers have such hatred for video? I thought photographers were supposed to be creative, open-minded types always wanting to explore new things? Even if you don't want to, all the talk about paying as much or even more just to get a body with video disabled sounds utterly nuts to me.
wockawocka said:paulrossjones said:wockawocka said:AND IT NEEDS TO BE CHEAPER THAN THE 1DX OTHERWISE WE MAY AS WELL USE MEDIUM FORMAT DIGITAL
you obviously don't have a medium format! they are a pain in the ass to use, so far behind in technology. price isn't everything, i want it to do the best job it can, price isn't the most important factor for a big chunk of the market.
what i need as an advertising photographer is more speed, more iso and lots of megapixels. my p65+ has enough pixels, it just cant be used in many situations. if canon can release a decent high megapixel camera that can do iso 800 at 3-5 fps, they will own the high end of the market.
paul
You noticeably didn't read my sig. I use a H4D50 for wedding, studio and landscape photography.
Medium format is cumbersome to use but well worth the grief. The Hasselblad lenses are the best in the world, the colour, also world class.
The majority of people using such large file sizes will be studio and landscapers. Run and gun wedding togs just don't have the need (in general) for such high file sizes. I use mine for wedding stuff for things like flowers, panoramic building shots, group shots but the rest the 1DX is used for.
I would trade down my H4D50 but the camera would have to be CHEAP because I know for a fact I would be losing out on the quality medium format affords me. When it comes to high resolution sensors I'm not fussed about ISO performance but ultimate IQ. I know that to squeeze than many pixels onto 35mm is a compromise. As are the lenses. They just aren't good enough compared to H series stuff.
Heck I may even buy a big mp Canon and keep the Hassy. It's that good. I wouldn't dream of shooting a whole wedding on a big MP Canon though. I hear about D800 owners downsizing all their image files to fit onto a DVD.
LetTheRightLensIn said:expatinasia said:There seems to be an awful lot of wishful thinking going on in this thread, with many hoping it will be in a 5D-type body - especially as that could indicate a more affordable price as compared to a 1D ?.
Personally I cannot see that happening. The 1D S makes more sense from where I am sitting. They make a flagship studio camera to go along with the flagship sport / high fps camera, and then remove certain features to eventually get down to a 5D Mark IV.
Do they want to sit there with nothing to compete with D800 until 2015 or 2016 though? If it is some giant $8500 1DsX that will hardly compete with the D800.
LetTheRightLensIn said:expatinasia said:There seems to be an awful lot of wishful thinking going on in this thread, with many hoping it will be in a 5D-type body - especially as that could indicate a more affordable price as compared to a 1D ?.
Personally I cannot see that happening. The 1D S makes more sense from where I am sitting. They make a flagship studio camera to go along with the flagship sport / high fps camera, and then remove certain features to eventually get down to a 5D Mark IV.
Do they want to sit there with nothing to compete with D800 until 2015 or 2016 though? If it is some giant $8500 1DsX that will hardly compete with the D800.
Add "superior" to "cleaner"...downsizing a large file creates a better image than does native resolution. And cropping a large file increases DOF for macro shooters.High res allows down sampling which creates a cleaner file
bdunbar79 said:LetTheRightLensIn said:expatinasia said:There seems to be an awful lot of wishful thinking going on in this thread, with many hoping it will be in a 5D-type body - especially as that could indicate a more affordable price as compared to a 1D ?.
Personally I cannot see that happening. The 1D S makes more sense from where I am sitting. They make a flagship studio camera to go along with the flagship sport / high fps camera, and then remove certain features to eventually get down to a 5D Mark IV.
Do they want to sit there with nothing to compete with D800 until 2015 or 2016 though? If it is some giant $8500 1DsX that will hardly compete with the D800.
Depends on what you mean by "compete." If you're talking about sales, the 5D3 was already way ahead.
Well...not really. Not unless those 16 bits are actually used for something other than just quantizing noise. That's all the current 16 bit systems do. Those extra bits don't really carry useful data. In practical terms the only thing 16 bits provides over 14 bits is: 1) making the raw file unnecessarily larger; and 2) give marketing people stuff to talk about that really doesn't affect image quality.The Flasher said:16bit RAW image capture, not megapixels, would define progress in the DSLR market.
J
Lee Jay said:TAF said:Either 34.56mp (4800x7200) or 56.62mp (6144x9216; extra credit for seeing why I chose the latter numbers).
1920*3=5760
5760*1.6(crop)=9216
So it's the same pixel density as a 1.6 crop sensor with three horizontal pixels per output horizontal pixel in full HD video mode.
TAF said:Lee Jay said:TAF said:Either 34.56mp (4800x7200) or 56.62mp (6144x9216; extra credit for seeing why I chose the latter numbers).
1920*3=5760
5760*1.6(crop)=9216
So it's the same pixel density as a 1.6 crop sensor with three horizontal pixels per output horizontal pixel in full HD video mode.
Fascinating. That was not what I was looking at at all.
I was thinking 256 pixels per mm (vice 200 pixels per mm for the 7200). I like your answer better. Well done.
art_d said:I am really hoping they opt for the 5D series body. I think that would make more sense because the 1D series cameras are built for people who shoot high volume work. High megapixel shooters tend to do low more low volume work.
Plus, for all the 5DII users who didn't upgrade to a 5DIII because of a lack of megapixel or IQ improvements, a higher megapixel 5Dx would finally give them a reason to buy a new Canon camera.
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dgatwood said:TAF said:Lee Jay said:TAF said:Either 34.56mp (4800x7200) or 56.62mp (6144x9216; extra credit for seeing why I chose the latter numbers).
1920*3=5760
5760*1.6(crop)=9216
So it's the same pixel density as a 1.6 crop sensor with three horizontal pixels per output horizontal pixel in full HD video mode.
Fascinating. That was not what I was looking at at all.
I was thinking 256 pixels per mm (vice 200 pixels per mm for the 7200). I like your answer better. Well done.
I figured it was just that the first one was 34560000 pixels, which is a cool number.![]()
M.ST said:All prototypes with the big megapixel sensors are in big bodys.
I like to see one in an big body and one in an body bigger than the 5D body, but smaller than the 1D body.
Today I send a big mail to the Canon development center with wishes and tests results.